Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Henry Cavill. Show all posts
Showing posts with label Henry Cavill. Show all posts

Friday, June 14, 2013

Man of Steel

ACTION/ADVENTURE, DRAMA, SCI-FI/FANTASY

Return to Greatness

8.5 out of 10 | Movie and DVD

Rated: PG-13  Intense sequences of sci-fi violence, action and destruction, and for some language
Release Date: July 14, 2013
Runtime: 2 hours 23 minutes

Director: Zack Snyder
Writers: Davis S. Goyer, Christopher Nolan, based on a character created by Jerry Siegel and Joe Shuster
Cast: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe, Christopher Meloni, Antje Traue, Kevin Costner, Laurence Fishburne



SYNOPSIS:  A young itinerant worker is forced to confront his secret extraterrestrial heritage when Earth is invaded by members of his race.

REVIEW: Zack Synder, the visionary director of 300, the Dawn of the Dead remake, and Sucker Punch, takes on a 75 year old alien super being that has had its own share of triumphs and failures. Based on a story from David S. Goyer (The Dark Knight trilogy) and Christopher Nolan (Inception) from the character created by Joe Shuster and Jerry Siegel, we are granted access to a familiar hero with a brand new look and feel.


On a planet name Krypton, scientific advisor Jor-El pleas with the council to save the planet's citizens by expanding out to the stars. When his words go unheeded and the planet continues to deteriorate, Jor-El and Lara fight to save their infant male child from the imminent destruction of the planet. General Zod (Michael Shannon, Premium Rush), in an attempt to take over rule, fails and is sentenced to exile in to the Phantom Zone with several of his officers. Infant Kal-El is jettisoned off-planet in an escape ship, making its way to Earth to be found by Jonathan (Kevin Costner, Hatfields and McCoys) and Martha Kent (Diane Lane, Secretariat) to be raised under the name Clark (Henry Cavill). As Clark grows up, the Kents realized that he is a special child and teach him that he must keep his powers and abilities a secret until such time that the world would come to accept and embrace him. 33 years later, Clark is searching for his heritage and clues to what to do next. Eventually Daily Planet journalist Lois Lane (Amy Adams, Trouble with the Curve) finds out about his alien nature and abilities. As Clark learns more of hi past from a hologram of his father, General Zod and his soldiers arrive on Earth and demand that the son of Jor-El be turned over to him or the planet will suffer. Clark must decide whether to give himself up for the sake of the planet citizens or fights against superior forces to save his adopted planet.

David S Goyer, Christopher Nolan and Zack Snyder take the story of Superman in a new direction from the earlier more charming films by the Donner or Singer. What we have is a more grounded and realistic portrayal of the man in the red cape. Just as Nolan deconstructed and rebuilt Christian Bale as a more urban and tangible Batman, Snyder and Goyer creates a superman who is accessible and just this side of fantastic. As you watch Superman hover in midair with his red cape flowing behind him, you get a sense that his abilities are almost possible.

Coming in at 143 minutes, Man of Steel is a lengthy portrait of of Kal-El / Clark's genesis and journey of self-discovery. With clever use of flashbacks, the audience get glimpses of moments in Clark's childhood – including the manifestation of his powers, saving a school bus full of classmates with the repercussions that follow, and an adult Clark out on the road doing good deeds while staying in the background shadows.

Michael Shannon's Zod is as ruthless and driven as the Terence Stamp version in the classic Superman II. Shannon's Zod is not crazy by any stretch, simply driven to fulfill his genetic destiny. Several unknown cinematic myths about Kal-El and Kryptonian history is explained, including that all Kryptonians are genetically created for a specific role in the class system a la 'A Brave New World'. From the purpose and initial donning of the blue and red suit, to the planet's landscapes and animals, to the advanced sciences and technology that Kryptonians use to expand their colonization of the galaxy and the destruction of their own world, Man of Steel takes the superman in a different direction from the previous films.

With a stellar expanded origin that leads into a completely different adulthood of the man we know as Superman, the movie introduces other character in the middle of the film that tend to lag just a bit. But once General Zod and his soldiers come to the planet to claim their exiled citizen, the story and action rises to the next level. The batte scenes between Superman and Zod's henchmen - then Zod himself - seem to go on forever. Some of the action sequences look like they came straight out of the DC universe mass online role play game prologue. The level of mass destruction is epic as these two titans - Kal-El and Zod - fight in and above the Metropolis cityscape

Zack Snyder does a great job keeping the film seamless, adding an alien perspective to the films plot lines and making Man of Steel much more then a battle of brawn versus brains. Finally, we have a villain that does not include Lex Luthor at its core. Luthor's name only comes into play on the side of some gas tanker trucks.

The film could be a little tighter, meandering a while in the middle with some of the storyline development. And some of the dialogue and action sequences seem repetitive. But the actors are perfectly cast throughout. The storytelling, although trying to tell too much at times, is a breath of fresh air for the renewed franchise. In a word, Man of Steel is super!

Saturday, November 12, 2011

Immortals

Brutal and Slick

Director: Tarsem Singh
Writers: Charles Parlapanides, Vlas Parlapanides
Cast: Henry Cavill, Mickey Rourke, Stephen Dorff, Freida Pinto, Luke Evans, John Hurt, Joseph Morgan

SYNOPSIS: Millenia ago, the immortals learned that they had the ability to kill each other. The winners of the war named themselves gods, banishing and imprisoning the defeated and renaming them Titans. Ages later, mortal King Hyperion amasses an army to uncover a mystical archer's bow to release the Titans from their captivity. Only one of Zeus' favored mortals, Theseus, has the courage and strength to stand up to Hyperion's plans.

REVIEW: Tarsem Singh, director of such films as The Cell, The Fall, and the upcoming Mirror, Mirror, comes to the screen with an ancient tale involving greek gods and puny mortals. First time writer Charley Parlapanides is joined by Vlas Parlapanides (Everything for a Reason) to rewrite the mythology of the greek Athenian hero, Theseus.

Theseus (Henry Cavill, the upcoming Man of Steel) has led his young life tutored in the matters of politics, philosophy and soldiering by an old family friend (John Hurt). A peasant by birth, Theseus finds himself and his mother forced to wait to evacuate their village while all of the wealthier residents are escorted early by soldiers. Meanwhile, the gods turn to Zeus (Luke Evans, The Three Musketeers (2011)) for wisdom as they realize that King Hyperion (Mickey Rourke, The Wrestler) is closing in on finding the Epirus Bow and having the means to release the long-imprisoned Titans. After the razing of his village, Theseus finds himself a prisoner in a salt mine. He is discovered by a virgin oracle Phaedra (Freida Pinto, Rise of the Planet of the Apes) who prophesies that Theseus will either mark the destruction of the human race or its salvation. Upon his escape, Theseus is joined by Phaedra, a thief named Stavros (Stephen Dorff, Blade), and select others to track down King Hyperion.

Stylized and brutal, director Tarsem Singh mentioned that he envisioned that Immortals would be a shot with the sensibilities and scope of Renaissance painting styles combined with the knock down, drag out kinetics of Fight Club. Whether Immortals fully realized his dreams for the film, Singh delivers a gods-filled flick wrought with raw power and strong punches, but overall weak storytelling. Like Sam Worthington's Clash of the Titans
remake, substance of story takes a back seat to an epic cinema scope, style, and visual effects.

Zack Synder's 300 brought the genre of ancient epics back to full life in 2006. Troy made almost $500 million before it in 2004. Ridley Scott's Gladiator won the Best Picture Oscar in 2000. Since the inception of Avatar's introduction and rebirth of 3D technology and the millennial success of the genre, there has been a rash of mythical Roman and Greek stories - for better or worse.

Immortals looks cool and slick. Throughout the film, acts of betrayal and brutality define the direction of the story. When King Hyperion is approached by 
Lysander (Joseph Morgan), an enemy exiled soldier, Hyperion rewards him with induction into his ranks with disfiguration and castration. The gods, while aiding Theseus against Hyperion's minions, battle in real time while their enemies skulls are crushed with massive godly war hammers in a new age Matrix-y way. And the last twenty minutes are a non-stop slugfest.

If you are looking for good storytelling to match the cool cinema from the trailers, you will probably be disappointed. If you are looking for a stylized escape with a bucket of warm butter drizzled popcorn, keep this in mind.

WORTH: Matinee or Rental