Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Armie Hammer. Show all posts
Showing posts with label Armie Hammer. Show all posts

Sunday, June 30, 2013

The Lone Ranger

ACTION/ADVENTURE

Riding for Justice

8.5 out of 10 | Movie or DVD

Rated: PG-13 Sequences of intense action and violence, and some suggestive material
Release Date: July 3, 2013
Runtime: 2 hours 29 minutes

Director: Gore Verbinski
Writers: Justin Haythe, Ted Elliott, Terry Rossio
Cast: Johnny Depp, Armie Hammer, Helena Bonham Carter, Barry Pepper, Willam Fichtner, James Badge Dale, Ruth Wilson, Tom Wilkinson, Harry Treadaway, Lew Temple



SYNOPSIS:  Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.

REVIEW: Director Gore Verbinski became a hard-to-pronounce household name after the success of the Pirates of the Caribbean franchise. He returns for a much dryer film, trading the vast allure of the oceans for the plains and deserts of Colby, Texas. The retelling of the Lone Ranger is scribed by Justin Haythe (Snitch), and Ted Elliott and Terry Rossio (The Pirates of the Caribbean series), galloping in a different direction for an American born western legend
.


John Reid (Armie Hammer, Mirror, Mirror) travels to Colby, Texas as the new county prosecutor. On his train is Butch Cavendish (William Fichtner, Date Night), a wanted Indian hunter who is shackled and being returned to Colby to stand trial. Also in shackles is a Comanche Indian named Tonto (Johnny Depp, Dark Shadows). After Cavendish's gang breaks him out of the train's stock car, Reid and Tonto are thrown together until Reid puts him behind bars in his brother Dan's (James Badge Dale, World War Z) jail. When Dan, John, and six other Texas rangers ride off in pursuit of the escaped Cavindish and his men, an ambush sets Reid onto in a spirit course to Tonto. Both looking for justice - Reid for his brother's murder and Tonto for wrongs from his past - Reid dons a mask as the Lone Ranger to pursue and hunt down Cavindish. What they don't realize is that Cavindish is not the only snake in the hot desert to deal with?

The creative team that created The Pirates of the Caribbean franchise return to rewrite the exploits of one of America's most famous masked cowboys. Spanning decades since its inception, the stories of the Lone Ranger have delighted audiences on radio shows, movie serials, comics, novels, television series and feature films. If you were a young boy of the 40s or 50s, you more than likely donned the black mask of this protector of the innocent. But who is that masked man?

Armie Hammer plays the Lone Ranger as a reluctant hero, a pacifist more comfortable with words than with a six shooter. Swearing justice for his brother, Hammer's Ranger is still willing to let Justice carry the day. It's not until the plot thickens and his brother's wife Rebecca (Ruth Wilson, Anna Karenina) and son Danny (Bryant Prince) are in peril that he dons the black mask for justice and vengeance. Johnny Depp, to his typical method, takes Tonto in a different direction that the familiar faithful servant and companion of the Lone Ranger in the character's previous incarnations. He is a half crazed Comanche outcast more willing to speak to white spirit horses and feed a dead raven on the top of his head then to other people. Even his own tribe has turned their back on him and his obsessive pursuits. The threats that both Reid and Tonto face comes in the form of William Fichtner's Butch Cavendish, a hair lipped and scarred brute who has no qualms about cutting a man's heart out and eating it. Even his own outlaw gang shows him a healthy amount of fear and respect. Tom Wilkinson (Mission: Impossible - Ghost Protocol) plays Latham Cole, a man who is an employee of the transcontinental railroad and who does whatever he needs to do to get his company's railroad connected to the West Coast in time. Barry Pepper returns from Snitch as Captain Jay Fuller, a Cavarly commander who may have decimated a native tribe for the wrong reasons, and Helena Bonham Carter (Les Misérables) plays the madame of prostitutes who has her own reasons to hate Cavindish. Harry Treadaway (Cockneys vs Zombies) makes an impression as Frank, one of Cavindish's outlaws.

Like with tPotC, Verbinski makes the Lone Ranger into an epic size action-packed Western – untethered by the constraints of practical stunts and squib bursting saloon gunfights. There is plenty of six shooting and repeating rifle battles, and horse chases, and train robberies, but the director uses a lot of CGI to oversize the thrills. Some of the effects are derivatives of Buster Keaton, but other effects are not as seamless as they could have been. From buffaloes to some sequences of the trains, the effects could have been better if they could have used the real thing. I know that is a tall order – especially with the cost of filmmaking – but sometimes the old ways are still the best.

The Lone Ranger is a great reimagining of a classic western hero. It is fun and as over-the-top as it should be for a summertime flick. Depp does a great job as comic relief in the form of the off-center Tonto and Armie Hammer does justice as the blond haired and blue righteous law keeper. Some of the story is true to the genre, becoming predictable for any fans who has watched AMC's Hell on Wheels or Two Mules for Sister Sarah, but it all works out as a fun and enjoyable ride.

"If we ride together, we ride for justice". That line was spoken by the Lone Ranger to Tonto. With a Hi-Ho Silver, Away, the Lone Ranger's white hat and black mask may be just what the summer needs.

Thursday, March 29, 2012

Mirror, Mirror

Fairest of Them All

Rated: PG   Some fantasy action and mild rude humor
Release Date: March 30, 2012
Runtime: 1 hr 46 mins

Director: Tarsem Singh
Writers:  Jason Keller, Melissa Wallack, original story by Jacob Grimm and Wilhelm Grimm
Cast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli, Joe Gnoffo, Danny Woodburn, Sebastian Saraceni, Martin Klebba, Ronald Lee Clark


SYNOPSIS: Princess Snow White must find her strength to confront and defeat her stepmother, the Queen, and return her kingdom to its former glory.

REVIEW: Tarsem Singh Dhandwar, director of Immortals, switches gears from angry, vengeful gods to angry, vengeful stepmother Queens
. Based on the Jacob and Wilhelm Grimm story, newcomer writer Melissa Wallack and Machine Gun Preacher scribe Jason Keller look to recapture the reflection of the original story, while providing plenty of campy, tongue-in-cheek goodness.
As we begin this new classic tale of Snow White, the King's wife gives birth to a beautiful fair daughter. When the Queen dies in childbirth, The King raises the young Snow on his own. Realizing that there are some lessons that he alone will not be able to teach his daughter, he remarries. When a dark blight comes close to the kingdom, the King ventures out to do battle. He is not heard from and considered dead. Years later, the new Queen (Julia Roberts, Larry Crowne) lavishes herself in wealth and beauty while keeping her step-daughter Snow (Lily Collins, Priest) restricted to her room and the castle grounds. As the wealth of the kingdom dries up, the Queen sends her manservant Brighton (Nathan Lane, Astro Boy) to collect more taxes from the starving villagers. When Snow ventures out of the caste to explore the kingdom that should be hers, she encounters a strung up Prince Alcott (Armie Hammer, J. Edgar) and his valet Renbock (Robert Emms, War Horse) who had been overrun by a band of thieving giants who are actually dwarfs on stilts. Upon her return to the castle, Snow realizes that the Queen looks to keep the handsome prince to herself in order get her hands on his gold, but Snow also realizes that she has feelings for him as well. Plotting Snow's death, the Queen forces Brighton to take Snow into the Dark Woods to kill her, only to have Snow escape and meet up again with the seven dwarf thieves. She then must decide how to help the now spell-bound Prince, overthrow the Queen from the reigns of the kingdom, and defeat the Beast that hunts and terrorizes in the Dark Woods.

In a revisioned version of the Snow White tale, the film turns the ivory skinned, raven-haired envied beauty from a sheltered waif of a girl into a warrior princess bent on bringing down the reign of her twisted, vain stepmother queen. As with studio wars in the past, Relativity releases Mirror Mirror before the upcoming Kristen Stewart Snow White and the Huntsman. While the upcoming Huntman tale is more action driven and dark, Mirror Mirror walks on the edge of camp with free-wheeling fun, set in a beautifully crafted world, while still retaining a serious heart. Julia Robert's Queen chirps on about how taxing and irritating Snow White is to her, rolling her eyes at the mere notion that the eighteen-year-old could possibly be the fairest of them all. Collins' Snow White emerges from the sheltered shell of her castle confines and finds friends and the strength to battle for her father's legacy. Armie is the perfect Prince Charming... I mean, Alcott, with a strong chin, straight white teeth, ample muscles, and a fine sense of funny. And keeping with the light PG fare, you know that Nathan Lane will be playing to his comedic strengths.

Aside from the eye rolls from the Queen and whimpers and yaps from a Prince under the enchantment of Puppy Love, there is still plenty of kid-friendly action to go around. The dwarfs, in their energized way, take advantage of their thieving abilities, to rob from the rich for their own enrichment. Racing about and somersaulting over the Queen's Men on accordion stilts, moviegoing kids should enjoy the bouncy swashbuckling hi-jinks. Even Snow and Alcott cross swords more than once through their romantic adventure. The Dwarfs, stripped of their Disney monikers, have more heart than in some other incarnations. Instead of Dopey or Doc, our diminutive band of brothers-in-arms consists of Napoleon (Jordan Prentice, In Bruges), infatuated Half Pint (Mark Povinelli, Water for Elephants), always hungry Grub (Joe Gnoffo, The Benchwarmers), Grimm (Danny Woodburn, Employee of the Month), Wolf (Sebastian Saraceno, Bedtime Stories), Butcher (Martin Klebba, Project X) and Chuck aka Chuckles (Ronald Lee Clark, Epic Movie). They relish their freedom while regretting being outcast as 'uglies' by the Evil Queen years ago.

The scenery is beautiful, the costumes intricate and stunning, the interior ornate and detailed. The Dark Woods are filled with thin statuesque trees like paper birches, perpetual snow covering its grounds. The white-washed exteriors stand in stark contrast to the colorful wardrobe that Snow White changes into. Tarsem uses the Queen's and Snow's costumes to underscore mood and pageantry.

Whispers of other films come to mind when I watch Mirror, Mirror, including TIme Bandits, The Dark Crystal, and the animated interlude from Harry Potter and the Deathly Hallows: Part 1. The introduction of the story is gorgeous animated puppetry. The Dwarfs accordion stilts reminded me of the striders that Jim Henson's company created for his Crystal film. All in all, Mirror Mirror is a feast for the eyes and for the fairest of them all.

Mirror Mirror is filled with fun and a sense of whimsy. Julia Roberts is positively wicked as the Queen. Lily Collins embodies what it means to be a true Snow White. The dwarfs are fierce and Hammer radiates charm, compassion, and charisma. If you are waiting for high-octane fantasy adventure, wait for Snow White and the Huntsman. If you are looking for something for the kids to enjoy, Mirror Mirror may be where you need to look.

WORTH: Matinee or DVD


Monday, November 14, 2011

J. Edgar

A Man's Ambitions

Director: Clint Eastwood
Writers: Dustin Lance Black
Cast: Leonardo DiCaprio, Armie Hammer, Naomi Watts, Judi Dench, Jeffrey Donovan

SYNOPSIS: J. Edgar Hoover changed the face of law enforcement during his tenure as the director of the Federal Bureau of Investigation. But behind every criminal collar and new law hid a man with secrets and shames that could destroy everything he had built.

REVIEW: With an acting career spanning 65 years and a directing career since 1971, Clint Eastwood has become a cinematic institution. Behind the camera again for his 35th directorial effort, Eastwood takes a story written by Milk scribe Dustin Lance Black to attempt to bring to life J. Edgar Hoover and his reign in the United States government, first as part of the Justice department, the Bureau of Investigation then as the first Director of the Federal Bureau of Investigation.

John Edgar Hoover (Leonardo DiCaprio, Inception) was born January 1st, 1895, in Washington, D.C.. As soon as he left graduated college, Hoover was hired by the Justice Department. From there, J. Edgar became acting director of the Bureau of Investigation, and as the first and longest reigning Director of the Federal Bureau of Investigation. Along the way, Hoover enlarged the FBI into an expansive efficient investigative branch of the government. He used the FBI to root out suspected subversives, Communist radicals, Great Depression gangsters like John Dillinger, and the kidnapper of the Charles Lindbergh baby.

Expanding the powers of his federal crime-fighting government branch throughout his career, J. Edgar Hoover utilized all the powers at his disposal as director. At the guidance and upbringing of his mother (Judi Dench), Edgar portrayed an outwards appearance of patriotic and personal ambition. But behind closed doors, Hoover hid repressed homosexual feelings, insecurities, and a stutter. Throughout his career, Edgar kept with him a close confidant and eventual Deputy Director Clyde Tolson (Armie Hammer, The Social Network). They ate lunch and dinner together, went to the clubs and vacationed together. All along, executive secretary Helen Gandy (Naomi Watts) provided support and confidence for Edgar and his personal and government secrets.

Eastwood tells the story from the perspective of J. Edgar as he retells of his youth and his career to various young special agents as they type up his professional memoirs. A little disjointed at first, we quickly fall into the rhythm of Hoover's eloquent monologue of self promotion. DiCaprio is stellar as Hoover, at all ages. Dench as Hoover's mother Annie speaks volumes of her controlling and demanding nature while uttering few words. Armie Hammer as long-time friend Clyde Tolson is both brother and possible lover, his eyes betraying his pain and longing. But while the aging make up for DiCaprio's Hoover and Watts' Gandy are exceptional, Hammer's older Tolson seems plastic and unreal.

Eastwood looks long and hard into the professional and personal life of J. Edgar Hoover. At 2 hours and 17 minutes, we catch glimpses of the defeat of domestic Communist radicalism, gangsters and corruption. All the while, the use of excessive force and the bending of the laws to keep our nation safe seems to come at a cost. Well acted by DiCaprio, Watts, Dench, and Hammer, the subject matter is at times exciting and intriguing, and at other times slow, drawn out and unnecessary. Eastwood is a master of acting and of putting acting to film. Every element is calculated, every scene is utterly detailed, the lines of fact and fiction blurred.

I am sure there will be award buzz for DiCaprio and Dench in the upcoming couple of months. With Eastwood at the helm and the high caliber of acting talent, J. Edgar is both brilliant to watch and arduous to sit through.

WORTH: Rental



Sunday, October 3, 2010

The Social Network

65 Billion Reasons
[Justin Timberlake, Jesse Eisenberg, Armie Hammer, Andrew Garfield, Rooney Mara]

image from digitaljournal.com

RANT: There are so many movies to see that I do not have any time between films to even come up with a rant. Sorry, maybe next time.

SYNOPSIS: Mark Zuckerberg develops the coding for Facebook during his under graduate studies at Harvard. Along the way to becoming the youngest billionaire in the world, he alienates his friends and schoolmates, facing multiple lawsuits.

Aaron Sorkin writes and David Fincher directs “The Social Network” based on the book, “The Accidental Billionaires”. The movie deals with the development, launch and success of the social network, Facebook.com, as well as the betrayals, backstabbing, and litigation that occurred along the way.

After his girlfriend Erica breaks up with him, a drunken Mark blogs about the experience and decides to take his mind off of her by creating a face match site where all of the Harvard girls with Harvard house photos are displayed two at a time side-by-side in a “Who Is Hotter?” poll. Writing the code in a few hours, and taking down the Harvard servers a couple hours after the site’s launch, Mark is put in front of the academic board and put on 6-month probation. He draws the attention of the Winklevoss twins with the idea to create a Harvard community site that touts exclusivity to its members. Realizing that he can create a site far superior, Mark goes to his friend Eduardo for money to get his own site running, all the while alleged that he never intended to build the Harvard Community site. TheFacebook.com becomes a hit and launches to colleges around the country, and eventually internationally.

The story is told through a series of flashbacks as Zuckerberg sits in two separate depositions, one against his former best friend and Facebook co-founder Eduardo Saverin, the other against the Winklevoss twins from Harvard who allege Zuckerberg stole their intellectual property for the Facebook concept. The flashback concept is a little disorienting at first, but it quickly works itself out as a slick way to tell the tale. Jesse Eisenberg plays Zuckerberg with genius level emotional detachment and, ironically, social ineptitude. Andrew Garfield plays Zuckerberg’s supportive friend and business partner, Eduardo Saverin, as if he was truly Zuckerberg’s only friend. Justin Timberlake gains even more acting cred after “Alpha Dog” as Napster founder and eventual Facebook.com partner, Sean Parker. Armie Hammer plays double duty as both Cameron and Tyler Winklevoss, with help from Josh Pence from the chest down. Everyone delivers in this film, from Eisenberg’s speed monologues, stoic posture and biting sarcasm to Timberlake’s party pace and paranoia.

Who would have thought that a movie about the development of Facebook.com would be interesting? I certainly did not. But the pace and structure of the film, plus the acting by all involved kept me interested. Now, if I only had a Facebook account so I could tell all of my friends!

Worth: Matinee and DVD

I am also trying out a new rating system shown below based on reader reaction to my somewhat complex monetary rating scale. I will give both ratings and see what kind of reaction I muster. A movie can receive up to 5 popcorn buckets. Why popcorn buckets? Because I am a slave to the thousand + calorie delight! Enjoy!