Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Saoirse Ronan. Show all posts
Showing posts with label Saoirse Ronan. Show all posts

Thursday, March 21, 2013

The Host

SCI-FI/FANTASY

Choose To Believe

7.8 out of 10 | DVD or Rental

Rated: PG-13 Some sensuality and violence.
Release Date: March 29, 2013
Runtime: 2 hours 5 minutes

Director: Andrew Niccol
Writers: Stephanie Meyer, Andrew Niccol
Cast: Saoirse Ronan, William Hurt, Max Irons, Jake Abel, Diane Kruger, Frances Fisher, Emily Browning, Boyd Holbrook, Chandler Canterbury



SYNOPSIS: When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.

REVIEW: Gattaca and In Time writer/director Andrew Niccol sets his sights to the sky with novelist Stephanie Meyer's new storyline. Instead of vampires and werewolves, Meyer and Niccol focus on world domination by way of an alien takeover of the planet by way of human possession. 


Earth is a balanced planet in perfect harmony. War no longer exists. Men and women work toward the common goal of reclaiming the world for the betterment of humanity. There is only one problem. Human kind has been taken over by a parasitic alien species that possesses the body and takes utter control of a person's mind, body, and spirit. Only a few humans have escaped possession, hiding out in remote areas of the globe out of the watchful aura-filled eyes of the new dominate species. Melanie Stryder (Saoirse Ronan, Hanna) is one of these remaining humans, staying off the radar with her kid brother Jamie, and a rough, scruffy survivor named Jared. When Melanie is cornered in an abandoned hotel, she sacrificed her life for the protection of those she loves. Unfortunately, Melanie does not die and is implanted by an millennium's-old alien named Wanderer. As Seeker (Diane Kruger, Inglourious Basterds) tries to have the wanderer access Melanie's memories to ferret out other humans in hiding, Wanderer and Melanie's voice start a tug-of-war for control over Melanie's body. Escaping the supervision of the seeker, wanderer drives out to the desert in search of Melanie's family. Nearly dying of dehydration, wanderer is found by Melanie's Uncle Jeb Stryder (William Hurt, Robin Hood). Once she is taken in, Melanie/wanderer must deal with hateful humans, a seeker desperate to find her, and the loud voice in head.

Stephanie Meyer and Andrew Niccol take in Meyer's most recent work of sci-if/fantasy fiction. Devoid of bloodsuckers and furry fanged creatures, Meyer opts for a kinder, gentler species. Meet an alien race that can only survive via forming a symbiotic relationship with a native planetary dominate life form. Their intentions are always to merge with the indigent life and make the planet and the society on it better. But human kind is different than the other 12 planet they have conquered/combined with. We of earth are a volatile, emotional race that wages war with each other, with ourselves, and the aliens that look to usurp us.

With everything that Meyer changes, one thing remains constant. Love is the cornerstone of her work. Wanderer/Melanie are fraught with stirring for two different men. Melanie is in love with Jared Howe (Max Irons, Red Riding Hood), while the most dominate wanderer - nicknamed Wanda by the humans - finds herself drawn to Ian O'Shea (Jake Abel, I Am Number Four). The internal struggle between wanderer and Melanie concerning these two handsome men comes to physical blows as each wants to remain pure for their chosen partners while respecting the rights of the other.

The element of the story that worked in the written form of the novel proves to be the most difficult element to translate to the screen. Once Melanie's body becomes the host for Wanderer, she is relegated to a 'bodiless' voice warring fruitlessly against Wanderer. At first, the way Melanie's voice is portrayed is something out of an after school special narrative. Many cinephiles may question the method Niccol employs to voice Melanie. He could have strayed from the book's format and shown Melanie as both herself and as Wanderer - side by side. Understanding the path chosen, Melanie's side of the conversation becomes more natural as the film progresses, offering up a few funny quips.

There is not a lot of major CGI in the film. Sure, the irises are all glowing with the spark of the alien host, a few instances of showing the alien life form in their natural state, and a constellation transportation system that takes the aliens from one planet to another. Otherwise, the action is more low key. Maybe, too low key. There are no epic explosions, no major violent car chases, no sustained gun battles. There are several chrome plated lotus sports cars to be marveled at, but not much else of action or lasers or light sabers. I guess I shouldn't expect much more from an alien species that can't survive without the backbone of another species.

Saoirse Ronan is all grown up from her wonderful turn as Hanna in the movie of the same name. She nails both the lack of emotion and emerging emotions that wanderer experiences. William Hurt, as Melanie's uncle, uses his soft manner and voice to quell any insurrection. Diane Kruger's Seeker, desperate to find wanderer and the humans for reasons all stemming from her own agenda, uses a nuanced performance to register the battle she herself was waging. The rest of the cast, unfortunately, is great to look at, but all seem too similar and interchangeable and able to play each other's roles if they wanted to.

The Host is a low tech sci-fi/fantasy adventure tale of survival and resilience. The alien invasion is over, and the humans just want to escape extinction. The host's eyes may have a shimmering aura, but the iris rings may be a little dim.

Saturday, April 9, 2011

Hanna

A Cat And Mouse Coming Of Age

Director: Joe Wright
Writer: Seth Lochhead, David Farr
Stars: Saoirse Ronan, Cate Blanchett, Eric Bana, Vicky Krieps, John MacMillan


Watch the Sucker Punch trailer now

RANT: This weekend is strange. Three movies are opening, Hanna, Your Highness and Arthur, and I still did not see kid-friendly Hop from last week. So I have to make many major decisions as to what to see. Furthermore, I have to be on call this afternoon for a software upgrade at my office, forcing me curtail my movie going enjoyment even more. I really hate when real life intrudes into the fantasy that is cinema!

SYNOPSIS: Raised by her father in the wilderness to be the perfect assassin, a teenage girl is sent on a deadly mission against government operatives.

Director of The Soloist, Atonement and Pride & Prejudice, Joe Wright returns to bring us Hanna, a story of a girl raised to be an assassin from an early age. Joe Wright's films to date possess cinematic passion and heart. Hanna is no different, but fades a little as the action film that the trailers and commercials claim it to be.

Saoirse Ronan (The Lovely Bones) plays the title character. She moves with stealth, like a ghost, in the opening sequence, as she hunts an animal with a bow with only her eyes showing. After the arrow flies and finds its target, the elk runs and Hanna gives chase, until the animal falls from exhaustion and blood loss. Hanna shows a hunter's compassion as she puts it out of its misery with a pistol shot to the brain, just missing its heart with the previous arrow shot. And as Hanna field dresses the animal, her father Erik (played by Eric Bana) attacks her and forces her to not only defend herself, but to best him.

In Hanna, this is her entire life. She has been wholly prepared as a killer in order to carry out a cold-blooded assassination of Marissa, a CIA operative played by Cate Blanchett, who was responsible for the death of her mother. And after she thinks she has carried out her mission, Hanna treks across Morocco and Spain to reconnect with her father. During this journey is when Hanna finds out some of the teenage things that she has gone without.

Ronan, Bana and Blanchett are superb. Saoirse only proves again why she was cast in the The Lovely Bones by Peter Jackson. Her ability to convey both practical, methodical killing skills and a naive yearning for the passion and friendship is exceptional. Bana carries himself well in Hanna, proving that he has chops in any genre. Finally, Cate Blanchett smolders and chops up the scenery every time she walks in front of the camera, even though her Texas drawl finds itself sticky on her lips.

Wright makes a beautiful cat-and-mouse film, coupled with a young woman's journey of a softer side of self discovery. The action is quick and efficient. The humor is real and unexpected, coming from Hanna and from a traveling girl named Sophie (Jessica Barden). The photography is something we come to expect from Wright, and he delivers here as well. Even a setting sun seems either hopeful or ominous, depending on its required role in the story.

Hanna is a great film. The dynamics between the characters - Hanna and Erik, Erik and Marissa, Hanna and Marissa - kept me engrossed. Some of the plot mired the pace a little, especially if one expects a shoot 'em up throughout. The action was tempered with a stronger tale beneath it. Ultimately, Hanna's journey for revenge (and enlightenment) is a good one.

WORTH: DVD