Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Stacy Keach. Show all posts
Showing posts with label Stacy Keach. Show all posts

Monday, November 25, 2013

Nebraska

DRAMA

Winning Ticket

8.0 out of 10 | Rental

Rated: R  Language and sexual connotation
Release Date: November 15, 2013
Runtime: 1 hour 55 minutes

Director: Alexander Payne
Writers: 
Bob Nelson
Cast: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, Stacy Keach



SYNOPSIS:  An aging, booze-addled father makes the trip from Montana to Nebraska with his estranged son in order to claim a million dollar Mega Sweepstakes Marketing prize.

REVIEW: Alexander Payne, director of The Descendants, takes a script from Bob Nelson (The Eyes of Nye) to create a black-and-white tribute to a story of fathers and sons - and the things we learn along the way.


Woody Grant (Bruce Dern, Django Unchained) receives a letter in the mail alerting him that he's won $1,000,000 in a sweepstakes. He is found by the police department on the highway in Billings, Montana trying to walk his way to Lincoln, Nebraska to claim his winnings. Even though his wife Kate and sons Dave (Will Forte, Rock of Ages) and Ross (Ken Odenkirk, Movie 43) try to explain why the letter is not proof that he won anything, Woody will not be deterred. Realizing this, Dave gives in and agrees to drive his father to Lincoln in order to put a stop to his father's fantasy. Along the way Dave and Woody run into issues with Woody's health, as well as a costly and enlightening detour to Woody's hometown of Hawthorne, Nebraska.

Shot in black-and-white, Nebraska is a testament to good storytelling, character focus, and subtle nuances. Stripped down to its purest form the movie makes the audience focus on what is happening at the moment. Choreographed with gorgeous cinematography, like an Ansel Adams photograph giving the film a richer and weathered quality, every stationary or panning shot adds to both the beauty and sometimes the despair of America's middle.

More a character study of aging in America and the aging of America, Nebraska posts wonderful acting by Bruce Dern and June Squibb. Dern's Woody is the forgetful yet driven man who lives in a country where he had served his country, pays his taxes and should be over to do whatever how he wants to do. Squibb is a piece of work throughout the whole film, but shows she is not always the one at fault. Will Forte's Dave moves away from his roots in sketch and situational comedies to play a more down-to-earth and real character as Woody's son. Boasting only Dern and Stacy Keach as major stars, the film is filled with beautifully casted siblings and family members to make anyone from the breadbasket of America feel like they are at home themselves.

Bruce Dern's Woody represents a dying America that may not survive. All he wants is to feel like he has done enough to leave a legacy. Looking at small towns that Dave and Woody drive through on the way to Lincoln, Nebraska, you see that while homesteads from a man's youth may still stand, it doesn't carry the emotional way it should. The towns are dying and somewhat forgotten, paint peeling off the walls and columns, the dry leaves blowing through the streets and closed up shop of Main St., America. People who built this country are now left to slowly fade away.

The film is endearing as Woody strives to fulfill a life goal of leaving something behind. It also is very funny in parts with Woody and sharp dialogue between father and son, husband and wife, and sometimes no dialogue at all between several brothers who have lived a full life. Coming in at a little under two hours the film does seem a bit long. There's no doubt that Bruce Dern, Will Forte and Stacy Keach hold our attention and keep us engaged. That being said, some of the more artistic aspects of the film tend to go on for a little bit longer than needed. Shortening a film by just a few minutes would've helped.

An artistic independent film, Nebraska is worth your time. It's not necessarily big-screen fair but if you have the right ticket it may still be a winner.

Monday, August 13, 2012

The Bourne Legacy

New Origins

Rated: PG-13 Violence and action sequences.
Release Date: August 10, 2012
Runtime:  2 hours 15 minutes

Director: Tony Gilroy
Writers: Tony Gilroy, Dan Gilroy, based on the Bourne series by Robert Ludlum and Eric Van Lustbader
Cast:  Jeremy Renner, Scott Glenn, Stacy Keach, Edward Norton, Rachel Weisz, Joan Allen

SYNOPSIS: Aaron Cross, a genetically altered government military product, finds himself at the center of a conspiracy that extends beyond both Trendstone and Blackbriar programs.

REVIEW: Tony Gilroy, director of George Clooney's Michael Clayton, has made a living adapting the Robert Ludlum books that centered around the amnesic assassin Jason Bourne. He has written the screenplays for the first three Bourne films The Bourne Identity, The Bourne Supremacy, and The Bourne Ultimatum, all written by the late Robert Ludlum. Eric Van Lustbader took up the mantle of writing more for the Bourne series, completely seven more novels. For The Bourne Legacy, Jason Bourne/David Webb takes a distant back seat to a new action hero named Aaron Cross.

For a summary of the first three Bourne films, check out The Road So Far.
)Aaron Cross (Jeremy Renner, The Avengers) goes through spec training in the Alaskan wilderness, trying to get to a base camp with minimal supplies and resource. Each day he takes blood samples from his arm and ingests one blue and one green pill he calls 'chems'. Back in the continental United States, Director of the CIA Ezra Kramer (Scott Glenn, Sucker Punch) informs Retired Admiral Mark Turso, USN (Stacy Keach, Machete) that a London Guardian journalist is looking into the government projects known as Treadstone, Blackbriar and the individual known as Jason Bourne. With Jason Bourne at large and evading capture, Turso sets in motion an investigative body to figure out just how far the damage may have spread due to Bourne and the failed assassins' projects, with Retired Colonel Eric Byer (Edward Norton, Moonrise Kingdom) at its head. When Byer and his team find out that the fallout from Bourne extends to other current government programs due to several connection points between forward thinking Dr. Dan Hillcott (Neil Brooks Cunningham, You Don't Know Jack) and Dr. Albert Hirsch (Albert Finney, The Bourne Ultimatum), Byer makes the call to dismantle as many of the government agency programs as he feels may be jeopardized by the fallout, including project Outcome. One by one, every facet of project Outcome is eliminated, the high-ranking project managers, the scientific team, and the field assets. Dr. Marta Shearing (Rachel Weisz, Dream House) is the only one to escape the shooting spree of co-worker Dr. Donald Foite (Zeljko Ivanek, Heroes), while Aaron Cross is the only one to evade the missiles from unmanned remote-piloted drones. Finding themselves thrust together against Byers and his agents, Shearing and Cross must work together so that Cross can continue without losing the cognitive and physical enhancements that the Outcome program had instilled in him.

The Bourne Legacy marks the fourth Robert Ludlum title in the Bourne series to be adapted to the big screen. Like The Bourne Supremacy and The Bourne Ultimatum before it, The Bourne Legacy drastic deviates from the original story. Where in the original story, Jason Bourne / David Webb (Matt Damon, We Bought a Zoo) still remained center stage in the plotline, The Bourne Legacy film recasts the main protagonist as Aaron Cross. With Matt Damon leaving the franchise as Jason Bourne, the studios take a chance with Jeremy Renner as a new character with some of the same problems as Bourne without trying to reboot the franchise with a new Jason Bourne. Some of what made Matt Damon's Jason Bourne so good as a character was because he was forced to solve the puzzle of his life without the aid of any idea of whom he was. Jeremy Renner's Aaron Cross is all that Jason Bourne was - and more! There are no more worries of memory gaps as Aaron Cross retains all of his faculties and has fighting skills enhanced by chromosome gene manipulations. But having fewer complications in one way simply leads to complications in other ways. Written by Tony and Dan Gilroy, and directed by Tony Gilroy, The Bourne Legacy is indeed a film that should be considered as a legacy to the franchise. With the switch to Renner from Damon, the Gilroy’s had a huge challenge in front of them. How can they continue in the fine tradition that Matt Damon established with his portrayal of Ludlum's signature protagonist? One way the Tony and Dan tie The Bourne Legacy in with the first three films is an opening shot where Aaron Cross lies prone in the water with a camera shot from below. He isn't unconscious, but the parallel to Jason Bourne floating in the Mediterranean Sea from the original Identity does not go unnoticed by fans of the franchise.

Like its predecessors, the story is both intricate and kinetic. With many moving parts, the audience must pay attention to both locations and dialogue to follow along. What some may not understand fully are the references to the earlier films. If you have not seen the first trilogy, some plot points and dialogue may not fully register for a while. The story is written with a complete inclusive story, but fans of the franchise will get a little more out of the story than newbie’s to the series. Is it imperative to view the first three movies to enjoy The Bourne Legacy? No. But it will help improve the experience.

Some will speculate and defend Matt Damon as the better protagonist. There was no question that Damon could handle the hurt, broken psyche of a man that was Jason Bourne. But he did surprise audiences with his honed fighting skills on the screen. Jeremy Renner is a different story. He has already proven he can kick ass with his stints as the antagonist to Colin Ferrell in S.W.A.T. and as the archer Hawkeye in The Avengers. His pedigree includes the dramatic turn in The Hurt Locker, but he still needed to sway audiences with another dramatic role. He can be compared to Matt Damon but shouldn’t be. The roles are only similar in that they are government assets being hunted down and that they have something missing that they are trying to reclaim – memories or medication.

The story may be kinetic and involved as stated earlier, but the film’s 2-hour length does lend itself to a little aerodynamic drag. Like a Tom Clancy or the other Bourne film, all of the pieces slowly move themselves into place before any of the high-octane action really gets underway. Sure, there are pockets of action throughout the film to add onto the political and covert intrigue, but some of the elements take too long to get there.

Jeremy Renner is a good choice to carry on the Bourne legacy in spite of any misgivings some may have. As more of the series come to screen, he will definitely become as synomonous to the series as Damon is now. Renner brings his own pain to the role, his eyes giving away the hurt of the character as well as Damon did. Adding a female protagonist to the mix, Rachel Weisz is just as scared as any that came before her, even if she has a more professional and classified-cleared position. Sometimes residing within the government machine allows one to know more of the atrocities that an outsider could conceive. Edward Norton is the perfect pick for the efficient and expeditious Byer and his patriotic mission to keep the country and its government covert programs out of harm’s way. The rest of the cast is numerous, but those three are the most critical. Even the activated LARX-3 agent is more of a footnote than a main player, in spite of his major role in the last action chase and fight sequence. It doesn’t matter who is chasing Renner’s new Bourne front man. It only matters that he is able to prevail against insurmountable odds.

The Bourne Legacy is a slow building tale, building on the foundation and elements from the original Bourne trilogy, as well as presenting a new origin story in the same vein as the original… with a twist. The burned government asset with his own moral code is the same, while most everything else is just a little different.

WORTH: Matinee or DVD