Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label John Cusack. Show all posts
Showing posts with label John Cusack. Show all posts

Tuesday, August 13, 2013

Lee Daniels' The Butler

DRAMA

Part of History

8.0 out of 10 | DVD

Rated: PG-13 Thematic elements, sexual material, language, disturbing images, smoking and some violence
Release Date: August 16, 2013
Runtime: 2 hours 12 minutes

Director: Lee Daniels
Writers: Danny Strong, from an article by Wil Haygood
Cast: Forest Whitaker, Mariah Carey, Vanessa Redgrave, Oprah Winfrey, David Oyelowo, Terrence Howard, Cuba Gooding Jr., Lenny Kravitz, Robin Williams, John Cusack, James Marsden, Liev Schreiber, Alan Rickman



SYNOPSIS: An African-American's eyewitness accounts of notable events of the 20th century during his tenure as a White House butler.

REVIEW: Precious director Lee Daniels tackles desegregation, the Civil Rights movement, and the election of the nation's first black president from the point of view of a cotton picker-turned-White House butler, his wife, and children. Written by Danny Strong (Game Change) from the article "A Bulter Served By This Election" written by Wil Haygood.


Cecil Gaines (Forest Whitaker, The Last Stand) finds himself alone after the death of his father and the growing instability of his mother (Mariah Carey, Precious). Taken in by a kindly plantation owner widow (Vanessa Redgrave, Anonymous), Cecil is taken away from the cotton fields and raised to serve in the house. After several years as a butler, Cecil leaves the plantation and finds work as a server in a hotel in the Washington, D.C. area. In 1955, Cecil is invited to work as a butler in the nation's White House under the Eisenhower (Robin Williams, The Big Wedding) administration. As desegregation issues and Civil Rights become more important to the minorities of America, Cecil finds himself a fly on the wall of several presidents' administration, including Kennedy (James Marsden, Straw Dogs), Johnson (Liev Schreiber, The Reluctant Fundamentalist), Nixon (John Cusack, The Raven), and Reagan (Alan Rickman, Harry Potter series). At the same time as Cecil is privy to the inner sanctum and inner dialogues of the nations political machine, he finds he is unable to relate to a wife (Oprah Winfrey, The Princess and the Frog) and his oldest son Louis (David Oyelowo, Jack Reacher) who strives to become a part of the civil rights movement.

In the 1920s in Macon, Georgia young Cecil work's alongside his father and mother in the fields. Tragedy alone allowed Cecil to learn more than he would have and allow him the ability to venture out prepared into a harsh world. Raised and conditioned to be neither seen nor heard other than to serve Whitaker's Cecil slowly ascends to be pristine position in the presidental White House.

Based on a true story of real White House butler Cecil Gaines, the story revolves around his duties and his family who serve as a backdrop to the trials and tribulations of the decades of the 50s, 60s, 70s, 80s, and even the new millennium where African-Americans suffer under segregation as second-class citizens. Cecil shows the audience firsthand what he had to show is his career, his home life, and the politics that he claims he doesn't take part in. Cecil gives the utmost importance to his job, leaving behind his family to struggle through the times for themselves. His wife turns to alcohol-filled infidelity to fill the void that Cecil leaves behind. By trying to make a life better for his family by doing what he was trained to do, Cecil finds that he's unable to relate to his educated and civic-minded son Louis.

The director Lee Daniels puts together all-star cast for this film. Whitaker is no stranger to fine drama. He was riveting in The Last King of Scotland. Oprah Winfrey, Terrence Howard, Lenny Kravitz, and Cuba Gooding Jr.  dig into their roles with passion. Robin Williams, James Marsden, 
Liev Schreiber, John Cusack, and Alan Rickman all add their own personal spin on their individual roles as President.

This film, in a little over two hours, tries to balance political evolution with the personal impact that decisions had on the nation's African-American population. There is a lot to experience with over almost 80 year of American history to follow, and Lee Daniels' The Butler serves it well.

Thursday, April 19, 2012

The Raven

Quote the Raven Nevermore

Rated: R Bloody Violence and grisly images
Release Date: April 27, 2012
Runtime: 1 hr 43 mins

Director: James McTeigue
Writers:  Ben Livingston, Hannah Shakespeare
Cast: John Cusack, Luke Evans, Alice Eve, Brendan Gleeson, Kevin McNally, Oliver Jackson-Cohen, Jimmy Yuill


SYNOPSIS: In his last days, Edgar Allan Poe is forced to assist the Baltimore Police hunt down a madman creating grisly scenes based on Poe's written work.

REVIEW: Director James McTeigue has made the move from first assistant director in such films as The Matrix trilogy and Speed Racer to helm his own films as evidenced by V for Vendetta  and Ninja Assassin
. With a script from screenwriting newcomer Ben Livingston and TV series and TV movie writer Hannah Shakespeare, McTeigue delves into Edgar Allan Poe as a true character of American literature and history, and as a fictionalized character in the hunt for a serial killer idolizing his works.
Edgar Allan Poe (John Cusack, 2012) struggles with his finances, his inspiration, and his reputation as he walks the streets of Baltimore, Maryann in October 1849. Always an outsider and pitted against the establishment, Poe tries to make money from newspaper reviews and tries to win the hand of Captain Hamilton's (Brendan Gleeson, Safe House) daughter Emily (Alice Eve, She's Out of My League). At the same time Poe courts Emily against the captain's wishes, the Baltimore Police Department is stumped by a series of grisly deaths. Although capably led by Captain Eldridge (Jimmy Yuill, Retreat), Inspector Fields (Luke Evans) is called in to investigate due to the grotesque and horrific nature of the latest crime scene. When Fields connects the writings of Edgar Allan Poe to the actual crime scene description, Poe first becomes a suspect then an expert on his own writings as he and the police try to track down the serial killer before he completes crimes of more of Poe's work.

If you are a fan of Victorian Era period films, The Raven fits nicely in the genre. Darker than Sherlock Holmes: A Game of Shadows, Cusack's Poe is just as brilliant and troubled. But in Poe's case, he doesn't have a trusty doctor partner watching his back. More akin to Johnny Depp's From Hell, Poe lives a solitary existence as he stumbles through the swirling fogged cobble stoned streets of Baltimore, his only anchor to his sanity a lovely girl of proper stature and station named Emily whose own father resents that his daughter associates with the likes of a starving artist like Poe.

When the engaging story of the man named Poe is not center stage, the serial killer using Poe's stories as murderous inspiration is. Using the details from such Poe fiction as "The Pit and the Pendulum" and "The Cask of Amontillado", this shadowy figure baffles the police department. Only when Inspector Fields jumps into the investigative fray does the machinations of the serial killer come to the surface. Using Poe's own work the killer forces the writer to play along in a game of cat-and-mouse, the writer of fiction pitted against a killer using that fiction for his own all-too-real grotesque ends.

Shot in Eastern Europe, McTiegue and crew used their isolated surrounds, period architecture, cobblestone streets and wintry nights and pre-dawns to draw the audience into a mid-19th century world masked as 1849 Baltimore, Maryland. Cusack, Evans, Eve and Gleeson prosper as their characters, able to touch their tangible surroundings. Every shot, whether in the confines of Detective Fields' sparse office or out in a misty, tree lined woods, seemed to carry the morose and claustrophobic weight of the man of who the film circles about. As we learn a little about Edgar Allan Poe the man, we also get a glimpse of his work - both by its words and its visceral bloody application. Actually hearing Cusack's Poe finish "The Raven" to a room full of aspiring female poets, the verses are haunting, melodic, and beautiful, leading me to wonder if I dust off "Tales of the Grotesque and Arabesque" for another read now that I am an adult.

Gripping your attention its razor sharp talons, The Raven is at times a fictionalized biography of the man and literary lesson of a sometimes under appreciated American writer. Poe was at the forefront of writing about detectives, grisly happenings and killings, and more. Fans of the Saw franchise need to realize that Poe wrote "The Pit and the Pendulum" over 160 years ago, ushering in a written genre that shocked a generation of readers. The accounts of the last days of his career and livelihood are shrouded in myth and urban legend, but The Raven offers a tell tale that is as Poe-esque as could be.

The Raven is best suited to lovers of suspenseful period films like Sherlock Holmes: A Game of Shadows, From Hell, and V for Vendetta. Although not as grandiose, The Raven is a smart, clever, and bloody lesson of Victorian literary lore (and gore) - quote the raven nevermore!

WORTH: Matinee and DVD