Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Rhys Wakefield. Show all posts
Showing posts with label Rhys Wakefield. Show all posts

Monday, June 3, 2013

The Purge

ACTION/ADVENTURE, SUSPENSE/THRILLER

One Day a Year, Crime is Legal

7.0 out of 10 | Matinee or Rental

Rated: R  Strong disturbing violence and some language
Release Date: June 7, 2013
Runtime: 1 hour 25 minutes

Director: James DeMonaco
Writers: James DeMonaco
Cast: Ethan Hawke, Lena Headley, Max Burkholder, Adelaide Kane, Edwin Hodge, Rhys Wakefield, Tony Oller, Arija Bareikis, Tom Yi, Chris Milkey, Tisha French, Dana Bunch



SYNOPSIS:  A family is held hostage for harboring the target of a murderous syndicate during the Purge, a 12-hour period in which any and all crime is legalized.

REVIEW: Long-time screenwriter (Assault on Precinct 13) and short-time director (Little New York) James DeMonaco takes on a high concept suspense thriller story where crime has been legalized by the government for once a year during a 12-hour period.


James Sandin (Ethan Hawke, Before Midnight) sells high end home security systems. Business is booming ever since the United States government put into effect The Purge, an annual 12-hour suspension of law and order. The Purge allows for the temporary legalization of all crimes - up to and including murder. Unemployment is at an all time low of 1% and the economy is prospering. As James and his wife Mary (Lena Headey, Dredd 3D), seventeen year old daughter Zoey (Adelaide Kane, Goats), and son Charlie (Max Burkholder, NBC's Parenthoodprepare for securing their home for the annual event. As the first hour of the chaos begins, Charlie disarms the system long enough to let an injured Bloody Stranger (Edwin Hodge, Red Dawn) inside their home. As James tries to deal with the rescued intruder, he also has to contend with Zoe's forbidden boyfriend Henry (Tony Oller, Beneath the Darkness). Soon, a group of Purge hunters come to the home and demand that James bring out the homeless man - as is their right during the Purge - or they will break through the home's security system and kill them all. The Sandins have to decide whether to give up the rescued man or stand their ground against the Purgers. 

'Once a year, crime is legal'. It's the subtitle of The Purge, a high concept idea on par with John Carpenter's Escape from New York and In Time, with the familiar pinnings of 'trapped in house' themed films like The Strangers and The Last House on the Left. In Lord of the Flies, the deterioration of society results in anarchy and survival of the fittest. The annual Purge seems to be an excuse for the wealthy to thin the herd of undesirables like the homeless and disenfranchised. Of course unemployment would be at 1% when you hunt down and kill the homeless and lowlifes across the country with government approval.

What does it take for someone to resort to murder? Charlie asks his father why they do not take part in the annual Purge. James respond that they don't have an urge to kill anybody on the annual day with no restraint. Will they still share that same sentiment when the family is confronted with avid Purge hunters who come knocking at the door?

In the concept of legalizing chaos for one night, the story looks at what it takes to fundamentally change how a society thinks and acts. After years of the Purge being in existence, younger students are taught the meaning of the Purge, why it is so beneficial to the country, and why it is the right and just thing to do. When you change a society to think that murder is justified – even for one day – then you have changed society all together. Taboo is no longer taboo, responsibility is left at once doorstep as a take out weapons to fulfill their need to purge.

Ethan Hawke plays his role as father, provider, and protector as well as he did in last years Sinister. Lena Headey plays Mary like a woman who lives her life with an air of deserving. The Bloody Stranger who young Charlie rescues is both menacing and unpredictable. But the one who stands out the most is the 
Polite Stranger (Rhys Wakefield, Sanctum), a man so ingrained with the annual cleansing of the Purge that he has become an indoctrinated reveler who knows nothing else. His Ivy League charm, eloquent speech, and refined demeanor barely masked the privileged and snobby killer that lies just beneath the surface.

While the concept is high, the execution is less so. There are some twists and turns along the way that provides good frights and surprises, but mostly each kill - although striking and brutal - are somewhat expected. Somewhat formulaic, the film is not all paint-by-numbers. Although nothing spectacular, the suspense horror fan will find some entertainment in the film. Some of the kills even illicit cheers and jeers.

The Purge is a fine idea of the dystopian futures society, speculating on a single impossible government decision that is suppose to better society. What we end up with is a clever "trapped-in-a-house' suspense/horror/thriller that does not live up to the total cleansing that the purge implies.

Saturday, February 5, 2011

Sanctum

In Too Deep
[Richard Roxburgh, Ioan Gruffudd, Rhys Wakefield, Alice Parkinson]

image from aceshowbiz.com

RANT: Running around before the film like crazy. Took my MacBook to the Genius Bar at the Apple Store. They were very helpful and nice. Then bought a headlight bulb for my car and installed it under the cover of the mall parking garage while it drizzled outside. Finally made it to the theater with time to spare, ready to take in James Cameron's latest venture.

SYNOPSIS: During an expedition in an unexplored cave system a underwater cave diving team finds itself trapped as a storm rages above, drowning out their only known means of escape and forcing the team into the unknown.

James Cameron executive produces and Alister Grierson directs a film inspired by true events. With a screenplay by John Garvin and story by Andrew Wight - a real life Australian underwater explorer and film maker - Sanctum is as detailed in its script as it is in its cinematography.

The story focuses on veteran underwater cave explorer Frank McGuire, his team including his son Josh, and his financier Carl Hurley and the boss' girlfriend. We start the film topside with the arrival of Carl and his girlfriend Victoria at the docks of Papua New Guinea, met by Josh. Carl pilots a helicopter en route to the Esa Ala Caves, taking the audience on a breathtaking flight through and above the rain forest. But that is all foreplay as the 3-D photography techniques that Cameron developed to shoot Avatar take us on a journey under our world - rarely explored or thought about. The cave system is the center piece of the film and is both majestic and claustrophobic, its inherent deadly nature heightened by the water that runs through it.

After the diving team becomes cut off from exit due to the tropical storm above and the rush of water it dumps into the cave system, Frank uses his year of experience in an attempt to lead the others out of the cave system by following the cave river to the sea. But Frank's methods are harsh and realistic, causing some members of the team to question his judgement. But will they all hold it together long enough for them to escape to freedom or will the caverns become their tombs?

Sanctum is great storytelling, both emotional and suspenseful. There are traces of The Cave, The Descent and even Touristas in this film, but one would never mistake them for what Sanctum delivers. The cast is perfect - Richard Roxburgh as Frank, Ioan Gruffudd as Carl, Rhys Wakefield as Josh, Alice Parkinson as Victoria, Dan Wyllie as George. Every one of them the embodiment of alpha leaders with their own way of doing things, forced to rely on someone else for their own survival. Sanctum is beautifully shot, the 3-D technology almost too much to take in all at once. The mind has some trouble adjusting to the quicker motion of the technology at times, but the technology also makes us painfully aware that all of the 3-D flicks coming out of Hollywood pale in comparison.

Worth: Matinee or Blu-Ray

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