Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Jay Mohr. Show all posts
Showing posts with label Jay Mohr. Show all posts

Sunday, March 10, 2013

The Incredible Burt Wonderstone

COMEDY

Sleight of Hand

6.5 out of 10 | Rental

Rated: PG-13 Sexual content, dangerous stunts, a drug-related incident and language.
Release Date: March 15, 2013
Runtime: 1 hour 41 minutes

Director: Don Scardino
Writers: Jonathan M. Goldstein, John Francis Daley, Chad Kultgen, Tyler Mitchell
Cast: Steve Carell, Steve Buscemi, Olivia Wilde, Jim Carrey, James Gandolfini, Alan Arkin, Jay Mohr



SYNOPSIS: Magician Burt Wonderstone splits from his longtime stage partner after a guerrilla street magician steals their thunder. By spending some time with his boyhood idol, Burt looks to remember what made him love magic in the first place.

REVIEW: Small screen director Don Scardino, known for Royal Pains and 30 Rock, takes the stage for the silver screen to bring Steve Carell (Seeking a Friend for the End of the World) into the spotlight with another possible comedy hit. Written by the team of Jonathan M. Goldstein and John Francis Daley (Horrible Bosses), with Tyler Mitchell (My Own Worst Enemy) and Chad Kultgen (Southern Comfort) supplying the story, The Incredible Burt Wonderstone hopes to be true to its namesake.  


Young Albert is the focus of many bullies during his young life. On a lonely 10th birthday Albert receives the Rance Holloway Magic Kit which changes his young life forever. Dedicating his life to magic, he befriends another young boy who is the target and scorn of other kids in the school. Together, they master the tricks and start coming up with their own inventions of illusion. Fast forward 10 years and the duo, now called the Incredible Burt Wonderstone (Steve Carell, Date Night) and Anton Marvelton (Steve Buscemi, Hotel Transylvania), are happy to have become one of the major acts in Las Vegas. For years they ruled the Strip with their 'Magical Friendship' show. But when ticket sales slump and the magic tricks become dated, Bert and Anton have to face the fact that their act is no longer relevant. Enter Steve Gray (Jim Carrey, Mr. Popper's Penguins), a Chris Angel-esque street magician, who takes the art of illusion for the next extreme level. Unable to compete with what's the target demographic of 18 to 45 want to see, Burt and Anton suffer a fracture in their own friendship causing Anton to disappear from the business while Burt struggles with obscurity. When Burt, now forced to perform magic at a convalescent home, discovers that his magical idol Rance Holloway (Alan Arkin, Stand Up Guys) is a resident there he starts to realize that what inspired him to become a magician in the first place is really the most important thing.

Steve Carell, finding himself a more quirky character than that of Seeking a Friend for the End of the World or Little Miss Sunshine, faces the challenge of a more sleight of hand role. As a head-lining magician and a Las Vegas casino staple, Carell's Wonderstone is not really a likable character at the start. The fact of Wonderstone being down and out still doesn't do much to sway the audience to his side. It's only when Wonderstone rediscovers what he has been missing, in his act, his friendships, and his personal life, does he become sympathetic and an underdog to root for. Anton, Wonderstone's partner in magic and longtime friends, knows exactly where Wonderstone heart lies. Olivia Wilde (The Words), as the stage manager Jane/magician's assistant Nicole, finds that her love of her own idol Burt Wonderstone is really just an illusion after all. Jim Carrey, as the street magician Steve Gray, adds some hijinks and a little conflict - but really is more silly than anything else. Alan Arkin's Holloway does a good job with this snarky retired magician who discovered that his loss of the love of his craft was secondary to losing himself to a loveless mundane show.

The Incredible Burt Wonderstone tries to be silly, succeeding on some levels. It's relative clean fun, from the stage show opening dance moves to the song 'Abracadabra', to Jim Carrey's Gray looking to outdo himself at every turn to comic effect, to a magicians' duel involving a Yorky puppy, to the reveal of the final trick at the end of the film. There are a few laughs in the flick, but not enough to make it up uproarious comedy.

Steve Carell and Steve Buscemi work well together, showing us the illusion of some good chemistry on screen. Olivia Wilde's Jane enters a partnership of these two illusionists with reverence, skepticism, and eventual disappointment, always trying to see Wonderstone as someone who could still be the best if he wanted to. But her chemistry with Carell's Wonderstone seems a little forced, not as important to the flow of the story. The conflict between  Doug Munny (James Gandolfini, Killing Them Softly)
 and extreme illusionist Gray give the story something to do, but neither carry the story strong enough to get the job done. You have to love Arkin, though, in his snarky senior citizen's ways.

With a cameo from David Copperfield as a real magician, it is interesting to see that the art of illusion goes beyond just parlor tricks, sleight-of-hand, and grand illusion. Evident are bold velvet suits, capes, and as many rhinestones as one could costume can muster. Watching Carell dance poorly on stage before leading up to an actual allusions just goes to show you how much showmanship is needed to keep an audience enthralled between every trick's prestige. Just as the audiences become more jaded about the magic they want to see, Burt and Anton's stage antics lose their comic luster just as quickly. From Rance Holloway's caped master magician, to Burt Wonderstone's feathered hair and sequined velvet, to Steve Gray's grunge street illusionist, we get a timelines of the evolution of theatrical magic.

The Incredible Burt Wonderstone is a story of magical friendships, the ever-changing art of illusion, and the cost of losing passion for one's profession. Although there's a few laughs and silly sequences throughout the movie, the story lags. Not unlike the stage direction between tricks, Burt Wonderstone leaves us waiting for the comic payoffs.

I am a fan of Steven Carell's work on both the small screen and the big screen, but Burt Wonderstone is, unfortunately, not that incredible. If you want to know the secret behind the tricks of the 'Disappearing Audience', you may want to wait for the rental.

Saturday, October 23, 2010

Hereafter

The Great Unknowns
[Matt Damon, Cecile De France, Jay Mohr, Frankie McLaren, George McLaren]


image from campblood.org

RANT: What is the deal with jobs that require workers to come to your house? Why do most schedulers tell you their workers will come between 9am - 12pm, then the guys end up coming at 4:30pm? Do these industries understand that the rest of us have jobs, too? If I promised a customer that I would be somewhere at a certain time, then showed up 6 hours late, I would lose my job! But its okay when others do it to you!

SYNOPSIS: Trying to escape his past, former psychic George Lonegan works a menial job, listens to Charles Dickens on audio to fall asleep, and takes an culinary class in an attempt to meet people. Meanwhile, seemingly unrelated traumatic events may very well shape George's future.

Director Clint Eastwood returns with a new film from a story from Peter Morgan starring Matt Damon, Cecile De France and twins Frankie and George McLaren. Amazingly enough, Eastwood is churning out film after film, directing "Invictus" in 2009, also starring Matt Damon, "Gran Torino" and "Changeling" in 2008, and "Letters from Iwo Jima" and "Flags of our Fathers" in 2006. Like a fine wine, Eastwood seems to be getting better and better with age. Age stops for no man, but Clint seems to have it a Dirty Harry choke hold.

Matt Damon stars as psychic George Lonegan who attempts to leave the otherworldly part of his life behind him. Cecile De France stars as Paris newscaster Marie LeLay, caught up in a Tsunami while on vacation, nearly drowning. Frankie and George McLaren round out the main cast as twins Jason and Marcus, the older twin Jason dying in a car accident. These events are random and in different parts of the world - San Francisco, Paris and London. But like "Crash" and "Babel" before it, Eastwood uses the three story threads to tell a gripping story that eventually weaves into a complete work.

After the rush of the tsunami sequence that opens the film, the pace of the story slows down to a trickle. Eastwood uses his signature style of slow storytelling to capture the audience into the lives of George Lonegan, Marie LeLay and Marcus. The music is simple, jazzy and true to the events and locations. Although serious in tone, Eastwood injects truth and humor into the tale.

And the truth is this... everyone has their belief in the hereafter. Some are scientific about what lies beyond. Others maintain a staunch faith of life after death due to their religions. And some believe that death brings only darkness. "Hereafter" discusses the narrow-mindedness that still lingers in this enlightened society, as well as the superstitious allure to those who claim to have a connection to the other side. While charlatans continue to take advantage of those who hearts weigh them down with regrets and words left unsaid, the rest of modern society seems to stop believing in anything at all. Are we so jaded or naive to think we have all of the answers? In any case, "Hereafter" puts the topic on unbiased display, letting our own thoughts guide us to our own answers.

Worth: Matinee and DVD

I am also trying out a new rating system shown below based on reader reaction to my somewhat complex monetary rating scale. I will give both ratings and see what kind of reaction I muster. A movie can receive up to 5 popcorn buckets. Why popcorn buckets? Because I am a slave to the thousand + calorie delight! Enjoy!