42

DOCUMENTARY, DRAMA

All We See is Greatness

8.5 out of 10 | Worth

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Rated: PG-13 Thematic elements, including language
Release Date: April 12, 2013
Runtime: 2 hours 8 minutes

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Director: Brian Helgeland
Writers: Brian Helgeland
Cast: Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie. Lucas Black, Ryan Merriman, Hamish Linklater, John C. McGinley

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SYNOPSIS:  The life story of Jackie Robinson and his history-making signing with the Brooklyn Dodgers under the guidance of team executive Branch Rickey.

REVIEW: Writer/Director Brian Helgeland, started his writing career with A Nightmare on Elm Street 4: The Dream Master and most recently wrote Robin Hood and adapted a screenplay for Green Zone. Now, Helgeland returns with a screenplay surrounding the man who would be 'The First'. Jackie Robinson would become the first African American to play in Major League Baseball in the modern era.

The Second World War has ended and red-blooded Americans have witnessed victory over Nazi Germany and the Imperial Empire of Japan. Brave men and women of all races, creeds, and walks of life work side-by-side to ensure victory. But when men of color returned from the war they found they were still subject to segregation. Branch Rickey (Harrison Ford, Cowboys and Aliens), Owner of the Brooklyn Dodgers, Rickey bucks decades of whites only baseball, by selecting a young African-American ballplayer from the Negro Leagues to fill one of the 400 spots in Major League Baseball. That man was a young ex-military, four sport UCLA student named Jackie Robinson (Chadwick Boseman, The Kill Hole). As the first African-American baseball player sent to what is the modern era of the major league with all white players, Jackie Robinson faced hatred and racism by his own teammates, other league teams, passionate stadium crowds, and host cities. Only Branch Rickey, Jackie Robinson's wife Rachel (Nicole Beharie, Shame) and a young African-American reporter named Wendell Smith (Andre Holland, Miracle at St. Anna) believe that Jackie could be destined for greatness.

42: The Story of Jackie Robinson focuses squarely on two men. The first is the athlete Jackie Robinson himself and the work and accomplishments of his rookie year in major league baseball. The second figure is that of the Brooklyn Dodgers ball club owner Branch Rickey. Jackie Robinson wasn't looking to make history as the first African-American major-league baseball player in the modern era. It was Branch Rickey who decided to buck convention, buck the odds, and buck public opinion by bringing the talented Robinson to the big leagues from the Negro League. While Rickey claimed that his reasons for bringing Jackie up was not a matter of black-and-white, but a matter of money-making green, Ricky did do something that most men at the time would not have even attempted. But even so, through the racial slurs, the taunts, and the threats, it was Jackie Robinson who needed to take the brunt of the public's perception of him. Everyone may have seen Robinson as a color, it was up to Robinson to make his teammates, the fans, and the nation of the possibilities of his greatness.

42 opens in Rickey's office as he makes his decision to make one of the 400 major-league baseball players a non-white man. From there we quickly follow the exploits of Jackie Robinson from the Kansas City Monarchs in the Negro League, to the opportunity for Robinson to try out for the Dodgers' farm team - the Montréal Royals. Dealing with boos and cheers from the crowds Jackie Robinson proves that he can play ball with the best of them. From the Monarchs, Rickey brings Robinson up to the Brooklyn Dodgers, opening up a higher level of racial inequality and bigoted attitudes.

Several specific events represented on-screen show the lengths of venom that Jackie Robinson endured. The first involved a hotel letterhead declaration signed by his teammates that they would ever set out on the same field as Jackie Robinson. Branch Rickey and Dodgers manager Leo Durocher (Christopher Meloni, Law & Order: SVU) set out to quell that revolt. The second, and perhaps the most painful to watch, focuses on the racial rants from Phillies manager Ben Chapman (Alan Tudyk, Wreck-It Ralph). The last comes with Pee Wee Reese (Lucas Black, Promised Land), a piece of hate mail he receives, and the decision he must make to either stand up for his hometown fan in Kentucky or the loyalty he has for his team. We are shown representative samples of what Robinson dealt with in his early seasons in the Major Leagues but none of them can truly or accurately capture the severity and indignities Robinson truly suffered.

Harrison Ford and Chadwick Boseman really do steal the show, keeping the focus on their relationship and the turmoil they collectively suffered through. Harrison Ford plays against type as the jolly old lover of baseball just trying to make a difference. Chadwick Boseman embodies the restraint, fortitude, and patience of a man who proclaimed that he 'was built to last'. Alan Tudyk as the Phillies manager Ben Chapman is the epiphany of a closed minded redneck who thinks he's in the right in the same moment where he's doing wrong. The actor who plays Wendell tried to act as Robinson's conscience but pales in comparison to Robinson himself. John C. McGinley (Alex Cross) brings a little bit of light-hearted novelty to the role of Red Barber as he announces each game for Dem Bums. The rest of the cast is a smattering of legendary ballplayers like Pee Wee Reese, Eddie Stanky (Jesse Luken, Justified) and others. There is one exchange between Robinson and Ralph Branca (Hamish Linklater, Battleship) concerning team showering that is near priceless.

42: The Story of Jackie Robinson peeks into the rookie year of a man who broke down barriers as he broke records. Tender sweet at times while difficult to swallow at other points, 42 will make you want to stand up and cheer for the underdog.

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Alex Cross

Crazy Like A Fox

★ ★ ★ out of 5 buckets | Rental

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Rated: PG-13  Violence, nudity, disturbing images, language, drug references and sexual content

Release Date: October 19, 2012

Runtime: 1 hour 41 minutes

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Director: Rob Cohen
Writers: Marc Moss, Kerry Williamson, based on the novel 'Cross' by James Patterson
Cast: Tyler Perry, Giancarlo Esposito, Matthew Fox, Jean Reno, Edward Burns, John C. McGinley, Cicely Tyson, Carman Ejogo, Rachel Nichols

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SYNOPSIS: A homicide detective is pushed to the brink of his moral and physical limits as he tangles with a ferociously skilled serial killer assassin who specializes in torture and pain.

REVIEW: xXx and The Mummy: Tomb of the Dragon Emperor director Rob Cohen returns with the most popular James Patterson protagonist Alex Cross in a prequel/reboot Alex Cross based on the Patterson novel 'Cross'. Along Came a Spider scribe Marc Moss return to pen this new Alex Cross entry with freshman writer Kerry Williamson, offering a glimpse into the life of the detective / psychologist / criminal profiler before the cop ever stepped foot outside Detroit.

Detective Dr. Alex Cross (Tyler Perry, Madea's Witness Protection) makes a living profiling and chasing down criminals on the streets of Detroit. He leads a specialized unit comprised of Tommy Kane (Edward Burns, Man on a Ledge) and Monica Ashe (Rachel Nichols, Conan the Barbarian). When he's not at work. Alex Cross lives a fulfilled home life with his wife Maria (Carmen Ejogo, Away We Go), two children Janelle (Yara Shahidi, Salt) and Damon (Sayeed Shahidi, The Last Fall), and mother nicknamed 'Nana Mama' (Cicely Tyson, The Help). When Cross and his team encounter a tortured bound killed woman surrounded by several bullet-ridden security team members, they discover that the deaths were by the hand of a single assassin they had dubbed Picasso (Matthew Fox, Speed Racer) who finds pleasure in the art of torture and pain. Following the trail of the killer, Alex and his team make the connection that Picasso is ultimately after a wealthy developer named Leon Mercier (Jean Reno, Armored). Alex must push his morals to the limit in order to go toe-to-toe mentally and physically against the maniacal Picasso in his attempt to bring the serial killer to justice.

Alex Cross is is the reboot/prequel to the Morgan Freeman Alex Cross films Kiss the Girls and Along Came a Spider. Although Freeman seemed too old for the Cross role, he was and is a superior actor. The wildly successful entrepreneur/producer/director/writer/actor Tyler Perry seems equally ill-suited for the role of the good doctor, but he is genuine and earnest, cutting an imposing hulking figure above most around him. Perry is the younger and newer model, with only a future of pain and vile villains to forge him into a hardened investigator, and with a loving supporting family to keep him grounded.

Not shot in a typical major metropolis like Chicago, New York, or Washington, D.C, Patterson's young hero resides and works in and around the city of Detroit. The city itself takes on a life of its own, even if much of it is in a a state of decay. As the serial killer Picasso cuts a swath of blood and flesh throughout the Motor City, Alex Cross gives a not-so-merry chase in the slowly beating heart of the downtown. From the elevated tram People Mover, to the insides of the elegant atrium of the Ford Headquarters, to the old Michigan Theater that spends its time as a converted parking garage, Detroit provides a unique deconstructed landscape that Picasso uses in his cat-and-mouse chase with the determined Dr. Cross. It seems that the city and Picasso have something in common.

Joining Perry's Cross is a stable of solid actors. Edward Burns, from Saving Private Ryan, growls his way through the role of Cross' partner Tommy Kane. John C. McGinley flexes his muscles as the man in charge of the department, even though Perry's Cross still towers him. Giancarlo Esposito (Breaking Bad, Revolution) cameos as a local 'businessman'. Cicely Tyson as Nana Mama brings an classic weathered sensibility that even a man of Perry's stature knows better than to mess with. But the break-out star of this suspense story is Matthew Fox. His portrayal of the emaciated serial killer assassin Picasso is riddled with ticks and voices, his sinewy frame a coiled spring of violence and thinly veiled rage and his cold intelligence a force that the famous Alex Cross may not be capable of containing.

Any scene with Matthew Fox is a wonder to watch, Picasso's movements precise and his mission focused, even though he may go off the rails at a moment's notice. One of the best sequences involves the People Mover and an assassination attempt. The pace of the film starts off strong and chugs along at a decent pace. The camerawork at the end during the climatic standoff is a little too jittery with its use of the loose handheld style, maybe used to cover up Perry's lack of fighting skills in relationship to Matthew Fox's superior moves. An impromptu underground cage fight proves that point.

Alex Cross goes back to the beginning of the doctor detective's career, with a glimpse of the pain and turmoil that would shape his future. Picasso is villainous and a worthy opponent. It is still uncertain if more of James Patterson's stories will come to light with Tyler Perry in the lead, but his Alex Cross does stay focused and determined.

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