Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Lily Collins. Show all posts
Showing posts with label Lily Collins. Show all posts

Monday, August 19, 2013

The Mortal Instruments: City of Bones

ACTION/ADVENTURE, SCI-FI/FANTASY

She Has Been Chosen

8.75 out of 10 | Movie and DVD

Rated: PG-13 Intense sequences of fantasy violence and action, and some suggestive content
Release Date: August 21, 2013
Runtime: 2 hours 10 minutes

Director: Harald Zwart
Writers: Jessica Postigo, based on the novel by Cassandra Clare
Cast: Lily Collins, Jamie Campbell Bower, Kevin Zegers, Jemina West, Robert Sheehan, Kevin Durand, Godfrey Gao, Lena Headley, CCH Pounder, Jared Harris, Jonathan Rhys Meyers, Aiden Turner



SYNOPSIS: When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.

REVIEW: The Karate Kid director Harald Zwart tackles subject matter all too popular these days. Teenage angst under the guise of supernatural and fantasy story and action. The screenplay is written by Jessica Postigo (who is also writing the follow-up City of Ashes), based on the novel written by Cassandra Clare. 


A young woman named Clary (Lily Collins, Mirror Mirror) starts drawing a very specific symbol in her doodles and drawings. When her mother Jocelyn (Lena Headley, The Purge) sees it, she and her friend Luke (Aidan Turner, The Hobbit: An Unexpected Journey) become concerned. Like any angst-ridden teenage girl, Clary takes her uncertainties and internalizes them, choosing to take her friend Simon (Robert Sheehan, Season of the Witch) into a dance club. When Clary witnesses a man being stabbed to death in the club, she flees. Returning home, she finds her mother missing and their apartment trashed. The mysterious man reveals himself to be Jace (Jamie Campbell Bower, Anonymous), a Shadow Hunter imbued with the blood of an angel, and that the man he killed was not a man but a demon. To search for her mother, Clary teams with Jace, Isabelle (Jemina West, Lines of Wellington), Alec (Kevin Zegers, The Colony) and Simon. Along the way, Clary discovers a world called Downworld previously unknown to her - filled with witches, vampires, werewolves, warlocks, demons and angels. She also discovers new memories and powers within herself. The question is whether her new allies and her new abilities will be enough to save her mother.

Based on the international best-selling series by Cassandra Clare, The Mortal Instruments: City of Bones is the origin tale of young Clary as she descends into the fantastic and frightening world hidden from the Mundane humans consciences. But Clary is less concerned about her new surroundings that she is about finding the woman who is first in her life and foremost on her mind - her mother.
The Mortal Instruments: City of Bones is much better crafted then this year's earlier Beautiful Creatures, combining good effects, a decent story, action, and lightness. I cannot speak to the adaptation of the book, but as a standalone efforts is enjoyable and much better than other recent supernatural teenage angst films. The fact that Clary has a purpose to go along with her super natural awakenings gives the film the weight it deserves.

When half angel/half human Shadow Hunters come together, it's important that they dress as goth as possible and show off their arsenals of swords, knives and weapons. They have all manner of armaments to deal with the likes of demons and vampires. Werewolves exist in the Downworld, too, and are worthy opponents of the Shadow Hunters, but the accord between the two groups is one that has not been broken. But sometimes the enemy is much closer than one would think.

The Shadow Hunters are as chiseled and beautiful as one would expect from the descendants of drinkers of true angel blood. It would be absurd to think they would look any less righteous. These type of movies could never be without the most gorgeous of young actors and actresses. Even Clary's speckled close friend Simon is handsome once the glasses come off. But beautiful actors, slick leather clothes and shiny weapons are just part of what makes this film look good. The CGI for the demons and the "hidden" sanctuaries of the Shadow Hunters is slick as well. The action sequences are fast-paced and kinetic, supplying a few good oohs and ahs as vampires shatter through tables or Shadow Hunters are thrown into walls.

As an avid moviegoer, I have seen most of the elements that the author presents in 
The Mortal Instruments: City of Bones. A portal that will transport the shadow hunters to any other place on the planet is reminiscent of Stargate. The runes that are etched on the Shadow Hunters bodies can be found in any number of adventure novels, comics, or in real life. Even the concept of a hidden supernatural world is similar to Marvel's Blade movie trilogy, using a similar tone for the characters and fight scenes. While a lot of the elements are not new, the author does a fine job blending them into a story that is new and fresh.

With clever and funny dialogue, well-crafted action sequences, a well paced story, and a fresh look at an established young adult genre, the 
The Mortal Instruments: City of Bones has something to satisfy the monster in all of us.

Thursday, March 29, 2012

Mirror, Mirror

Fairest of Them All

Rated: PG   Some fantasy action and mild rude humor
Release Date: March 30, 2012
Runtime: 1 hr 46 mins

Director: Tarsem Singh
Writers:  Jason Keller, Melissa Wallack, original story by Jacob Grimm and Wilhelm Grimm
Cast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli, Joe Gnoffo, Danny Woodburn, Sebastian Saraceni, Martin Klebba, Ronald Lee Clark


SYNOPSIS: Princess Snow White must find her strength to confront and defeat her stepmother, the Queen, and return her kingdom to its former glory.

REVIEW: Tarsem Singh Dhandwar, director of Immortals, switches gears from angry, vengeful gods to angry, vengeful stepmother Queens
. Based on the Jacob and Wilhelm Grimm story, newcomer writer Melissa Wallack and Machine Gun Preacher scribe Jason Keller look to recapture the reflection of the original story, while providing plenty of campy, tongue-in-cheek goodness.
As we begin this new classic tale of Snow White, the King's wife gives birth to a beautiful fair daughter. When the Queen dies in childbirth, The King raises the young Snow on his own. Realizing that there are some lessons that he alone will not be able to teach his daughter, he remarries. When a dark blight comes close to the kingdom, the King ventures out to do battle. He is not heard from and considered dead. Years later, the new Queen (Julia Roberts, Larry Crowne) lavishes herself in wealth and beauty while keeping her step-daughter Snow (Lily Collins, Priest) restricted to her room and the castle grounds. As the wealth of the kingdom dries up, the Queen sends her manservant Brighton (Nathan Lane, Astro Boy) to collect more taxes from the starving villagers. When Snow ventures out of the caste to explore the kingdom that should be hers, she encounters a strung up Prince Alcott (Armie Hammer, J. Edgar) and his valet Renbock (Robert Emms, War Horse) who had been overrun by a band of thieving giants who are actually dwarfs on stilts. Upon her return to the castle, Snow realizes that the Queen looks to keep the handsome prince to herself in order get her hands on his gold, but Snow also realizes that she has feelings for him as well. Plotting Snow's death, the Queen forces Brighton to take Snow into the Dark Woods to kill her, only to have Snow escape and meet up again with the seven dwarf thieves. She then must decide how to help the now spell-bound Prince, overthrow the Queen from the reigns of the kingdom, and defeat the Beast that hunts and terrorizes in the Dark Woods.

In a revisioned version of the Snow White tale, the film turns the ivory skinned, raven-haired envied beauty from a sheltered waif of a girl into a warrior princess bent on bringing down the reign of her twisted, vain stepmother queen. As with studio wars in the past, Relativity releases Mirror Mirror before the upcoming Kristen Stewart Snow White and the Huntsman. While the upcoming Huntman tale is more action driven and dark, Mirror Mirror walks on the edge of camp with free-wheeling fun, set in a beautifully crafted world, while still retaining a serious heart. Julia Robert's Queen chirps on about how taxing and irritating Snow White is to her, rolling her eyes at the mere notion that the eighteen-year-old could possibly be the fairest of them all. Collins' Snow White emerges from the sheltered shell of her castle confines and finds friends and the strength to battle for her father's legacy. Armie is the perfect Prince Charming... I mean, Alcott, with a strong chin, straight white teeth, ample muscles, and a fine sense of funny. And keeping with the light PG fare, you know that Nathan Lane will be playing to his comedic strengths.

Aside from the eye rolls from the Queen and whimpers and yaps from a Prince under the enchantment of Puppy Love, there is still plenty of kid-friendly action to go around. The dwarfs, in their energized way, take advantage of their thieving abilities, to rob from the rich for their own enrichment. Racing about and somersaulting over the Queen's Men on accordion stilts, moviegoing kids should enjoy the bouncy swashbuckling hi-jinks. Even Snow and Alcott cross swords more than once through their romantic adventure. The Dwarfs, stripped of their Disney monikers, have more heart than in some other incarnations. Instead of Dopey or Doc, our diminutive band of brothers-in-arms consists of Napoleon (Jordan Prentice, In Bruges), infatuated Half Pint (Mark Povinelli, Water for Elephants), always hungry Grub (Joe Gnoffo, The Benchwarmers), Grimm (Danny Woodburn, Employee of the Month), Wolf (Sebastian Saraceno, Bedtime Stories), Butcher (Martin Klebba, Project X) and Chuck aka Chuckles (Ronald Lee Clark, Epic Movie). They relish their freedom while regretting being outcast as 'uglies' by the Evil Queen years ago.

The scenery is beautiful, the costumes intricate and stunning, the interior ornate and detailed. The Dark Woods are filled with thin statuesque trees like paper birches, perpetual snow covering its grounds. The white-washed exteriors stand in stark contrast to the colorful wardrobe that Snow White changes into. Tarsem uses the Queen's and Snow's costumes to underscore mood and pageantry.

Whispers of other films come to mind when I watch Mirror, Mirror, including TIme Bandits, The Dark Crystal, and the animated interlude from Harry Potter and the Deathly Hallows: Part 1. The introduction of the story is gorgeous animated puppetry. The Dwarfs accordion stilts reminded me of the striders that Jim Henson's company created for his Crystal film. All in all, Mirror Mirror is a feast for the eyes and for the fairest of them all.

Mirror Mirror is filled with fun and a sense of whimsy. Julia Roberts is positively wicked as the Queen. Lily Collins embodies what it means to be a true Snow White. The dwarfs are fierce and Hammer radiates charm, compassion, and charisma. If you are waiting for high-octane fantasy adventure, wait for Snow White and the Huntsman. If you are looking for something for the kids to enjoy, Mirror Mirror may be where you need to look.

WORTH: Matinee or DVD


Friday, May 13, 2011

Priest

Not Much To Sink Your Teeth Into


Director: Scott Stewart

Writers: Cory Goodman, Min-Woo Hyung

Stars: Paul Bettany, Cam Gigandet, Maggie Q, Karl Urban, Lily Collins, Christopher Plummer


Watch Priest Trailer Now


SYNOPSIS: After centuries of war between humans and vampires, a tentative peace has been reached. With humans living behind the walls of mega-cities under church laws, vampires have prospered and gained strength. When his niece is kidnapped by the vampires, a warrior priest disobeys church doctrine to track her down.


Very loosely based on the original Korean comic graphic novel by Hyung Min-Woo and written by rookie film writer Cory Goodman, veteran visual effects man and Legion director Scott Charles Stewart re-teams with Paul Bettany for Priest. Gone are the zombies, the twelve fallen angels, and the rich complex story line from the comic, replaced with hordes of vampires and warrior priests. And instead of taking place in the times of the Crusades, the 19th century Wild West and modern day, Priest takes place in an alternate Earth's post-apocalyptic future.


The setting of the film alternates from the dark, ash-filled industrial religion run society with a look similar to Judge Dread and George Romero's Land of the Dead to a bright stark desert wasteland that hearkens back to Road Warrior: Beyond Thunderdome. Even the climax of the film tears a page out of Beyond Thunderdome's third act with the use of a desert train chase.


Priest strays wildly from the source material, and those who are not familiar with Min-Woo Hyung's graphic novel come away with a straight-forward vampire hunter revenge flick while fans of the Priest comic will be critical of the end product. Paul Bettany returns in great physical form as the dedicated warrior title character. Now that the wars against the vampires is over and the rest of the bloodsuckers have been forced on penal reservations, the warrior priests have been forced back into the general society structure within one of many mega-cities that the last of civilization cower within under the rule and protection of the Clergy.


When his brother Owen and his family is attacked, and niece is kidnapped, Priest disobeys Clergy doctrine in order to hunt down those responsible. Christopher Plummer stars as the head monsignor Orelas of the Clergy, bow beating and looking down on Priest with wonderful disdain and entitlement. Cam Gigandet joins the film as the wasteland Sheriff Hicks who enlists Priest's help, complete with a perfect 5 o'clock shadow and a knife throwing demonstration and target shooting right out of The Magnificent Seven. The antagonist simply named Black Hat (Karl Urban) steals his scenes with his ultra cool ex-priest, current-vampire hybrid performance. Finally, the women of the film, Priestess (Maggie Q) and the niece Lucy (Lily Collins), make good impressions, but are stunted by their lack of screen time. One good move made was that the vampires, other than Black Hat, are sightless, over-sized fanged mutants rather than glamorized pretty boys.


Although coming in at a vamp's tooth under 90 minutes, Priest still slowing plods along as it sets up the action scenes. One of the beginning scenes where Priest confesses to a prerecorded monsignor via a public confession booth and a microphone gives us a taste of a society that could have been explored further. One of the first larger action sequences in the bowels of the vampire "reservation" camps uses the smokey darkness to effective and creepy success. And in the climatic third act train chase, we are treated to a triad of cool sequences, from a furious fight atop the train cars between Priest and Black Hat, to Hicks moving through the rail cars trying to find Lucy, to Priestess looking to destroy the rail line while fighting off masked motorcycle marauders.


Whether in 2D or 3D, Priest should have tried to stay closer to its origins. The film is tight and somewhat steady but, ultimately, left me drained.


WORTH: Matinee or Netflix