Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Maggie Grace. Show all posts
Showing posts with label Maggie Grace. Show all posts

Tuesday, October 2, 2012

Taken 2

Repeat Offenders

★ ★ ★ 1/2 out of 5 buckets | Matinee or DVD


Rated: PG-13 Intense sequences of violence and action, and some sensuality
Release Date: October 5, 2012
Runtime: 1 hour 32 minutes

Director: Oliver Megaton
Writers: Luc Besson, Robert Mark Kamen
Cast: Liam Neeson, Famke Janssen, Maggie Grace, Leland Orser, Jon Gries, D.B. Sweeney, Luke Girmes, Rade Serbedzija






SYNOPSIS: In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.

REVIEW: Director Oliver Megaton, known for Transporter 3 and Colombiana, takes over directing duties from the original film's director Pierre Morel
. Writers Luc Beeson and Robert Mark Kamen come together again to continue the story of the retired CIA operative Bryan Mills who wants to be a good provider and a better family man.
Bryan Mills (Liam Neeson, Battleship), faithful to his word, stays close to both his daughter Kim (Maggie Grace, Lockout) and his ex-wife Lenore (Famke Janssen, X-Men: The Last Stand) after Bryan and Kim's return from her kidnapping in Paris. Bryan keeps to a schedule to help Kim with her third driver's test, and deal with a new situation where Kim is getting intimate with a boy named Jamie (Luke Grimes, The Wait). When Lenore's and her husband's relationship starts to fail apart on the eve of a family trip to China, Bryan invites them to visit him in Istanbul, Turkey, after a security job with Sam (Leland Orser, Pearl Harbor), Casey (Jon Gries, Napoleon Dynamite), and Bernie (D.B. Sweeney, Miracle at St. Anna) finishes. While entertaining his family in the hotel and on the streets of Istanbul, Bryan is discovered by Murad Krasniqi (Rade Serbedzija, X-Men: First Class), the father of one of the men Bryan tortured and killed when tracking his daughter in Paris.Luc Besson and Robert Mark Kamen pick up Bryan Mills' story some time after it left off from Kim and Bryan's return from Europe. Now a doting father, making amends for years of neglecting his wife and daughter, Bryan still takes the odd security job with his team as long as it doesn't take him away from his family for too long. When he rescued his daughter from slave traders in Paris, he proved to himself that he needed the support of his family as much as they needed him and his special skills. For Bryan Mills, he is singularly dedicated both to his family – in his own way – and to whatever job he has undertaken. Like Lenore says, Bryan is like a dog with a bone.

Set in the exotic locale of Istanbul, Taken 2 takes the audience through the cobblestoned streets, the clay tiled roofs, and the ferried waterways of a city that served as the fulcrum of war between Europe and Asia. From the posh marbled hotels to the crowded bazaar markets, director Oliver Megaton and his cameras speed through the narrow streets, giving chase and following the action in pursuit of a hunted man and his family. The crescent moon and star flagged city provides a picturesque and beautiful backdrop that offsets the shear violence that rings through its cobbled corridors.

Liam Neeson cuts an imposing figure, on screen and in real life. Towering over most, Neeson stands out in a crowd. On screen, his character Mills is head and shoulders above the crowds of the citizens of Istanbul. Either being hunted or, turning the tables, becoming the hunter, Neeson is not a man to be trifled with. While some of the action is handled by Neeson’s long-time stuntman, Neeson is dead center of all of the gunplay and close hand-to-hand combat. Efficient and effective, Neeson’s style is minimal, but movie realistic violent and brutal. At a Q&A before the film, Neeson admitted that he a man closing in on sixty. To an uproarious applause, the audience responded that they all think that Neeson can still kick plenty of Albania thug butt. When Neeson is chasing after the bad guys on foot or clearing the corners of a villain safehouse, he looks a little tired but, smartly, the story includes his fatigue as an important element to the tale. There are some cringe-worthy fight sequences that will delight, and some metal-crunching chases that will leave you grabbing for the arms of the chair or the person you brought to the theater.

Neeson’s Mills is bad-ass cool as a well-trained man with a 'certain set of skills'. You can’t help but root for the lone man just trying to keep his family together and safe – at all costs. The Albanian mastermind Murad played by Rade Serbedzija, whose character lost his own son to Mills’ torturous methods from the first film, may not be able to go toe-to-toe with Mills but he does have at his disposal a small army of gun-toting men with the same desire to bring vengeful justice against Mills and his family. Maggie Grace as Kim Mills grows up a little bit as she would rather help her father than sit idly by. Famke Janssen has an expanded role as Bryan's ex-wife Lenore, providing a possible renewal of relations with her assassin-trained ex-husband. Additonal characters that deserved more screen-time, or maybe their own film, Sam (Leland Orser), Casey (Jon Gries), and Bernie (D.B. Sweeney) should get into a little security firm trouble that Bryan may need to get them off of.

Following the same format as the first film, Taken 2 creates a exciting and appropriate follow-up story to the action-thriller hit that rejuvenated Liam Neeson's career as a Hollywood tough guy. The fight sequences, close quarters combat, booming gunfire, and city chase scenes carry on the same tradition while propelling the franchise forward. Some of the pace slows as there are more lulls between action than in the first film, but Megaton's direction from Besson and Kamen's story will make fans happy.

Taken 2 is a fine autumn action film that stands out from a crowd of October dramas and horror suspense. If you are in need of a man with a 'certain set of skills', Liam Neeson should be your first choice! 

Tuesday, April 10, 2012

Lockout

Not Necessarily A Life Sentence

Rated: PG-13  Some sexual references, intense sequences of action, language and intense sequences of violence
Release Date: April 13, 2012
Runtime: 1 hr 35 mins

Director: James Mather, Stephen St. Leger
Writers:  James Mather, Stephen St. Leger, Luc Besson
Cast: Guy Pearce, Maggie Grace, Vincent Regan, Joseph Gilgun, Lennie James, Peter Stormare, Peter Hudson, Tim Plester


SYNOPSIS: An ex-CIA operative is wrongfully accused of killing another agent, but is offered his freedom if he can rescue the President's daughter from the midst of a violent takeover by inmates in an orbiting super maximum prison.

REVIEW: Writer and directors James Mather and Stephen St. Leger, known for various short films including Prey Alone, take an original story idea from action writer/director Luc Besson. Known for films including Leon: The Professional and The Fifth Element, Besson has written screenplays or treatments for others to great effect, most notably Liam Neeson's Taken and Jason Statham's Transporter franchise. Can his original idea, concept, and screenplay build the same adrenaline rush as his earlier work under the direction of Mather and St. Leger?
Ex-CIA operative Snow (Guy Pearce, Seeking Justice) assists in an operation where he was serving as a back-up to an old agent friend. When the mission goes south, Snow is arrested for murder and summarily sentenced to a 'pilot program' super maximum prison set high in earth's orbit. When President Warnock's (Peter Hudson, Hitman) daughter Emilie (Maggie Grace, Taken) and prison staff are taken hostage by an inmate Emilie was interviewing, Snow is offered the opportunity to gain his freedom if he is makes it aboard the prison space station, finds Emilie alive and well, and gets her out of harm's way. Standing in Snow's way are self-righteous CIA supervisor Langral (Peter Stomare, Premonition), a vicious, tattooed, unpredictable inmate named Hydell (Joseph Gilgun, Screwed), and a formidable inmate leader named Alex (Vincent Regan, Ghost Rider: Spirit of Vengeance). His only allies are his partner Mace (Tim Plester, Kick-Ass) and a sympathetic CIA agent named Shaw (Lennie James, The Next Three Days).

Lockout covered a lot of ground as the maximum security prison drifts in high orbit above the earth. With closed and confined spaces of the space station itself, the snarky Snow is a pumped-up version of Bruce Willis' John McClane from Die Hard. Add in the lone good guy Snow versus criminals in space and you have a nod of the hat to Sean Connery's 1981 Outland. Look at a member of the First Family in a tight situation in a thug-infested chaotic locale with only one man available with the brawn, brains, and motivation to get the mission done, and you have Kurt Russell's Snake Plissken from Escape from New York. Moving the action to an orbiting space prison allows for plenty of room to move around, with the vacuum of space allowing for limited escape options.

Guy Pearce has always been a favorite of mine, since Chris Nolan's unforgettable Memento and Curtis Hanson's noir L.A. Confidential. In Lockout, Pearce adds mounds of muscles to his normally trim frame in order to carry the weight of this high-drifting action adventure movie on his shoulders. With scathing and juvenile retorts to all comers, Pearce's Snow manages to illicit punches to the face by his allies and enemies while growing smiles and laughs from the audience. Playing worthy adversary Alex, Vincent Regan looks like a bearded looming teddy bear. But put a plan in his head and a gun in his hand changes his quiet intelligence with quiet and efficient brutality. Maggie Smith's Emilie holds her own against both men, standing tall and defiant when she needs to. Rounding out the most notable characters, Joseph Gilgun's mohawked tattooed Hydell is violently smitten with Emilie and the sound of his own guns firing.

M.S. One, the maximum security space prison, is a great set piece. From dealing with prisoners awoken from an enforced stasis sleep fighting in the general population section, to nitrogen rich hiding spaces, to multiple levels of ductwork, rooms and crawl spaces, the station provides miles of variety. The CGI of the exteriors is lush with gray monotones, bombarded with shadows and back lit sunlight. The special effects are not Avatar caliber, but they are dutiful and consistent throughout.

Lockout lets you in with a typical action hero performance by Pearce, the over-the-top combination of criminals Hydell and Alex. Poorly timed HALOs aside, the story rides high even as the entire prison threatens to decay out of orbit. 
For simple popcorn entertainment, Lockout may be the film you see in the big house called your local theater.

WORTH: Matinee or Rental