Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label James Gandolfini. Show all posts
Showing posts with label James Gandolfini. Show all posts

Sunday, March 10, 2013

The Incredible Burt Wonderstone

COMEDY

Sleight of Hand

6.5 out of 10 | Rental

Rated: PG-13 Sexual content, dangerous stunts, a drug-related incident and language.
Release Date: March 15, 2013
Runtime: 1 hour 41 minutes

Director: Don Scardino
Writers: Jonathan M. Goldstein, John Francis Daley, Chad Kultgen, Tyler Mitchell
Cast: Steve Carell, Steve Buscemi, Olivia Wilde, Jim Carrey, James Gandolfini, Alan Arkin, Jay Mohr



SYNOPSIS: Magician Burt Wonderstone splits from his longtime stage partner after a guerrilla street magician steals their thunder. By spending some time with his boyhood idol, Burt looks to remember what made him love magic in the first place.

REVIEW: Small screen director Don Scardino, known for Royal Pains and 30 Rock, takes the stage for the silver screen to bring Steve Carell (Seeking a Friend for the End of the World) into the spotlight with another possible comedy hit. Written by the team of Jonathan M. Goldstein and John Francis Daley (Horrible Bosses), with Tyler Mitchell (My Own Worst Enemy) and Chad Kultgen (Southern Comfort) supplying the story, The Incredible Burt Wonderstone hopes to be true to its namesake.  


Young Albert is the focus of many bullies during his young life. On a lonely 10th birthday Albert receives the Rance Holloway Magic Kit which changes his young life forever. Dedicating his life to magic, he befriends another young boy who is the target and scorn of other kids in the school. Together, they master the tricks and start coming up with their own inventions of illusion. Fast forward 10 years and the duo, now called the Incredible Burt Wonderstone (Steve Carell, Date Night) and Anton Marvelton (Steve Buscemi, Hotel Transylvania), are happy to have become one of the major acts in Las Vegas. For years they ruled the Strip with their 'Magical Friendship' show. But when ticket sales slump and the magic tricks become dated, Bert and Anton have to face the fact that their act is no longer relevant. Enter Steve Gray (Jim Carrey, Mr. Popper's Penguins), a Chris Angel-esque street magician, who takes the art of illusion for the next extreme level. Unable to compete with what's the target demographic of 18 to 45 want to see, Burt and Anton suffer a fracture in their own friendship causing Anton to disappear from the business while Burt struggles with obscurity. When Burt, now forced to perform magic at a convalescent home, discovers that his magical idol Rance Holloway (Alan Arkin, Stand Up Guys) is a resident there he starts to realize that what inspired him to become a magician in the first place is really the most important thing.

Steve Carell, finding himself a more quirky character than that of Seeking a Friend for the End of the World or Little Miss Sunshine, faces the challenge of a more sleight of hand role. As a head-lining magician and a Las Vegas casino staple, Carell's Wonderstone is not really a likable character at the start. The fact of Wonderstone being down and out still doesn't do much to sway the audience to his side. It's only when Wonderstone rediscovers what he has been missing, in his act, his friendships, and his personal life, does he become sympathetic and an underdog to root for. Anton, Wonderstone's partner in magic and longtime friends, knows exactly where Wonderstone heart lies. Olivia Wilde (The Words), as the stage manager Jane/magician's assistant Nicole, finds that her love of her own idol Burt Wonderstone is really just an illusion after all. Jim Carrey, as the street magician Steve Gray, adds some hijinks and a little conflict - but really is more silly than anything else. Alan Arkin's Holloway does a good job with this snarky retired magician who discovered that his loss of the love of his craft was secondary to losing himself to a loveless mundane show.

The Incredible Burt Wonderstone tries to be silly, succeeding on some levels. It's relative clean fun, from the stage show opening dance moves to the song 'Abracadabra', to Jim Carrey's Gray looking to outdo himself at every turn to comic effect, to a magicians' duel involving a Yorky puppy, to the reveal of the final trick at the end of the film. There are a few laughs in the flick, but not enough to make it up uproarious comedy.

Steve Carell and Steve Buscemi work well together, showing us the illusion of some good chemistry on screen. Olivia Wilde's Jane enters a partnership of these two illusionists with reverence, skepticism, and eventual disappointment, always trying to see Wonderstone as someone who could still be the best if he wanted to. But her chemistry with Carell's Wonderstone seems a little forced, not as important to the flow of the story. The conflict between  Doug Munny (James Gandolfini, Killing Them Softly)
 and extreme illusionist Gray give the story something to do, but neither carry the story strong enough to get the job done. You have to love Arkin, though, in his snarky senior citizen's ways.

With a cameo from David Copperfield as a real magician, it is interesting to see that the art of illusion goes beyond just parlor tricks, sleight-of-hand, and grand illusion. Evident are bold velvet suits, capes, and as many rhinestones as one could costume can muster. Watching Carell dance poorly on stage before leading up to an actual allusions just goes to show you how much showmanship is needed to keep an audience enthralled between every trick's prestige. Just as the audiences become more jaded about the magic they want to see, Burt and Anton's stage antics lose their comic luster just as quickly. From Rance Holloway's caped master magician, to Burt Wonderstone's feathered hair and sequined velvet, to Steve Gray's grunge street illusionist, we get a timelines of the evolution of theatrical magic.

The Incredible Burt Wonderstone is a story of magical friendships, the ever-changing art of illusion, and the cost of losing passion for one's profession. Although there's a few laughs and silly sequences throughout the movie, the story lags. Not unlike the stage direction between tricks, Burt Wonderstone leaves us waiting for the comic payoffs.

I am a fan of Steven Carell's work on both the small screen and the big screen, but Burt Wonderstone is, unfortunately, not that incredible. If you want to know the secret behind the tricks of the 'Disappearing Audience', you may want to wait for the rental.

Wednesday, December 19, 2012

Zero Dark Thirty

Manhunt

★ ★ ★ ★ out of 5 buckets | Matinee or DVD

Rated: R Brutal disturbing images, strong violence and language.
Release Date: December 19, 2012 (expands January 11, 2013)
Runtime: 2 hours 37 minutes

Director: Kathryn Bigelow
Writers: Mark Boal
Cast: Jason Clarke, Jessica Chastain, Kyle Chandler, Harold Perrineau, Fredric Lehre, Edgar Ramirez, James Gandolfini, Joel Edgerton, Chris Prat, Frank Grillo, Mark Strong





SYNOPSIS: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.

REVIEW: Kathryn Bigelow won the Oscar for Best Picture for her film The Hurt Locker.  Before that she had big with successes with Point Break, Near Dark, and Strange Days. Returning to the deserts of the Middle East, she reteams with The Hurt Locker scribe Mark Boal to tell the tale of the biggest manhunt of the 20th century.
Maya (Jessica Chastain, Lawless), a CIA field analyst, is sent to Pakistan two years after the attacks on the World Trade Center towers on September 11th, 2001. Taking part in the brutal interrogations of middle eastern detainees with ties to Alcaida and other terrorists groups, Maya uncovers a network of couriers who may lead to Osama bin Laden. After several years and several other successful bombings around the globe, Maya has to fight the war to capture Osama bin Laden on several fronts, including against a change complexion of terrorism, a United States government with a changing policy concerning interrogations and detainees, and a ticking clock against more pain and death.

Zero Dark Thirty is Kathryn Bigelow's second film to take place in the conflicts of the Middle East. From Jeremy Renner's turn as a bomb disposal expert in the hateful sands of the region to the long pursuit of the terrorist Osama bin Laden, Bigelow's captures the tireless persistence of American patriots who fight for the freedoms of their homeland at a cost that may be too lofty to truly commiserate.

Bigelow opens the film with complete darkness and the iconic date of "September 11th, 2001". All that is heard is various recordings from officials, air traffic controllers, 911 operators, and workers in the World Trade towers. As American society was plunged into a pessimistic darkness, Bigelow hurls us two years later where a young CIA agent recruited straight out of high school and into a CIA Black Site where seasoned agent Dan (Jason Clarke, 
Lawless) interrogates a money man with ties to the 9/11 attacks. We do not stay anywhere too long, as the hunt for Osama bin Laden and twenty of the top leaders of the Alcaida terror network. Maya is the fulcrum - with agents, detainees, soldiers, technicians, analysts, and terrorists changing around her over the years she struggled and sacrificed in her pursuit for bringing bin Laden to justice.

Jessica Chastain starts off her career as Maya as a tough, but new recruit assigned to overseeing CIA Black Site interrogations. As the years go on, Chastain hardens her character into a woman with a singular diamond point focus against the man who is a ghost in the Middle Eastern sands. As the pressure to find bin Laden grows, Maya butts heads and egos against her station chief Joseph Bradley (Kyle Chandler, Argo) for more resources, mourns for the loss of interrogative freedom along with Dan, and constantly struggles against the slow grind of political red tape against supervisor George (Mark Strong, Green Lantern) and the CIA Director (James Gandolfini, Killing Them Softly). Will the government move on intel that in less than 100%? Even the Seal Team 6 members, although well trained, are skeptical of the mission parameters. Squadron Team Leader Patrick (Joel Edgerton, The Odd Life of Timothy Green) and DEVGRU Justin (Chris Pratt, Moneyball) follow orders on the instincts of a woman who may be the singularly most knowledgeable person on who and where Osama bin Laden is.

Coming in at 157 minutes, you can feel the emotional toll that the ten years have on main character Maya in the story. The pace is slow and even, plodding along with the teams and analysts as they miss opportunities to capture key personal with knowledge of bin Laden's network. They unravel around the edges as terrorist cells continue to plot and carry out their destructive missions. As the end nears, the tension rises in the CIA bunkers in Langley, Virginia and in the Pakistan darkness. But the actual incursion by Seal Team 6 on the bin Laden compound seems too real world slow and methodical to work as the climatic ending on the big screen.

Bigelow and Boal use Chastain's Maya as an amalgam of a public suffering immense loss of its innocence, as well as the sometimes quiet, sometimes volatile outrage and frustration of American agencies trying to achieve a measure of closure against a single man whose orders and decisions changed the cultural outlook of a nation. The film pulls back the curtain of what America had to become in order to get this dirty job done, showing the raw methods necessary and rawer nerves that result.

Zero Dark Thirty is a hard and objective look at a decade-long hunt for one man. The men in the employ of the terrorists are not made monsters unnecessarily. In the same light, America is not left with virtuous clean hands either. We know how it ends, but we may know what it took to get there.

Friday, November 30, 2012

Killing Them Softly

Slice of American Life

★ ★ ★ out of 5 buckets | Rental

Rated: R - Violence, sexual references, pervasive language and some drug use.
Release Date: November 30, 2012
Runtime: 1 hour 37 minutes

Director: Andrew Dominik
Writers: Andrew Dominik, based on the novel 'Cogan's Trade' by George V. Higgins
Cast:  Brad Pitt, Scoot McNairy, Ben Mendelsohn, James Gandolfini, Richard Jenkins, Vincent Curatola, Ray Liotta, Sam Shepard, Trevor Long, Max Casella, Slaine



SYNOPSIS: A local dry cleaner owner hires two down-on-their-luck thugs to rob an underground card game, knowing that the lackey running the game will most likely be targeted for the theft.

REVIEW: Andrew Dominik, writer and director of The Assassination of Jesse James by the Coward Robert Ford and Chopper, adapts the 1974 George V. Higgins novel 'Cogan's Trade' into a screenplay that reunites Dominik with his Jesse James star Brad Pitt. Gritty and raw, Killing Them Softly takes a different look at pre-Obama America and the occupational hazards of a hitman trying to make a living.
Struggling dry cleaner owner Johnny 'Squirrel' Amato (Vincent Curatola, Frame of Mind) and former convict hatches a plan to rob an illegal card game. Using two down-and-out thugs Frankie (Scoot McNairy, Argo) and his junkie partner Russell (Ben Mendelsohn, The Dark Knight Rises), 'Squirrel' directs the duo to steal from mob lackey Markie Trattman (Ray Liotta, Charlie St. Cloud) who had already stolen from his card game once before. When the job is done, a mob contact and driver (Richard Jenkins, The Cabin in the Woods) hires hitman Jackie (Brad Pitt, Money Ball) to investigate the crime and who was ultimately responsible. As the job gets more complicated, Jackie must bring in help in the form of old-timer Mickey (James Gandolfini, Where the Wild Things Are) and driver Kenny Gill (Slaine, The Town).

Killing Them Softly is somewhat a different film. Set amidst the backdrop of a changing America that was experiencing drastic and life-changing economical climate, there are no redeeming characters in the film. Each one as crooked as the one who came before them with varying degrees of badness, but with their own sense of code. Due to the failing economy, even the most staltworth former criminal finds that a return to a life of crime is all but inevitable. Well-loved mob runner Markie has stolen from his own house. Frankie just needs a break after he finds that the parole and work-release 'system' is counterproductive. Burnout Russell walks and sells dogs in the hopes of scoring drugs to sell, all in a pyramidal pursuit to make more and more money. Hitman Jackie, ever the professional and businessman, detests the bureaucratic nonsense that keeps him from being as effective as he needs to be.

Aside from the flawed but intriguing characters, director Dominik engages the audience with witty dialogue and wonderfully abstract camera work. Like Lock, Stock, and Two Smoking Barrels, and his own Chopper, every shot is painstakingly handcrafted for maximum effect. Jackie's encounter with Markie in the pouring rain is a perfect example of what makes the film so interesting. Russell and Frankie's conversation during Russell's needle ride on his own supply of smack deserves accolades as well. The banter between Pitt's Jackie and Gandolfini's Mickey is both enlightening and poignant.

Dominik's take of a changing economic America and a changing illegal trade into a bureaucratic quagmire 'corporate' cooperative is fun, if a bit obvious. The continued radio broadcasts and television telecasts of then current President George W. Bush and current senator and future President Barack Obama sets the tone of what all of the characters are dealing with for their future prosperity. The business of illegal trade, betting, card games, and public perception all play their part in this drama.

Killing Them Softly finds itself in a precarious position. It finds trying to balance with fine acting, an interesting story, great dialogue, and unique camera work with a sometimes obvious forced moral and relevant perspective in a time that takes place years after the original 1974 George V. Higgins novel was published.

Killing Them Softly is a strange little tale of just trying to make it and getting the job done. The performances are cool and the characters engrossing. But will it appeal to all? I guess you will have to decide to on whether to take on the contract for yourself.