Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Liam Neeson. Show all posts
Showing posts with label Liam Neeson. Show all posts

Tuesday, October 2, 2012

Taken 2

Repeat Offenders

★ ★ ★ 1/2 out of 5 buckets | Matinee or DVD


Rated: PG-13 Intense sequences of violence and action, and some sensuality
Release Date: October 5, 2012
Runtime: 1 hour 32 minutes

Director: Oliver Megaton
Writers: Luc Besson, Robert Mark Kamen
Cast: Liam Neeson, Famke Janssen, Maggie Grace, Leland Orser, Jon Gries, D.B. Sweeney, Luke Girmes, Rade Serbedzija






SYNOPSIS: In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.

REVIEW: Director Oliver Megaton, known for Transporter 3 and Colombiana, takes over directing duties from the original film's director Pierre Morel
. Writers Luc Beeson and Robert Mark Kamen come together again to continue the story of the retired CIA operative Bryan Mills who wants to be a good provider and a better family man.
Bryan Mills (Liam Neeson, Battleship), faithful to his word, stays close to both his daughter Kim (Maggie Grace, Lockout) and his ex-wife Lenore (Famke Janssen, X-Men: The Last Stand) after Bryan and Kim's return from her kidnapping in Paris. Bryan keeps to a schedule to help Kim with her third driver's test, and deal with a new situation where Kim is getting intimate with a boy named Jamie (Luke Grimes, The Wait). When Lenore's and her husband's relationship starts to fail apart on the eve of a family trip to China, Bryan invites them to visit him in Istanbul, Turkey, after a security job with Sam (Leland Orser, Pearl Harbor), Casey (Jon Gries, Napoleon Dynamite), and Bernie (D.B. Sweeney, Miracle at St. Anna) finishes. While entertaining his family in the hotel and on the streets of Istanbul, Bryan is discovered by Murad Krasniqi (Rade Serbedzija, X-Men: First Class), the father of one of the men Bryan tortured and killed when tracking his daughter in Paris.Luc Besson and Robert Mark Kamen pick up Bryan Mills' story some time after it left off from Kim and Bryan's return from Europe. Now a doting father, making amends for years of neglecting his wife and daughter, Bryan still takes the odd security job with his team as long as it doesn't take him away from his family for too long. When he rescued his daughter from slave traders in Paris, he proved to himself that he needed the support of his family as much as they needed him and his special skills. For Bryan Mills, he is singularly dedicated both to his family – in his own way – and to whatever job he has undertaken. Like Lenore says, Bryan is like a dog with a bone.

Set in the exotic locale of Istanbul, Taken 2 takes the audience through the cobblestoned streets, the clay tiled roofs, and the ferried waterways of a city that served as the fulcrum of war between Europe and Asia. From the posh marbled hotels to the crowded bazaar markets, director Oliver Megaton and his cameras speed through the narrow streets, giving chase and following the action in pursuit of a hunted man and his family. The crescent moon and star flagged city provides a picturesque and beautiful backdrop that offsets the shear violence that rings through its cobbled corridors.

Liam Neeson cuts an imposing figure, on screen and in real life. Towering over most, Neeson stands out in a crowd. On screen, his character Mills is head and shoulders above the crowds of the citizens of Istanbul. Either being hunted or, turning the tables, becoming the hunter, Neeson is not a man to be trifled with. While some of the action is handled by Neeson’s long-time stuntman, Neeson is dead center of all of the gunplay and close hand-to-hand combat. Efficient and effective, Neeson’s style is minimal, but movie realistic violent and brutal. At a Q&A before the film, Neeson admitted that he a man closing in on sixty. To an uproarious applause, the audience responded that they all think that Neeson can still kick plenty of Albania thug butt. When Neeson is chasing after the bad guys on foot or clearing the corners of a villain safehouse, he looks a little tired but, smartly, the story includes his fatigue as an important element to the tale. There are some cringe-worthy fight sequences that will delight, and some metal-crunching chases that will leave you grabbing for the arms of the chair or the person you brought to the theater.

Neeson’s Mills is bad-ass cool as a well-trained man with a 'certain set of skills'. You can’t help but root for the lone man just trying to keep his family together and safe – at all costs. The Albanian mastermind Murad played by Rade Serbedzija, whose character lost his own son to Mills’ torturous methods from the first film, may not be able to go toe-to-toe with Mills but he does have at his disposal a small army of gun-toting men with the same desire to bring vengeful justice against Mills and his family. Maggie Grace as Kim Mills grows up a little bit as she would rather help her father than sit idly by. Famke Janssen has an expanded role as Bryan's ex-wife Lenore, providing a possible renewal of relations with her assassin-trained ex-husband. Additonal characters that deserved more screen-time, or maybe their own film, Sam (Leland Orser), Casey (Jon Gries), and Bernie (D.B. Sweeney) should get into a little security firm trouble that Bryan may need to get them off of.

Following the same format as the first film, Taken 2 creates a exciting and appropriate follow-up story to the action-thriller hit that rejuvenated Liam Neeson's career as a Hollywood tough guy. The fight sequences, close quarters combat, booming gunfire, and city chase scenes carry on the same tradition while propelling the franchise forward. Some of the pace slows as there are more lulls between action than in the first film, but Megaton's direction from Besson and Kamen's story will make fans happy.

Taken 2 is a fine autumn action film that stands out from a crowd of October dramas and horror suspense. If you are in need of a man with a 'certain set of skills', Liam Neeson should be your first choice! 

Monday, May 14, 2012

Battleship

More than a Boardgame

Rated: PG-13  Intense sequences of violence, action and destruction and for language
Release Date: May 18, 2012
Runtime:  2 hrs 11 mins

Director: Peter Berg
Writers: Erich Hoeber, Jon Hoeber
Cast: Taylor Kitsch, Alexander Skarsgård, Rihanna, Brooklyn Decker, Tadanobu Asano, Liam Neeson, Peter MacNicol, John Tui, Hamish Linklater


SYNOPSIS: During an international naval exercise off the coast of Oahu, Hawaii, the sudden appearance of alien warcraft cut-off three naval vessels inside an impenetrable dome of energy.

REVIEW: Writer, actor and director Peter Berg, picks one of the disciplines by sitting squarely in the director's chair to bring to life the Hasbro board to life. Known for the films Hancock, The Kingdom and Friday Night Lights, Berg is no stranger to dramas or action. Based on the source material of a simple Hasbro board game with plastic ships, red pegs, and a gridded map over blue, Erich and Jon Hoeber (Red, Whiteout) write up a classic summer disaster flick filled with firepower and fun.
Alex Hopper (Taylor Kitsch, John Carter of Mars) lives an underwhelming and free-wheeling life on the islands of Hawaii. With every rules he breaks or girl he dates, Alex puts his brother Commander Stone Hopper (Alexander Skarsgård, Straw Dogs) in tight situations by having to support him and give him a place to live. Finally fed up with his brother's antic, Stone enlists him into the Navy. As Alex's natural abilities speed him up the rank of Lieutenant, he still lives in the shadow of his commander brother. Meanwhile, scientists have discovered a planet similar to earth that could sustain humanoid life. The technicians use communications arrays and a deep orbit satellite to pulse a message to this found planet every 24 hours. When the United States Navy conducts their annual military exercises with other international military agencies, some of their vessels are confronted by alien warships responding to the message sent. Quickly, Stone and Alex ships and a Japanese destroyer are overtaken within an impenetrable domed barrier and left to defend and attack the alien aggressors with inferior hardware and weapons. As the situation becomes more dire on the sea for the Navies, the aliens create a beach head on the island in an attempt to try to establish communications back to their home planet.

Taking a simple board concept and creating a grandiose spectacle is no easy task. But as the might of the Pacific Fleet is set to sail for their military manuevers and four meteorite columns crash into the ocean and transform into a domed barrier generator and three water-skimming warships, the action ramps up to summer popcorn levels. The alien ships bristle with weaponry, hopping across the water like stones on a pond. Intelligent destructive mines, devices that are crosses between viscous porcipines and yo-yos and akin to Sonic the Hedgehog, carry out their razor sharp missions of destruction against structures, buildings and vessels with equal ease. Reminescent of the board game, Berg makes sure that the alien ships' offensive weapons are cylinders that spin up to speed, launch into the air and back down to their targets, embedding into the naval destroyer-class ships, and pressing deeper into the steel hulls before they explode massive holes in the sides of the hulls. With every aspect of CGI integrated so seamlessly, I didn't realize the connection between game pins and film shells until later. I tip my imaginary hat off to Berg for the quality of the visuals! I just wish the creative design team had spent a little more time on the creation of the actual alien beneath all of the superior technology.

Taylor Kitsch buzzes off his almost-signature locks to enlist in the United States Navy. He plays both the careless punk and the reluctant hero with equal ease. And he plays Alex as an unsure leader struggling in the shadow of more confident leaders like Alex's brother Stone (Skarsgard) and the gruff intimidating father figure Admiral Shane (Liam Neeson, The Grey). Alex, with all of his intelligence and natural leadership abilities, would rather put himself in harm's way than anyone under his command. Under his command are capable mates who would follow him into battle, including Petty Officer Cora "Weps" Raikes (Rihanna), Chief Petty Officer Walther 'The Beast' Lynch (John Tui, Power Rangers S.P.D.), and Boatswain Mate Seaman Jimmy 'Ordy' Ord (Jesse Plemons, Observe and Report). Rihanna proves that she is not just a singer, diving deep into a role to play with the big boys, Tui provides the brawn and Plemons adds the humors. These three do not have much meaningful dramatic dialogue, but they fulfill the disaster flick standard. Brooklyn Decker (Just Go With It) plays the Admiral's daughter and Alex's girlfriend and provides a little eye candy and a companion for the real-life double amputee Army Lieutenant Colonel Mick Canales (Gregory D. Gadson) who starts off wanting to give up the fight and end up taking on one of the aliens man-to-man, I mean, man-to-alien. Rounding out the main cast are Hamish Linklater (The New Adventures of Old Christine) as timid, but capable radar array technician Cal Zapata, and Tadanobu Asano (Thor) as Japanese Captain Yugi Nagata.

Peter Berg goes completely patriotic for this summer's disaster flick. Yes, The Avengers is a superhero flick of epic proportions, with gods and monsters staving off an alien armada. That movie has superheroes, Battleship has heroes. Berg makes sure to highlight the real heroes of the present and the heroes of the past. When Sam first goes to her physical therapy post, we see many fallen warriors with missing limbs and steely eyes looking far down range in an effort to again become the whole warriors they remain in their hearts, souls and minds. Gadson's Mick Canales epitomizes the challenges that these men face every day and the sacrifices they have made for their country and countrymen. For past heroes, we get a glimpse of the World War II sailors working the boilers and the turrets of the de-comissioned 'Mighty Mo' USS Missouri to get back into the fight against the alien enemy. Throw in AC/DC's 'Thunderstruck' during the battleship's ramp-up montage and you can't help but feel enormous pride in our soldiers and sailors.

Battleship is the perfect summer popcorn flick. Filled with humor, action, and aliens, this sea-faring film can be the movie to go see when you get to the box office and are told that The Avengers is still sold out. Don't let the precedence of board games-turned-to-film fool you, Battleship is not Clue, and will not be sunk!

WORTH:  Matinee and BluRay

Wednesday, March 28, 2012

Wrath of the Titans 3D

Like Father, Like Son

Rated: PG-13   Intense sequences of fantasy and sci-fi violence
Release Date: March 30, 2012
Runtime: 1 hr 39 mins

Director: Jonathan Liebesman
Writers:  Dan Mazeau, David Johnson, Greg Berlanti
Cast: Liam Neeson, Ralph Fiennes, Sam Worthington, Rosamund Pike, Bill Nighy, Danny Huston, Toby Kebbell


SYNOPSIS: Perseus is called upon again to save the world, including his father Zeus, when the Titans are released to wreck havok upon humans and gods alike.

REVIEW: Jonathan Liebesman, director of Battle: Los Angeles, takes a Kraken (is that a bad pun?) at the sequel to the reboot of The Clash of the Titans. But tackling sequels to rebooted franchises should be no problem for Liebesman has already showed promise with another reboot sequel with a chainsaw instead of a sword, 
The Texas Chainsaw Massacre: The Beginning. Based on characters and screenplay from Beverley Cross, newcomer Dan Mazeau, Waking Dead, Red Riding Hood and Orphan screenwriter David Johnson, and Green Lantern writer Greg Berlanti extend the tale of the demi-god Perseus and his quest for a normal human life.
Kraken slayer Perseus (Sam Worthington, Man on a Ledge) has settled into an ordinary fisherman's life raising his son Helius (John Bell, upcoming Battleship) after the death of his wife. When Zeus (Liam Neeson, The Grey) visits Perseus with news of a growing threat by Chronos and many escaped Titans, the god of gods pleads for his son to assist him in overcoming the menace. When Zeus, Poseidon (Danny Huston, The Warrior's Way) and Ares (Edgar Ramirez, Vantage Point) travel to the underworld to enlist Hades (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2), only to be betrayed to be used to reawaken the weak and slumbering Chronos from his labyrinth prison. When his village is attacked by a stray Titan, Perseus takes the quest to save humanity only in order to keep his son safe. He seeks out Queen Andromeda (Rosamund Pike, The Big Year) and Poseidon's demi-god son Agenor (Toby Kebbell, The Conspirator) in order to find another fallen god, the weapon master Hephaestus (Bill Nighy, Arthur Christmas), and a weapon to defeat Chronos.

Wrath of the Titans manages to do one thing right out of the gate. The sequel shrugs off the confines of the rebooted Clash of the Titans and the difficult expectations of living up to the Harry Hamlin original. Zeus sets the stage for when needs to be done in the sequel 
with a quick narrative of Perseus' exploits from the original and an unscheduled visit to Perseus to lay out the quest that he will ultimately need to undertake. When his family is threatened, Perseus must weight his ordinary simple humanity side against the demi-god side filled with the godlike power and responsibilities he possesses. 

Keeping the cast streamlined and the story focused, Wrath of the Titans focuses on one simple concept - family. Ares rebels against his father Zeus because he envies Perseus as Zeus' favorite son. Brothers Hades and Zeus clash over Hades banishment to the underworld, and Hades betrayal of Zeus in support of their own father, Chronos. Poseidon's demi-god son Agenor is considered a 'great disappointment to his father but he tries to become a hero in spite of his failed reputation. And although Perseus accepts the quest to save the world against the Titan, he does it simply to save the life of his son.

With a trio of Cyclops, Titans like a two-headed fire-breathing canine-like beast, conjoined warrior swordsmen who have each other's back, and a Minotaur guarding a prison labyrinth, Wrath of the Titans is a fun fantasy popcorn film that supplies plenty of eye candy that gets better and better once Perseus, Andromeda, Agenor, and Hepaestus square off against Ares and attempt to break into the Underworld prison that houses Chronos. The post produced 3D still doesn't dazzle, but it has come a long way from the 3D debacle from Clash of the Titans that soured many a moviegoer for 3D films.

In Perseus' ancient world, the Greek deities are slowly losing their unfathomable power because human society has outgrown their use for the ever manipulative, self-serving and silent gods. They are so depowered, in fact, that they can no longer keep omnipotent tabs on their former followers without the follower inciting prayer to a specific god. Only the most powerful gods, Zeus, Poseidon, and Hades, still retain a fraction of their former glory. Ares, the god of war, has become more powerful since battles still rage on the earthly plane. The age of the gods is coming to a close, but the fruits of their 'labors' has left the earth filled with demi-god offspring trying to love ordinary lives.

Wrath of the Titans is a gritty, action-oriented ancient fantasy without the stylized reds of 300 or the golds of Immortals. Liebesman removes the silvers of Clash of the Titans for the sequel. Toby Kebbells' Agenor supplies some lightness and Bill Nighy's Hephaestus supply some craziness to break up the drama, but the rest of the cast is focused on the task at hand, saving the ancient world from a more ancient threat.

WORTH: Matinee or DVD


Thursday, June 17, 2010

The A-Team

A Wild Ride!
[Liam Neeson, Bradley Cooper, Jessica Biel, Sharlto Copley, Quinton Jackson]



Summer is almost in full swing, and the movies just keep on coming. There is now 2 or 3 movies a week that need to be watched, and I am a man on a mission. And, of course, a man on a mission is critical for taking in a movie like "The A-Team". So, me and the guys from work rallied together and headed to the closest multiplex to the office. Luckily, the closest multiplex is 2 blocks away.

SYNOPSIS: An elite squad of Army Rangers take on a mission outside of Baghdad and are framed for the theft of mint plates. Tried in a military court, the members of the alpha team soon escape and pursue the men responsible.

From polished to player, light to dark, crazy to crazier, and mohawks into meaning -- these are the traits that distinguish the new band of brothers from the original 80s television action series characters of Lt. Templeton "Faceman" Peck (Bradley Cooper), Colonel John "Hannibal" Smith (Liam Neeson), Capt. "Howling Mad" Murdock (Sharlto Copley) and Bosco "B.A." Baracus (Quinton Jackson), respectively.

Ramping up beloved characters from the 1983 to 1987 hour-long small-screen actioner, director and co-writer Joe Carnahan breathes new life and new depths into the members of the A-Team. Gone is the "Face" all dapper and debonair, replaced by Cooper as a ripped bodied playboy living in the moment but unsure of how to measure up to strategic colonel. "Hannibal" from Neeson is a grittier, growling leader, still with a cigar and a catch-phrase but now when a more realistic perspective of life. Sharlto Copley, straight away from "District 9", supplies great laugh-out-loud moments closer to the brink than Dwight Schultz ever was. And Ultimate Fighter Quinton "Rampage" Jackson both channels Mr. T and Ghandi as he struggles with the warrior and new-found peacemaker within.

The story is action packed from beginning to end. Carnahan provides us both the heroes origin tale and several plans that come together. After being framed for the theft of one hundred dollar mint plates, the team is pursued by Jessica Biel as Department of Defense Charisa Sosa, Patrick Wilson as CIA agent Lynch and Brian Bloom as contract mercenary Pike. Bloom brings a lunacy to the Pike role that almost rivals Copley's Murdock, and definitely makes you smile.

But while the story and characters is solid, there are a few key issues. First is that when you use foreign actors, sometimes the native accents come through. While we can forgive Copley for the hints of South Africa since he throws all sorts of accents at us through the film, Liam's native tone seems to seep through too much. The other issue I have is the quality of some of the CGI effects during the beginning and ending of the film. I guess a $100 million doesn't go as far as it used to for digital FX. Lastly, a couple of surprises could have left as surprises. I saw a few plot points coming before the reveal, and wished for better writing in parts.

You will laugh at the villains and the lunacy. You will like the pace, the characters and the action. You will love it when a plan comes together!

Worth: Matinee & DVD

Sunday, April 4, 2010

Clash Of The Titans

What Would Harryhausen Think?
[Sam Worthington, Liam Neeson, Ralph Fiennes]

I herd through the grapevine that the 3D for this movie was "after market" and made the film dark and dreary, with no real gain. Because of this, I steered away from spending extra money and opted for the 2D version. And with another movie comes another encounter with people who treat the movie theater like their den. I saw a guy come in with a bucket of popcorn and a large soda, go through all of it, leave and somehow find another bucket of half filled popcorn, come back and finish that bucket, then leave it all behind beside his seat as he left after the movie. All of it embarrassing to me.

SYNOPSIS:  Perseus, son of Zeus and a mortal woman, is found as a infant by a fisherman and his wife and raised as a human. As a young man, he is drawn into a war between the gods and man as he swears revenge against Hades, the god who kills his family.

I remember in 1981, being a ten year old boy, waiting in a line around the block trying to get tickets with my friends to see the original "Clash of the Titans". One of the ushers continued to step out in front of the line to say that the next showing was sold out. And the next. And the next. It was my job to run all around the block back to my mom's car to see if it was okay to go to the 12:30pm show. Then the 2:15pm show. Then the 3:30pm show. Finally we got our tickets and were dropped off at the theater to see myth comes to life with Harry Hamlin and the stop-action work of Ray Harryhausen. 29 years later, current technology sets up the perfect stage for a remake.

Current technology is both the winner and loser for this film. The effects for the creatures and action sequences for Medusa, the Kraken, and the Pegasus worked well. The inclusion of the after market inclusion of 3D as a means to capitalize on the success of "Avatar" did not. Some of the vista scenes looked excellent, especially in the desert, others looked staged and painted. 

Sam Worthington spins another large production after "Avatar" and "Terminator: Salvation". His portrayal of Perseus is dry and understated. He just seems tired at this point. More lively are Liam Neeson as Zeus and Ralph Fiennes as his battling brother Hades. The story is more about the rivalry between the the god brothers, and between the gods and man. Perseus' story, even though the center of the movie, is somewhat less interesting than that of gods whining about not being loved anymore and trying to overthrow each other, and that of the reluctant warriors banded together with Perseus for a impossible mission to save mankind. 

The Medusa is beautiful and slick, the Kraken tremendous, the scorpions in the desert temple fearsome. All of the advances of CGI work for the creatures in the story. But did the story live up to 29 years in the remaking? Would all of the fans of the original be excited to tell all of their friends to go see the film. As with most remakes, the answer is usually no.

Worth: DVD or Netflix