Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Chris Evans. Show all posts
Showing posts with label Chris Evans. Show all posts

Wednesday, May 2, 2012

The Avengers 3D

Some Assembly Required

Rated: PG-13 Intense Sci-fi action/violence and a mild drug reference
Release Date: May 4, 2012
Runtime:  2 hrs 23 mins

Director: Joss Whedon
Writers: Zak Penn, Joss Whedon, based on the comic book by Stan Lee and Jack Kirby
Cast: Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgard, Samuel L. Jackson, Gwyneth Paltrow, Paul Bettany


SYNOPSIS: Mischievous Norse god Loki takes control of the cosmically powerful Tesseract in an attempt to portal from the far end of the universe an alien army to defeat Earth and serve as ruler. Nick Fury, director of SHIELD, must bring together a band of heroes to thwart the invasion.

REVIEW: Joss Whedon, director and director of such genre-loved classics as Buffy - The Vampire Slayer and Firefly, works with co-writer comic book adapter Zak Penn (The Incredible Hulk, X-Men: The Last Stand, Elektra) to bring to screen the long-awaited Marvel superhero ensemble film that comic book fans have been dreaming about since cracking open their first Avengers tale.




When an unexpected surge of power starts to emanate from the Tesseract retrieved by Howard Stark in the 1940s and experimented on in the present day by the scientists of SHIELD, the result is the opening of a portal and the return of Loki (Tom Hiddleston, War Horse) to the earthly plane. Escaping with the powerful cosmic energy source, Director Nick Fury of SHIELD is forced to bring together the various powerful men and women who he had slated for the now defunct Avengers Initiative. He enlists the help of the former Russian assassin turned SHIELD agent Natasha Romanoff (Scarlett Johansson, We Bought a Zoo), code named Black Widow, to bring in Dr. Bruce Banner (Mark Ruffalo, Shutter Island) from abroad to hunt down the cube with the hopes that the Hulk will be kept under wraps. Tony Stark (Robert Downey, Jr., Due Date) is sought after for his brilliance and technology. Steve Rogers (Chris Evans, What's Your Number?) is a super soldier who needs to get back into the world to serve his country in the best way possible. Fury hopes that self-proclaimed protector of earth Thor (Chris Hemsworth, The Cabin in the Woods) will fulfill his promise to defeat the earth. And archer Clint Barton (Jeremy Renner, Mission: Impossible - Ghost Protocol) is the resident bolt loading marksman whose skills as a trained assassin is only matched by Romanoff. Loki's master plan is unknown to the heroes, other than the fact that he plans to bring to earth an alien armada to decimate the earth and put himself as king of the planet. The only force with any chance to stop his evil plans is the Avengers - but only if they can come together as a true team.

Jon Favreau hinted at a possibility of an Avengers movie with Samuel L. Jackson's utterance of a "...bigger universe..." and "...The Avengers Initiative"
. He may have added the end scene to the first Robert Downey, Jr. Iron Man as a cool lark and easter egg, but that scene started to slowly galvanize a spark of an idea that continued through four other films, The Incredible Hulk, Iron Man 2, Thor, and Captain America: The First Avenger, and culminates in an already franchised powerhouse and anticipated film with this summer's The Avengers. With five films put together as an ultra long set of origin stories, The Avengers is freed from the shackles of usually necessary back story to get right into the heart of a new story.

Coming in at two hours twenty-three minutes, you would think that this epic superhero story would drag its feet for a bit until the momentum started to build. But from the moment that the Tesseract starts to pulse and the godling Loki steps back into the world, the only slow point is Fury looking to assemble his team to combat the immediate threat to the planet. Each member of the rag-tag team is acquired in thoughtful and funny ways, gathering them together to take on Loki. At each step of the way, the fanboys and fangirls are treated to inspired nerdgasms that keeps the grins on the face and glint in the eyes. For instance, with any major superhero team-up there is usually a misunderstanding between heroes that results in a all-out brawl. We are treated to more than one! The classic nerd dilemma - who would win in a fight - Thor or the Hulk? Captain America or Thor? Iron Man or Captain America? Black Widow or Hawkeye? The story is so well laid off that every fan would be satisfied with the outcome. And once the heroes stop fighting each other, they get to take on an entire alien army with abandon.

With an ensemble picture, it is difficult to focus any long attention on any one character. And that's fine. Each hero gets enough of a spotlight to appeal to anyone who did not take the precious time to watch all of the first five aforementioned films in one sitting (hey, it wasn't me!) to have a refresher going into this film. And we do learn just enough to add a little depth and new knowledge about the characters to carry us through. I could wax nostalgically about the lose that Steve Rogers feels about being a man out of time, or that Tony Stark's cavalier pursuit of his own aspirations portrays him in a poor light, or that the intense training that Nastasha endured at a young age by the Russian government as left her emotionally scarred. But in reality, all we want is to see the most powerful heroes of the Marvel Universe kick some serious butt!

Whedon and Penn bring to life a story that filled with phenomenal action, great humor, and a story with enough heart to get the audience to applaud during the film! Clark Gregg's (Iron Man)  Agent Coulson,  brings the same straight man laughs to his government role that he entertained us with in the earlier films. Cobie Smulders' Maria Hill (How I Met Your Mother) seemed under worked in her first appearance as a SHIELD agent, playing a simple second fiddle to Jackson's Fury. She does has a strong action sequence early on, and does smolder a bit in the eyes, but I hope to see more of the Hill character evolve in future franchise entries. Everyone else puts on their characters as if slipping into a fitted jacket, knowing what the character is about and how to get a little more out of them.

As a true 'Make Mine Marvel' fan, The Avengers gave me everything I could have asked for, and more.  It met and exceeded all of my expectations. Some may point out that the story was a little weak in spots, or certain characters were underused, but the fact that I can't really give an example of any of that is a testament to the the film as a whole experience. With dazzling effects, superior action, a cool story that crosses fandom  to mainstream lines, it is little wonder that The Avengers is poised to break $500M on an international stage. With these individual heroes there may be some assembly required, but once they come together there seems to be no stopping them! Avengers Assemble!!

WORTH:  Friday Night and BluRay

Wednesday, February 29, 2012

The Avengers Trailer

Avengers Assemble

Rated: PG-13
Release Date: May 4, 2012
Runtime: TBD

Director:  Joss Whedon
Writers: Joss Whedon
Cast:  Robert Downey, Jr., Chris Evans, Chris Hemsworth, Samual L. Jackson, Mark Ruffalo, Jeremy Renner, Scarlett Johansson, Cobie Smulders, Gwyneth Paltrow, Paul Bettany, Tom Hiddleston, Clark Gregg


SYNOPSIS:  Nick Fury and the international agency S.H.I.E.L.D. bring together a team of super humans to form The Avengers to help save the Earth from Loki and his mischief.



Sunday, October 2, 2011

What's Your Number?

Better Off Alone
Director: Mark Mylod
Writers: Gabrielle Allan, Jennifer Crittenden, Karyn Bosnak (novel "20 Times a Lady")
Cast: Anna Faris, Chris Evans, Ari Graynor, Blythe Danner, Chris Pratt

SYNOPSIS: After losing her job and breaking up with her last boyfriend, Ally reads an article that says that a woman that has had twenty or more lovers will probably not find a soulmate. Vowing off sex, Ally uses her neighbor Colin to help her track down her former lovers in an attempt to find one that has gotten better with age.

REVIEW: Experienced small-screen director Mark Mylod goes from HBOs Entourage to the big screen, bringing with him a screenplay from Scrubs scribe Gabrielle Allan and The New Adventures of Old Christine
scribe Jennifer Crittenden from Karyn Bosnak's novel "20 TImes a Lady".

Ally Darling (Anna Faris from The House Bunny) thinks her life is going along fine. But when she loses her job in marketing and breaks up with her vegan bicycle messenger boyfriend, Ally finds herself on the subway looking at a women's magazine article that claims that a woman's average number of lovers is 10.5, and that a woman with 20 or more lovers will probably not find a husband. Making a list of her previous 19 boyfriends, Ally realizes that she is tittering on relationship hopelessness. Enter the cross-the-hall musician neighbor Colin (Chris Evans from Puncture, The Losers) who uses Ally to hide from his one-night stands until they clear out of his apartment the morning after. Finding out that Colin's father was a cop and taught Colin the tricks of the investigative trade, Ally strikes a deal with him   where she will continue to harbor him during his girlfriends' Walk of Shame if he agrees to run down all of her past boyfriends in the hopes of finding one that actually made something of their life.

Anna Faris, an actress with almost 40 films under her belt or on the way, continues in her kooky, physical, pratfally ways with What's Your Number?. Filled with goofy expressions and wide-eyed optimism, Faris' Ally holds hope that one of her former boyfriends will end up being the "right one". The star-spangled Avenger himself, square-jawed, steely blue-eyed Chris Evans charms his pants off, literally, as his character Colin likes to get his morning paper from the hallway with only his smile and, maybe, a towel in hand.

The story is silly, with Anna Faris even sillier. Filled with nudity from Faris, Evans and others, and 
gratuitous obscenities, What's Your Number? could have been just as good as a PG-13 outing without all of the extra "stuff" to give it the R-rating. Where The Hangover and Bridesmaids benefited from its restrictive rating, What's Your Number? seems to try too hard for laughs that sometimes don't hit. Evans and Faris play to their physical strengths, but sometimes even a house bunny or a shield-wielding superhero can't save the day.

WORTH: Rental




Thursday, July 21, 2011

Captain America: The First Avenger (3D)

Greatest American Hero

Director: Joe Johnston
Writers: Christopher Markus, Stephen McFeely, Joe Simon, Jack Kirby
Cast: Chris Evans, Hayley Atwell, Sebastian Stan, Tommy Lee Jones, Hugo Weaving, Samuel L. Jackson, Stanley Tucci


SYNOPSIS: After being rejected from the armed forces, 90 lb. weakling Steve Rogers volunteers for a top secret government project to create an army of super soldiers against the Nazi aggressors during World War II.

REVIEW: Joe Johnston, the director of The Rocketeer and, most recently, The Wolfman (2010) takes a script from Christopher Markus and Stephen McFeely, the screenplay writing team of The Chronicles of Narnia film series, and brings to life the origin tale of Captain America, the heart and honor of the Marvel Universe. Captain America: The First Avenger looks to shake off horrible television movies of the late 1970s with Reb Brown in the title role or an all-but-forgotten 1990 foreign made, direct-to-USA-video version that only the most die-hard fans would remember.

Chris Evans, the big-screen Johnny Storm of the Marvel Universe in the two most recent Fantastic Four films, faced questions as to whether he could wield the Star-Spangled shield. Would the movie-going public believe that Evans would be accepted for both the "Flame On!" hothead of Marvel's first family, and as the United States Government's first successful Super Soldier (some comics may debate the title of Steve Rogers being actually the first, but I digress)?

Comic book fans will have to make a decision. They will have to decide if they are willing to accept the revised origins of the Star Spangled Avenger. Sure, puny 90 lb Steve Rogers is still rejected from serving his country in World War II, but given an opportunity to volunteer for the top secret Super Soldier program. But the modern day return of the hero is marked by a Marvel Ultimates treatment. Is it sacrilege or smarter writing?

Joe Johnston, director knows his way around the graphically created Summer superhero fare, high stakes action flicks, and period pieces. With The Rocketeer, he handled all three. Now with Captain America: The First Avenger, he returns to the genre from where he received so much acclaim so many years ago.

Driven by the character as much as the action, Chris Evans’ Captain America, in my opinion, does the industry, the fans, and Summer movie-going proud. The women will love the fact that he shows more muscle and more skin than Ryan Reynolds did in this year’s earlier release, Green Lantern. With the bulk, blue eyes, and the Red, White and Blue, Evans brings a solemn responsibility and dedication to fighting for his country’s ideals, as well as his ideals. The effect of Steve Rogers as the pre-Super Soldier and his post-serum physiques really make the film!

And with any great superhero film, or any hero film for that matter, the villain is just as important as the hero. Hugo Weaving as Johann Schmidt, the ambitious scientist heading up Hitler’s Deep Science Division with his own aspirations for ultimate power and world domination, is picture perfect in tone and look. The make-up effects for this specific evil-doer is probably the best I have ever seen.

Also in the cast is the beautiful tough-as-nails British agent and sparking love interest Peggy Carter (Hayley Atwell), Childhood friend James ‘Bucky’ Barnes (Sebastian Stan), gritty Colonel Chester Phillips (Tommy Lee Jones), United States weapons contractor Howard Stark (Dominic Cooper), Samuel L. Jackson (Nick Fury), Hydra weapons designer Dr. Arnim Zola (Toby Jones), and the Howling Commandos with derby wearing ‘Dum Dum’ Dugan (Neal McDonough), Gabe Jones (Derek Luke), Jim Morita (Kenneth Choi), James Montgomery Falsworth (JJ Field) and Jacques Dernier (Bruno Ricci).

Johnston and writers Markus and McFeely weave an excellent origin tale, spanning Steve Rogers humble beginnings to his rebirth in the 21st Century. Comic fans will enjoy the Easter Eggs at the 1942 Worlds Fair and Exhibition – Toro!, Toro!, the use of Captain Rogers as a propaganda patriot in the period equivalent of the classic Captain America costume to drum up the buying of war bonds, and Rogers unwavering attitude to protect his friends, soldiers and country from the outstretched clutches of the Axis. The action is slick, hard and fast. The look is as classic as any ‘Rosey the Riveter’ or ‘Uncle Sam - I Want You’ poster.

Fans and newcomers should find Captain America: The First Avenger as good as Favreau’s original Iron Man, and better than Thor (sorry, Thunder God). Funny, fresh and faithful to several comic treatments, Steve Rogers fights for truth, justice and the American way of life, throwing his mighty shield, and proving that a hero can have a heart and honor.

Even though Jon Favreau added the Easter Egg scene after Iron Man's credits as a lark, the end credit closing scene has become a part of the Marvel Universe on film. Stay in your seats to see a closing scene with Steve Rogers, as well as a trailer for next Summer’s The Avengers.

WORTH: Friday Night Opening and BluRay

Friday, August 13, 2010

Scott Pilgrim Vs The World

I am definitely on Scott's side!
[Michael Cena, Mary Elizabeth Winstead, Kieran Culkin, Anna Kendrick]

image from blogs.indiewire.com

RANT: My apologies, dear reader, for the sporadic nature of my movie review blogs. Weekends at Six Flags Great Adventure and entertaining my sister and her family have put me off of my pace. I am slowly crawling out of the hole I have made for myself with getting behind on my movie viewing. I will try to be more considerate to my readers in the future!

SYNOPSIS: Scott Pilgrim is suddenly and violently drawn to Ramona Flowers, a girl trying to escape her past. As Scott grows closer to Ramona, he is confronted by seven of Ramona's evil exes. He must defeat each one in order to win Ramona's hand and heart.

What do you get when you cross "Tron", "Speed Racer", "Game of Death", Rumble in the Bronx" and "Juno"? Apparently writer and director Edgar Wright knows... and I believe that he has brought it to the silver screen as "Scoot Pilgrim vs. the World". Adapted from the Oni Press graphic novels of the same name by Brian Lee O'Malley, Wright captures the spirit and soul of the inked panel.

Many directors have tried, and failed, to adapt comic books onto the screen where they keep the comic panel concept - most notably Ang Lee's "Hulk". Some have succeeded, Frank Miller and Robert Rodriguez for "Sin City", and now Edgar Wright with "Scott Pilgrim vs...". Famous for cult favorites "Shaun of the Dead", "Hot Fuzz" and a chapter of "Grindhouse", Wright is perfectly comfortable and capable penning and directing another film to add to the collection.

Michael Cena seems perfect as Scott Pilgrim, a depressed early twenty-something guy broken hearted for a year after the seemingly perfect girl moved away and started sleeping with her new bass player (and sign with a record label). Now dating a 17 year old high schooler, Pilgrim is soon drawn to the mysterious Ramona Flowers, played by Mary Elizabeth Winstead.

Scott is surrounded by his bandmates Stephen Stills (Mark Webber) and former girlfriend Kim Pine (Alison Pill), his gay roommate Wallace Wells (Kieran Culkin), and soon-to-be-ex-girlfriend Knives Chau (Ellen Wong). The band, Sex Bob-omb, is reminiscent of the 5, 6, 7, 8s from "Kill Bill Vol. 1", just trying to kick ass and play music. Roommate Wallace adds wit and wisdom, dishing out double standard advice for Scott's love life.

The entire film is one big video game with a heart, from the Universal Studios logo and music on. The on-screen captioning is comedic. There is even a "Pee Bar" that empties as Scott relieves himself. The ring of a door bell or phone brings up the sound in visual format. Kisses of passion flutter around as heart butterflies. Every punch is accented with a KRPOW or TWACK!. In order to win Ramona's heart, Scott defeat each of her seven evil exes. Each member of the League of Evil Exes has their own talent, and Scott must use all of his skills in defeating them. Brandon Routh and Chris Evan appear as evil exes #2 and #3, respectively, upping their clout in the comic to movie genre and probably cementing them as comic-com staples for a lifetime. Mae Whitman from NBC's "Parenthood" shows up as bi-furious ex #4, Roxy, and Jason Schwartzman caps off the list as unlucky ex #7, Gideon, who has a hold on both Ramona and the future of Sex Bob-omb career with a record label. From a vegan lifestyle that produces telekinesis, to mystic indian fireballs, to giant battle hammers, each "versus" battle is epic.

This film is perfect for the comic movie lover, but it is also a film with a message about how we treat those we love and those we used to love. It's a coming-of-age love story, wrapped up in the garb of the next generation's gaming culture.

Worth: Matinee and DVD

I am also trying out a new rating system shown below based on reader reaction to my somewhat complex monetary rating scale. I will give both ratings and see what kind of reaction I muster. A movie can receive up to 5 popcorn buckets. Why popcorn buckets? Because I am a slave to the thousand + calorie delight! Enjoy!

Sunday, April 25, 2010

The Losers

It's All About Execution
[Jeffrey Dean Morgan, Zoe Saldana, Chris Evans, Jason Patric]

Another week comes and goes, and another comic book adaptation comes to the theater. As a huge fan, I am always interested in how Hollywood expresses the genre. Matthew Vaughn's "Kick-Ass" was exciting, if not critically successful. Bryan Singers; "Superman Returns" was slick, if not memorable. Let's see how "The Losers" fared.

SYNOPSIS: The Losers, a group of black ops soldiers, are framed and betrayed by a rogue CIA spook, Max, during a mission. In order to get their lives and reputations back, they must team up with the mysterious operative, Aisha, with her own reasons to bring down Max.

"The Losers" is a DC/Vertigo property that has been selected for silver screen treatment. The trailers make it out to be a fun, explosive spectacle. But the dynamite must have has a bad fuse, because the films fizzles in its delivery. Don't get me wrong, there are some good points in the movie, but not enough to save it.
The casting was picture perfect. For the heroes you have Jeffrey Dean Morgan as the war-weary colonel Clay, Chris Evans as the smart-alec tech specialist Jensen, Oscar Jaenada as the stoic long-range eliminations specialist Cougar, Zoe Saldana as the sultry Aisha, and Idris Elba and Columbus Short as Roque and Pooch. All of the tumblers click into place for a great ensemble, but the story does not do them justice. There are a few memorable scenes. One involves an elevator, a Journey song and a disrobed Chris Evans. Another involves a girls soccer team, a dispute with a referee and Chris Evans. You may think that Chris Evans was the best part of the film. In fact, you would be right!

So even though the players mesh, the story does not. The battle scenes are both loud and lack. The barrage of bullets is intense, but without emotion. The story, by Peter Berg and James Vanderbilt, moves along briskly but doesn't bring the audience along after the pre-title scenes. Director Sylvain White certainly does not "Stomp the Yard" with this effort.

Another issue is the use of comic book framing. Just as Ang Lee tried to use comic book panels, to develop and segue scenes to ill effect, Sylvain White falls into the same trap. It manages to be both distracting and unnecessary. The illustrated quality works for the closing credits, but fails throughout the film. Maybe a little research into Robert Rodriguez's illustrated effects in "Sin City" would have helped.

If you haven't figured it out by now, I think you can eliminate this film from you movie going list.

Worth: Netflix