Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Robert Sheehan. Show all posts
Showing posts with label Robert Sheehan. Show all posts

Monday, August 19, 2013

The Mortal Instruments: City of Bones

ACTION/ADVENTURE, SCI-FI/FANTASY

She Has Been Chosen

8.75 out of 10 | Movie and DVD

Rated: PG-13 Intense sequences of fantasy violence and action, and some suggestive content
Release Date: August 21, 2013
Runtime: 2 hours 10 minutes

Director: Harald Zwart
Writers: Jessica Postigo, based on the novel by Cassandra Clare
Cast: Lily Collins, Jamie Campbell Bower, Kevin Zegers, Jemina West, Robert Sheehan, Kevin Durand, Godfrey Gao, Lena Headley, CCH Pounder, Jared Harris, Jonathan Rhys Meyers, Aiden Turner



SYNOPSIS: When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.

REVIEW: The Karate Kid director Harald Zwart tackles subject matter all too popular these days. Teenage angst under the guise of supernatural and fantasy story and action. The screenplay is written by Jessica Postigo (who is also writing the follow-up City of Ashes), based on the novel written by Cassandra Clare. 


A young woman named Clary (Lily Collins, Mirror Mirror) starts drawing a very specific symbol in her doodles and drawings. When her mother Jocelyn (Lena Headley, The Purge) sees it, she and her friend Luke (Aidan Turner, The Hobbit: An Unexpected Journey) become concerned. Like any angst-ridden teenage girl, Clary takes her uncertainties and internalizes them, choosing to take her friend Simon (Robert Sheehan, Season of the Witch) into a dance club. When Clary witnesses a man being stabbed to death in the club, she flees. Returning home, she finds her mother missing and their apartment trashed. The mysterious man reveals himself to be Jace (Jamie Campbell Bower, Anonymous), a Shadow Hunter imbued with the blood of an angel, and that the man he killed was not a man but a demon. To search for her mother, Clary teams with Jace, Isabelle (Jemina West, Lines of Wellington), Alec (Kevin Zegers, The Colony) and Simon. Along the way, Clary discovers a world called Downworld previously unknown to her - filled with witches, vampires, werewolves, warlocks, demons and angels. She also discovers new memories and powers within herself. The question is whether her new allies and her new abilities will be enough to save her mother.

Based on the international best-selling series by Cassandra Clare, The Mortal Instruments: City of Bones is the origin tale of young Clary as she descends into the fantastic and frightening world hidden from the Mundane humans consciences. But Clary is less concerned about her new surroundings that she is about finding the woman who is first in her life and foremost on her mind - her mother.
The Mortal Instruments: City of Bones is much better crafted then this year's earlier Beautiful Creatures, combining good effects, a decent story, action, and lightness. I cannot speak to the adaptation of the book, but as a standalone efforts is enjoyable and much better than other recent supernatural teenage angst films. The fact that Clary has a purpose to go along with her super natural awakenings gives the film the weight it deserves.

When half angel/half human Shadow Hunters come together, it's important that they dress as goth as possible and show off their arsenals of swords, knives and weapons. They have all manner of armaments to deal with the likes of demons and vampires. Werewolves exist in the Downworld, too, and are worthy opponents of the Shadow Hunters, but the accord between the two groups is one that has not been broken. But sometimes the enemy is much closer than one would think.

The Shadow Hunters are as chiseled and beautiful as one would expect from the descendants of drinkers of true angel blood. It would be absurd to think they would look any less righteous. These type of movies could never be without the most gorgeous of young actors and actresses. Even Clary's speckled close friend Simon is handsome once the glasses come off. But beautiful actors, slick leather clothes and shiny weapons are just part of what makes this film look good. The CGI for the demons and the "hidden" sanctuaries of the Shadow Hunters is slick as well. The action sequences are fast-paced and kinetic, supplying a few good oohs and ahs as vampires shatter through tables or Shadow Hunters are thrown into walls.

As an avid moviegoer, I have seen most of the elements that the author presents in 
The Mortal Instruments: City of Bones. A portal that will transport the shadow hunters to any other place on the planet is reminiscent of Stargate. The runes that are etched on the Shadow Hunters bodies can be found in any number of adventure novels, comics, or in real life. Even the concept of a hidden supernatural world is similar to Marvel's Blade movie trilogy, using a similar tone for the characters and fight scenes. While a lot of the elements are not new, the author does a fine job blending them into a story that is new and fresh.

With clever and funny dialogue, well-crafted action sequences, a well paced story, and a fresh look at an established young adult genre, the 
The Mortal Instruments: City of Bones has something to satisfy the monster in all of us.

Saturday, January 8, 2011

Season Of The Witch

Cold Road Trip
[Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Claire Foy, Robert Sheehan]


image from glendalenewspress.com

RANT: Saw The Fighter for the second time. Christian Bale was still amazing to watch. The supporting cast definitely made Wahlberg's film what it is. Today, 3 wonderful older ladies walked into the theater and took the seats to my left. I was concerned that they may have been at the wrong showing, but they enjoyed the movie just fine.

SYNOPSIS: 14th-century knights Behmen and Felson desert the Crusades after years of bloodshed in the name of God. Upon returning home, they find themselves arrested with the option to either rot in prison or return to service to the Church transporting a suspected witch to a monastery for trial.

Possibly the busiest actor in America, Nicolas Cage teams up with the always imposing Ron Perlman for a 14th-century crusading knights' buddy film. The film's opening scene sets the stage with soldiers and a priest forcing confessions from a trio of women concerning the practice of witchcraft. Once their souls have been redeemed from Perdition, they are promptly backed off the bridge for their hanging and eventual drowning in the river below. Of course, the fact that more than one of the trio returns to vex the priest after their watery burial is testament that the methods might have some credence.

Enter Nicolas Cage and Ron Perlman as Behmen and Felson, two heroic and vicious Crusaders cutting their way through the infidels that stand in their way against the truth of God and the Church. After we bear witness to several sieges and battles spanning a dozen years, Behman and Felson start to question the divine direction of their leader and the bloodshed they have had more than a hand in. Deserting the Crusades and returning to Europe, Behmen and Felson make their way across a plague-ridden countryside, eventually finding themselves in the center of a town with the possible source of the Black Plague. Faced with either the prospect of being tried for their desertion of the Crusades armies or transporting and escorting the suspected witch girl to a monastery where the monks will try the girl and exorcise the witch inside her with the incantations within the centuries-old Book of Solomon.

Cage and Perlman dominate their scenes, Nic with a stare and Ron with his presence. The alter boy-turned-knight-wannabe, Kay (Robert Sheehan) somehow captured his moments onscreen with his heroic innocence. Claire Foy, known only as The Girl, splits time between convincing us of her innocence and of her powers of persuasion over her captors and escorts. Some of the scenes are more choppy then they should be, especially during some of the horseback dialogue. Other scenes in the Wormwood forest invoke the foggy, surreal tension and suspense that make up for Dominic Sena's lesser cinematic choices.

Season Of The Witch is not the best work from director Dominic Sena (Kalifornia, Gone in 60 Seconds), but it delivers enough to be entertaining as a fantasy film popcorn escape. Barring the semi-witty repartee between the main characters and some of the "shaky" camera work, once Sena gets the gang across the rotting, plank bridge at the edge of the forest, the films starts running on more than 4 cylinders.

Worth: Netflix

Butter Popcorn Meter