Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Tommy Lee Jones. Show all posts
Showing posts with label Tommy Lee Jones. Show all posts

Friday, November 9, 2012

Lincoln

True North

★ ★ ★  1/2 out of 5 buckets | Matinee and DVD

Rated: PG-13  Intense scenes of war violence, brief strong language and some images of carnage
Release Date: November 9, 2012
Runtime: 2 hours 29 minutes

Director: Steven Spielberg
Writers: Tony Kusher, from the book by Doris Kearns Goodwin
Cast:  Daniel Day-Lewis, Sally Fields, David Strathairn, Joseph Gorden-Levitt, James Spader, Hal Holbrook, Tommy Lee Jones, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Joseph Cross 




SYNOPSIS:  As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.

REVIEW: Steven Spielberg, a director who does not need me to list his resume of superior films (War Horse, Schindler's List, E.T.: The Extra-Terrestrial), returns to direct a historical film about his favorite United States President - Abraham Lincoln. Munich writer Tony Kusher developed the screenplay, based in part on the Doris Kearns Goodwin book "Team of Rivals: The Political Genius of Abraham Lincoln". 
In the months after the battle at Gettysburg, Abraham Lincoln (Daniel Day-Lewis, There Will Be Blood) surveys more battlefields and meets with more Union soldiers of all colors. Now in his second presidential term and knowing that his war-time Emancipation Proclamation would not hold up if the war with the South ended, Lincoln looks to pass into law the 13th Amendment of the Constitution as quickly as possible – even before his second term inauguration. Already passed in the House of Representatives, Lincoln must have the amendment brought to the floor of the Senate. Without a guaranteed 2/3rd majority to pass the amendment, Lincoln and his Secretary of State William Seward (David Strathairn, The Bourne Legacy) hatch a political plan to acquire the necessary opposing democratic party member votes using a slick and unsavory group of outsiders including W.N. Bilbo (James Spader, Boston Legal) and Richard Schell (Tim Blake Nelson, Big Miracle), cozying up to Washington Republican insider Preston Blair (Hal Holbrook, Water for Elephants) in exchange for the promise of sending emissaries to President Jefferson Davis to broker a deal to end the war, and trying to reel in the Republican Senator Thaddeus Stevens (Tommy Lee Jones, Hope Springs) to keep his passion for equal rights focused on legal equality, not racial equality. Faced with the prospect of ending the war or passing the constitutional amendment, Lincoln walks a razor’s edge to try to achieve both.

Steven Spielberg's Lincoln is a history lesson of our sixteenth president and the pursuit of the 13th amendment of the Constitution of the United States. From the months after the bloody battles of Gettysburg to his eventual untimely and tragic death at the hands of an assassin’s bullet, Abraham Lincoln looked to change American history. A staunch opponent of the idea and practice of slavery, Lincoln made it his goal to abolish the trade within his administration. Using the civil war to enact war powers in the executive branch, Lincoln's law savvy allowed him to write up and institute the Emancipation Proclamation and free slaves based on the facts that slaves were property of enemy rebels. Lincoln knew that his proclamation would not stand up in a court of law once the war ended, he made it mission of the advent of his second term (even before his inauguration) to bring the amendment to the Senate in an attempt to pass the amendment proposal in front of a congressional Senate not favorable to its passing.

Lincoln struggled with the freedom and equality of its nation's people, while its people comprised a country divided in bitter civil war. Lincoln battled with his own cabinet on the topic of freeing the slaves forevermore, while his cabinet was more concerned with freeing the country’s citizen’s from a ravaging war over freeing a race of individuals most citizens deemed inferior. But Lincoln was resolute in his beliefs for equality and an unified nation. This film focuses on all of the President's efforts and his belief that the passing of the 13th Amendment was critical to the future of America, taking part in closed-door politics and using 'consultants' to broker hand-shake and under-table dealings. The President even keeps his closest advisers and his own wife Mary (Sally Field, The Amazing Spider-Man) guessing.


Daniel Day-Lewis embodies the 16th President of the United States as if this was the role he was meant to play. With some prosthetics, his own physical stature, and his ability to become any character, Day-Lewis becomes the definitive Lincoln. Spielberg shines the light, through Day-Lewis, on a man who was earnest, thoughtful, savvy, quick with an anecdote or story, and troubled with the weight of his office, his family, and a divided nation. Spielberg also fills the film with dozens of solid and A-list actor. Along with Tommy Lee Jones, Sally Field, David Strathairn, and James Spader, Lincoln also boasts Jackie Earle Haley (Dark Shadows) as the Confederate's Vice President Alexander Stephens, Joseph Gordon-Levitt (The Dark Knight Rises) as young Robert Lincoln wanting to serve in his father's army, Jared Harris (Sherlock Holmes: A Game of Shadows) as Ulysses S. Grant, and Lee Pace (30 Beats) as the opposing Senator Fernando Wood.

Lincoln is a historical drama about a beloved and popular president without the need of focusing on the Abraham Lincoln historical event checklist. Sure, Spielberg touches on Lincoln's death - a pivotal event in presidential history - but he only glances back at Lincoln's Gettysburg's Address through Union soldiers. The core of the story focuses directly on Lincoln trying to cope with the nation in turmoil, his desire to pass the Amendment to abolish slavery, and the political measures he would have to undertake to get the job done.

Lincoln is a superb political and historical film. The dialogue is poetic and engrossing. Where Spielberg brought the play 'War Horse' to the silver screen, the film Lincoln could become a wonderful play tomorrow. This film takes a different look at a President that we all thought we knew - honestly.

Saturday, August 4, 2012

Hope Springs

Uncomfortable Silence

Rated: PG-13 Sexuality and mature thematic content.
Release Date: August 8, 2012
Runtime:  1 hour 40 minutes

Director: David Frankel
Writers: Vanessa Taylor
Cast:  Meryl Streep, Tommy Lee Jones, Jean Smart, Steve Carell, Ben Rappaport


SYNOPSIS: After thirty-one years of marriage, a middle-aged housewife pays for and requests her husband to fly from Nebraska to Maine to attend an intense, week-long counseling session to work on their failing relationship.

REVIEW: David Frankel, director of The Big Year, The Devil Wears Prada, and Marley and Me, tackles another story of internal conflict and discovery in the form of Hope Springs. Written by Vanessa Taylor, a television teleplay writer of shows like A Game of Thrones and Alias, this Tommy Lee Jones and Meryl Streep film delves into the downfall of lost communications and the complacent comfort.
In Omaha, Nebraska, Kay (Meryl Streep, The Iron Lady) looks on her husband Arnold (Tommy Lee Jones, Men In Black 3) and her life with worries that the silent comfort and familiarity of thirty-one years of marriage has dulled her spirit and the prospects of their lives together. Struggling to find a way to spice up their routine, Kay reads books and searches the internet to find a way out of their rut. Coming across a book entitled "Having the Marriage You Always Wanted", Kay discovers a therapist named Dr. Feld. She pays for a week-long counseling package in Maine with Dr. Feld (Steve Carell, Seeking A Friend for the End of the World), telling Arnold that she is going on the trip whether Arnold decides to join her or not. Feeling trapped, Arnold does indeed join her, and they set themselves on the same, but separate paths of discovery - both for themselves and for each other.

Hope Springs is a story with a simple premise. Can an adrift relationship be saved? Should it be saved? Just because a couple has a document stating a contract of marriage and have both put decades of their lives and effort into that relationship, does that automatically mean that there is something to salvage? Regardless of the story focusing on a middle-aged couple, I think that most people who have been in a relationship of any length can relate to the jeopardy of falling into comfortable silences.

The film is funny and bittersweet. In spite of - or because of - the subject matter, most of the audience laughed outright at the reactions of Tommy Lee's Arnold and Meryl's Kay in response to the awkward questions from Carell's Dr. Feld. Imagine your own reaction to queries of your sexual fantasies or how you pleasure yourself or your partner, add in a timid, naive shock from Kay or a gruff, shut down angry response from Arnold, and you have a realistic, sweet, and humorous look at life. But as quickly as a teeter of laughs erupt, the mood changes as any of Kay and Arnold's slight gain of confidence or perspective becomes a grueling realization of miscues, miscommunications, and missed opportunities spanning their life together.

Tommy Lee Jones keeps his signature gruff as the detached, routine-driven Arnold, sticking to a schedule of eggs, bacon, and a newspaper in the morning, and falling asleep to instructional golf shows on basic cable at night. Meryl Streep plays the dutiful wife to her loved husband, finally acting on the realization that she wants to have the marriage she remembered from their more passionate youth. Steve Carell tones down his normal comic flares in favor of an understated role as the therapist, only revealing his lighter nature when he spies a possible breakthrough in the eyes of his reluctant patients. Jean Smart steps in as Kay's co-worker and friend for a few moments and a few others drift in and out of scenes, but the root of the story is rooted firmly on the couch of Dr. Feld in a small New England town. Tommy Lee and Meryl are the story, and we delight in their progress, laugh at their awkwardness, sigh at their tender moments, and anguish at their bittersweet realizations.

Through the entirety of the movie, we are never handed the ending. Whether Arnold and Amy stay together or decide to finally call it quits in in their hands and their hearts, a difficult decision that could go either way. Just like life, nothing is for certain. And because Hope Springs is like real life, most of us can relate to what Arnold and Kay are going through to some extent. The moviegoer's ability to relate is what makes Hope Springs a humorous and bittersweet film, taking the audience on the trip with Kay and Arnold. Hope Springs is not as expansive or pondering as Jack Nicholson's About Schmitt, keeping itself instead focused directly on the marriage couple trying to reignite a passion for living and each other that starts with the simple task of holding each other in their arms again.

Hope Springs will make you laugh, and possibly well up a tear or two, a strong film centered around an experience and stellar cast of Jones, Streep, and Carell. The summer blockbusters are quickly winding down, the colorful heroes and their struggles against evil villains making way to everyday people struggling against the passing of time and life.

WORTH: Matinee or Rental

Monday, May 21, 2012

Men In Black 3

Back To The Future

Rated: PG-13  Sci-fi action violence, and brief suggestive content
Release Date: May 25, 2012
Runtime:  1 hr 43 mins

Director: Barry Sonnenfeld
Writers: Lowell Cunningham, David Koepp, Etan Cohen, Jeff Nathanson, Michael Soccio
Cast:  Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Emma Thompson, Bill Hader, Michael Stuhlbarg, Alice Eve


SYNOPSIS: Agent J travels back in time to MIB's early years in the 1960s in order to stop an alien from assassinating his friend Agent K and changing history.

REVIEW: Barry Sonnenfeld, director of both Men in Black, Men in Black II, plus Get Shorty and both Addams Family films, returns ten years after the last MIB film to let us catch another glimpse of the the odd couple agents that entralled us in the original film in 1997. Using a collective of writers for the third installment, Sonnenfeld employs the scribing talents of Etan Cohen (Tropic Thunder), David Koepp (Angels and Demons), Jeff Nathanson (Tower Heist), and Michael Soccio (The Kings of Queens), all based on the original comic by Lowell Cunningham.
Agent J (Will Smith, Seven Pounds) and Agent K (Tommy Lee Jones, Captain America: The First Avenger) continue to thwart alien incidents that affect New York and the outer boroughs, Agent J still wondering why his partner is so sullen and stoic. One of Agent K's early arrests, Boris the Animal (Jermaine Clement, Dinner for Schmucks), escapes from the super maximum Lunar Max moon prison with forty years of hatred for the man who took his freedom and one of his arms. Hatching a plan to erase the one mistake of his past, Boris promptly finds an illegal time jump device with the expressed focus to kill Agent K before he is arrested and before he loses an arm. When Agent J wakes the next day and is the only person to remember that Agent K was just alive yesterday instead of being killed in 1969, the new head of MIB Agent O (Emma Thompson, Harry Potter and the Deathly Hallows - Part 2) points Agent J to the same source for time jumping that Boris had used, an electronics store owner Jeffrey Price (Michael Chemus, The Big C). Once in the past, Agent J comes across the younger, more hopeful and easy-going Agent K (Josh Brolin, True Grit), head Agent X (David Rasche, United 93) and a young vibrant Ms. O (Alice Eve, The Raven) in an attempt to save his partner before Agent K becomes nothing more than a distant memory.

Starting in 1997, Barry Sonnenfeld brought Tommy Lee Jones and Will Smith together as the supreme odd couple protecting the earth from the scum of the universe. With the veteran, seen-too-much-in-his-career Agent K and the young, hot-headed upstart policeman turned naive intergalactic cop, the first entry based on the Malibu Comics had plenty of action, comedy and story to go around. Five years later, the crew returned with another adventure that combined comedy, a cast of quirky alien characters and villains, and a story worth telling. Now, fifteen years after the start of their journey, Agents J and K return for possibly their last adventure.

In Men In Black 3, the spirit of the story continues seamlessly from the first sequel - even with so much time passed. Tommy Lee and Will settle into the same crotchety rhythm that was so appealing in the first two films. Like in the second movie, though, Tommy Lee Jones' role is critical but diminished. In fact, in Men In Black 3, Tommy Lee sets the stage for the tale but disappears altogether in the wrinkled timeline in favor of the younger version in Brolin. Smith has to take a brand new tact with Brolin's young Agent K, unsure how the young agent turns into the cranky old man that recruited him into the MIB. Sonnenfeld makes sure to keep the same chrome and curved look and feel as the other MIB movies, with the addition of 60s era cars, fashions, and politics. And Brolin does entertain as he nails the young Agent K with his tone and mannerisms.

One of the things that seems to be missing from MIB3 is an edge of humor. In MIB, we were delighted by a talking pug, a morgue clerk embodied by David Cross, a pawn shop alien Jack Jeebs (Tony Shalhoub, Monk) and a twitchy insectoid alien in a meat suit named Edgar played well with Vincent D'Onofrio. In MIB2, Shalhoub, Cross and the pug returned, and the evil shape-shifting villainess Serleena (Lara Flynn Boyle) was accompanied by the loony and goofy side kick Scrad (Johnny Knoxville). In MIB3, the villain Boris is all venom and bony shards, with no redeeming or humorous qualities. The pug is gone. Cross and Shalhoub are missing in action. The worms are back in brief cameos and the majority of the jokes rest squarely on Smith's shoulders. He has broad shoulders, but even Smith can only handle so much. Michael Stuhlbarg (Hugo) is cast as the last of his kind fifth-dimensional alien Griffin who sees all possible futures at once and who may hold the key to defending the modern day alien invasion with a 1960s trinket, reminding me of a overly sedate young Robin Williams.

Men In Black 3
 has dazzling practical and creature effects. Rick Baker mixes 1960s nostalgia with wonderful CGI FX with the many layered creepy crawly alien assassin Boris. The story continues in the fine tradition that Sonnenfeld, Jones and Smith crafted fifteen years ago. The story feels both rushed and leisurely at times, taking in many sights without the opportunity to soak in the ambiance. Smith's Agent J asks Brolin's Agent K how old he was with the response of twenty-nine. Agent J comments that he must have some city miles on 'em. It's always fun to peek into the world of MIB, but it may be time for some additional new blood or time to hang up the suit and shades.

WORTH:  Matinee or DVD

Thursday, July 21, 2011

Captain America: The First Avenger (3D)

Greatest American Hero

Director: Joe Johnston
Writers: Christopher Markus, Stephen McFeely, Joe Simon, Jack Kirby
Cast: Chris Evans, Hayley Atwell, Sebastian Stan, Tommy Lee Jones, Hugo Weaving, Samuel L. Jackson, Stanley Tucci


SYNOPSIS: After being rejected from the armed forces, 90 lb. weakling Steve Rogers volunteers for a top secret government project to create an army of super soldiers against the Nazi aggressors during World War II.

REVIEW: Joe Johnston, the director of The Rocketeer and, most recently, The Wolfman (2010) takes a script from Christopher Markus and Stephen McFeely, the screenplay writing team of The Chronicles of Narnia film series, and brings to life the origin tale of Captain America, the heart and honor of the Marvel Universe. Captain America: The First Avenger looks to shake off horrible television movies of the late 1970s with Reb Brown in the title role or an all-but-forgotten 1990 foreign made, direct-to-USA-video version that only the most die-hard fans would remember.

Chris Evans, the big-screen Johnny Storm of the Marvel Universe in the two most recent Fantastic Four films, faced questions as to whether he could wield the Star-Spangled shield. Would the movie-going public believe that Evans would be accepted for both the "Flame On!" hothead of Marvel's first family, and as the United States Government's first successful Super Soldier (some comics may debate the title of Steve Rogers being actually the first, but I digress)?

Comic book fans will have to make a decision. They will have to decide if they are willing to accept the revised origins of the Star Spangled Avenger. Sure, puny 90 lb Steve Rogers is still rejected from serving his country in World War II, but given an opportunity to volunteer for the top secret Super Soldier program. But the modern day return of the hero is marked by a Marvel Ultimates treatment. Is it sacrilege or smarter writing?

Joe Johnston, director knows his way around the graphically created Summer superhero fare, high stakes action flicks, and period pieces. With The Rocketeer, he handled all three. Now with Captain America: The First Avenger, he returns to the genre from where he received so much acclaim so many years ago.

Driven by the character as much as the action, Chris Evans’ Captain America, in my opinion, does the industry, the fans, and Summer movie-going proud. The women will love the fact that he shows more muscle and more skin than Ryan Reynolds did in this year’s earlier release, Green Lantern. With the bulk, blue eyes, and the Red, White and Blue, Evans brings a solemn responsibility and dedication to fighting for his country’s ideals, as well as his ideals. The effect of Steve Rogers as the pre-Super Soldier and his post-serum physiques really make the film!

And with any great superhero film, or any hero film for that matter, the villain is just as important as the hero. Hugo Weaving as Johann Schmidt, the ambitious scientist heading up Hitler’s Deep Science Division with his own aspirations for ultimate power and world domination, is picture perfect in tone and look. The make-up effects for this specific evil-doer is probably the best I have ever seen.

Also in the cast is the beautiful tough-as-nails British agent and sparking love interest Peggy Carter (Hayley Atwell), Childhood friend James ‘Bucky’ Barnes (Sebastian Stan), gritty Colonel Chester Phillips (Tommy Lee Jones), United States weapons contractor Howard Stark (Dominic Cooper), Samuel L. Jackson (Nick Fury), Hydra weapons designer Dr. Arnim Zola (Toby Jones), and the Howling Commandos with derby wearing ‘Dum Dum’ Dugan (Neal McDonough), Gabe Jones (Derek Luke), Jim Morita (Kenneth Choi), James Montgomery Falsworth (JJ Field) and Jacques Dernier (Bruno Ricci).

Johnston and writers Markus and McFeely weave an excellent origin tale, spanning Steve Rogers humble beginnings to his rebirth in the 21st Century. Comic fans will enjoy the Easter Eggs at the 1942 Worlds Fair and Exhibition – Toro!, Toro!, the use of Captain Rogers as a propaganda patriot in the period equivalent of the classic Captain America costume to drum up the buying of war bonds, and Rogers unwavering attitude to protect his friends, soldiers and country from the outstretched clutches of the Axis. The action is slick, hard and fast. The look is as classic as any ‘Rosey the Riveter’ or ‘Uncle Sam - I Want You’ poster.

Fans and newcomers should find Captain America: The First Avenger as good as Favreau’s original Iron Man, and better than Thor (sorry, Thunder God). Funny, fresh and faithful to several comic treatments, Steve Rogers fights for truth, justice and the American way of life, throwing his mighty shield, and proving that a hero can have a heart and honor.

Even though Jon Favreau added the Easter Egg scene after Iron Man's credits as a lark, the end credit closing scene has become a part of the Marvel Universe on film. Stay in your seats to see a closing scene with Steve Rogers, as well as a trailer for next Summer’s The Avengers.

WORTH: Friday Night Opening and BluRay