Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Tom Wilkinson. Show all posts
Showing posts with label Tom Wilkinson. Show all posts

Sunday, June 30, 2013

The Lone Ranger

ACTION/ADVENTURE

Riding for Justice

8.5 out of 10 | Movie or DVD

Rated: PG-13 Sequences of intense action and violence, and some suggestive material
Release Date: July 3, 2013
Runtime: 2 hours 29 minutes

Director: Gore Verbinski
Writers: Justin Haythe, Ted Elliott, Terry Rossio
Cast: Johnny Depp, Armie Hammer, Helena Bonham Carter, Barry Pepper, Willam Fichtner, James Badge Dale, Ruth Wilson, Tom Wilkinson, Harry Treadaway, Lew Temple



SYNOPSIS:  Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.

REVIEW: Director Gore Verbinski became a hard-to-pronounce household name after the success of the Pirates of the Caribbean franchise. He returns for a much dryer film, trading the vast allure of the oceans for the plains and deserts of Colby, Texas. The retelling of the Lone Ranger is scribed by Justin Haythe (Snitch), and Ted Elliott and Terry Rossio (The Pirates of the Caribbean series), galloping in a different direction for an American born western legend
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John Reid (Armie Hammer, Mirror, Mirror) travels to Colby, Texas as the new county prosecutor. On his train is Butch Cavendish (William Fichtner, Date Night), a wanted Indian hunter who is shackled and being returned to Colby to stand trial. Also in shackles is a Comanche Indian named Tonto (Johnny Depp, Dark Shadows). After Cavendish's gang breaks him out of the train's stock car, Reid and Tonto are thrown together until Reid puts him behind bars in his brother Dan's (James Badge Dale, World War Z) jail. When Dan, John, and six other Texas rangers ride off in pursuit of the escaped Cavindish and his men, an ambush sets Reid onto in a spirit course to Tonto. Both looking for justice - Reid for his brother's murder and Tonto for wrongs from his past - Reid dons a mask as the Lone Ranger to pursue and hunt down Cavindish. What they don't realize is that Cavindish is not the only snake in the hot desert to deal with?

The creative team that created The Pirates of the Caribbean franchise return to rewrite the exploits of one of America's most famous masked cowboys. Spanning decades since its inception, the stories of the Lone Ranger have delighted audiences on radio shows, movie serials, comics, novels, television series and feature films. If you were a young boy of the 40s or 50s, you more than likely donned the black mask of this protector of the innocent. But who is that masked man?

Armie Hammer plays the Lone Ranger as a reluctant hero, a pacifist more comfortable with words than with a six shooter. Swearing justice for his brother, Hammer's Ranger is still willing to let Justice carry the day. It's not until the plot thickens and his brother's wife Rebecca (Ruth Wilson, Anna Karenina) and son Danny (Bryant Prince) are in peril that he dons the black mask for justice and vengeance. Johnny Depp, to his typical method, takes Tonto in a different direction that the familiar faithful servant and companion of the Lone Ranger in the character's previous incarnations. He is a half crazed Comanche outcast more willing to speak to white spirit horses and feed a dead raven on the top of his head then to other people. Even his own tribe has turned their back on him and his obsessive pursuits. The threats that both Reid and Tonto face comes in the form of William Fichtner's Butch Cavendish, a hair lipped and scarred brute who has no qualms about cutting a man's heart out and eating it. Even his own outlaw gang shows him a healthy amount of fear and respect. Tom Wilkinson (Mission: Impossible - Ghost Protocol) plays Latham Cole, a man who is an employee of the transcontinental railroad and who does whatever he needs to do to get his company's railroad connected to the West Coast in time. Barry Pepper returns from Snitch as Captain Jay Fuller, a Cavarly commander who may have decimated a native tribe for the wrong reasons, and Helena Bonham Carter (Les Misérables) plays the madame of prostitutes who has her own reasons to hate Cavindish. Harry Treadaway (Cockneys vs Zombies) makes an impression as Frank, one of Cavindish's outlaws.

Like with tPotC, Verbinski makes the Lone Ranger into an epic size action-packed Western – untethered by the constraints of practical stunts and squib bursting saloon gunfights. There is plenty of six shooting and repeating rifle battles, and horse chases, and train robberies, but the director uses a lot of CGI to oversize the thrills. Some of the effects are derivatives of Buster Keaton, but other effects are not as seamless as they could have been. From buffaloes to some sequences of the trains, the effects could have been better if they could have used the real thing. I know that is a tall order – especially with the cost of filmmaking – but sometimes the old ways are still the best.

The Lone Ranger is a great reimagining of a classic western hero. It is fun and as over-the-top as it should be for a summertime flick. Depp does a great job as comic relief in the form of the off-center Tonto and Armie Hammer does justice as the blond haired and blue righteous law keeper. Some of the story is true to the genre, becoming predictable for any fans who has watched AMC's Hell on Wheels or Two Mules for Sister Sarah, but it all works out as a fun and enjoyable ride.

"If we ride together, we ride for justice". That line was spoken by the Lone Ranger to Tonto. With a Hi-Ho Silver, Away, the Lone Ranger's white hat and black mask may be just what the summer needs.

Tuesday, April 24, 2012

The Best Exotic Marigold Hotel

Lost in an Exotic Locale

Rated: PG-13 Sexual content and language
Release Date: May 4, 2012
Runtime: 2 hrs 4 mins

Director: John Madden
Writers: Ol Parker, from the novel 'These Foolish Things' by Deborah Moggach
Cast: Maggie Smith, Bill Nighy, Judi Dench, Tom Wilkinson, Dev Patel, Penelope Wilton, Celia Imrie, Tena Desae, Ronald Pickup


SYNOPSIS: A group of British retirees find their way to India to a less than desirable hotel for a variety of reasons. While there, they struggle with finding their purpose.

REVIEW: John Madden, director of The Debt and Shakespeare in Love, brings together a collection of the best British actors and actresses for a tale revolving around the elderly and beautiful. With an adaptation by Imagine Me and You writer Ol Parker based on the Deborah Moggach novel 'These Foolish Things', Madden takes the audience, young and old, on a journey of discovery.
Several retired British men and women find themselves at a tipping point in their lives. Evelyn (Judi Dench, J. Edgar) lives a life of solitude after her husband's death, finding that he left her in a pool of debt. Bigoted and unhappy Muriel (Maggie Smith, Harry Potter and the Deathly Hallows - Part 2) needs a new hip and can have the procedure completed more cheaply and more quickly outside of England. Graham (Tom Wilkinson, The Green Hornet) decides that he doesn't want to wait for a retirement party to make a change in his life. Douglas (Bill Nighy, Arthur Christmas) and his wife Jean (Penelope Wilton, The History Boys) have money troubles and a desperate need for a change. Madge (Celia Imrie, Nanny McPhee) looks for a change in scenery and a possible future husband, while Norman (Ronald Pickup, Prince of Persia: The Sands of Time) looks for some passion. All of them find themselves in India at a less than elegant and less than functional hotel run by a dreamy-eyed Sonny (Dev Patel, Slumdog Millionaire) looking to restore the wonder and glory into the establishment that his father always hoped to open.

The Best Exotic Marigold Hotel (for the Eldery and Beautiful, as director John Madden joked that he would have added to the title if he could have) brings together the best and most talented actors and actresses from across the pond. 
Director John Madden artfully and skillfully weaves a colorful tapestry for The Best Exotic Marigold Hotel, telling a series of personal stories about the unfulfilled dreams of youth and the forgotten dreams of the elderly. Each member of this group traveling from Great Britain to India has their own reasons for the journey - most of them not of their accord. Forced from their homes due to finance or injury or unresolved issues, they arrive at a hotel run by Sonny that in no way resembles the gorgeous establishment depicted from the brochure or website. Evelyn, Graham, Norman, Muriel, Douglas and Jean, and Madge each has a road to travel looking for something missing in their lives. Evelyn had never done anything without her husband at her side. Graham seeks out a friend from his childhood in India years ago. Norman looks for a new outlet for romance and passion. Muriel, forced to travel to India for an operation, just tries to endure the trip. With Douglas and Jean, Douglas goes out to enjoy the wonders of the culture and the city while his wife Jean sits in the grassy courtyard of the hotel hoping life will change for the better. Madge seeks out adventure in hopes of snaring a husband. And Sonny, trying to fulfill his own and his late father's dreams of operating the hotel, tries to live up to the self imposed standards of worth for his girlfriend Sunaina (Tena Desae). All of their stories are told with attention to detail and handled with reverence and care, using the bustle and beauty of the city to help craft a visual pleasing and uttering engrossing film.

The caliber of artists involved in this film makes it worth seeing. Dench, Wilkinson, Nighy, Smith, Wilton, Imrie, and Pickup are a director's dream team. Each brings with them a stable of films and accolades and talent that allow the structure of the story to become something more than the sum of its parts. With the direction of Madden and a solid script from Parker, everyone in the cast is allowed to shine. Dench brings a practiced innocence to her role. Nighy struts about like a knight dismounting his steed, full of chivalry and vigor. Wilkinson and his softly booming voice commands attention at every turn. Maggie Smith speaks volumes with only a tilt of her head or roll of her eyes. Imrie and Pickup show that age is truly just a number. Not to be left out, Dev Patel's Sonny rattles on with boisterous and politely spoken dreams, only trying to secure the worth and love of the beautiful and sweet Tena Desae's Sunaina.

The Best Exotic Marigold Hotel is one of those rare quiet films that spellbinds simply on the strength of the story, its cast members, and exotic locale. Madden uses his skills to the fullest, by letting his cast do what they do best. The story is funny and tender, sweet and real, subtle and simple. Through all of our lives, we live and survive. Some of us may live our entire lives content and fulfilled, but other may find that as the sun starts to descend in the western skies, their foot has stepped upon an unknown path headed to a destination that has yet to be revealed.

WORTH: Matinee or Rental

Saturday, September 3, 2011

The Debt

Everyone Must Pay The Piper

Director: John Madden Writers: Matthew Vaughn, Jane Goldman, Peter Straughan, Assaf Bernstein & Ido Rosenblum (film Ha-Hov)
Cast: Helen Mirran, Tom Wilkinson, Ciaran Hinds, Jessica Chastain, Marton Csokas, Sam Worthington, Jesper Christensen


The Debt Trailer
SYNOPSIS: In 1966, three young Mossad agents pursue and look to capture a World War II war criminal hiding out "behind the wall" in Berlin. Thirty years later, it becomes obvious that the three hold a deep down secret.

REVIEW: 

John Madden, director of Shakespeare in Love and Proof, takes a script from Matthew Vaughn and Jane Goldman (Kick-Ass), and Peter Straughan, from the film Ha-Hov by Assaf Bernstein and Ido Rosenblum. 


In The Debt, Rachel Singer (Helen Mirren), David Peretz (Tom Wilkinson) and Unit Commander Stephan Gold (Tom Wilkinson) are retired Mossad agents who had come home heroes in 1966 after eliminating Dieter Vogel (Jesper Christensen), a Nazi war criminal accused of the surgical extermination and butchery of Jews. Once Sarah, the daughter of Rachel and Stephan, writes and publishes a book in 1997 about the events involving her parents and David, a tightly clenched web of lies threatens to unravel. 


Effortlessly and cleverly sliding from 1966 East Berlin and the "present" of 1997, The Debt shows the actual events as they unfold. Rachel (Jessica Chastain), a young Mossad agent on her first field assignment meets up with driven, silent agent David (Sam Worthington) and ambitious youngest ever Mossad Unit Commander Stephan (Marton Csokas). A triangle of sexual tension rises between the agents just as quickly as the stress of the assignment and the initial failure of the mission take their toil on the agents. 


What is the secret that Rachel, Stephan and David share? What darkness has been sworn to thirty years of silence and has driven a wedge between them? And at what lengths will they go to keep the secret? The film starts off with a bang, displaying a vicious act of desperation and retribution. Fast-forward thirty years to suspicion and conspiracy emoting from every glance before being hidden behind the darkness of metal-rimmed sunglasses. As the story propels forward, the older version of the characters try to hold firm to the secret only they share, while the events of their younger counterparts lift the gauzy veil covering up the truth.


Helen Mirren as Rachel is superb, her acting up for the challenge of the role. The younger Rachel, played by Jessica Chastain, mixes naive hopefulness with quickly realized dread as her first assignment spins out of control. Sam Worthington's Peter broods with a deep sorrow, keeping his personal story close to the vest even as he lets his emotions concerning Rachel and his past cloud his judgements and rule his decisions. Young Stephan, played by Marton Csokas, is not ruled by emotions but is ruled by his sense of honor to country and the patriotism that the mission's success would mean. Most notable is Jesper Christensen as the hiding-in-plain-sight German gynecologist Doktor Bernhardt who, as Dieter Vogel, committed atrocities against the Jewish race in World War II.


Filled with tension, a strong story, and solid acting, The Debt is worthwhile. Getting its hooks into the audience early with action, intrigue and secrets, the slower pace of the retelling of the mission in the midsection of the film is tolerated. Once the unspoken is revealed, the ending has a satisfying conclusion that, ultimately, pays the debt in full.

WORTH: Matinee or Rental 

Sunday, April 24, 2011

The Conspirator

An Angry Nation on Film

Director: Robert Redford
Writer: James D. Solomon, Gergory Berstein
Stars: James McAvoy, Robin Wright, Tom Wilkinson, Kevin Kline, Justin Long, Danny Huston

The Conspirator Movie

Watch the Sucker Punch trailer now

RANT: Spending Easter in the midwest with my family. My big sister and her family have come in from California for the week, so I get to spend time with them as well. A big win for my heart, but a loss for seeing movies this weekend. Luckily, only Water for Elephants opened, which one newspaper claimed to be "The Lamest Show on Earth". I will return with more reviews next week.

SYNOPSIS: Union Captain turned lawyer, Frederick Aiken, is charged with the military court defense of the lone female charged as a co-conspirator in the Lincoln assassination.

Robert Redford returns to the director's chair with his historical account of the military trial of Mary Surratt, the owner of the boarding house where the Lincoln kidnapping, turned assassination, was planned by John Wilkes Booth and his confederate sympathizers.

James McAvoy stars as Union Captain Frederick Aiken who, after returning from the war between the states, goes into the practice of law under Senator of Maryland Reverdy Johnson (Tom Wilkinson). Johnson is tasked with defending Mary Surrat (Robin Wright), the owner of a boarding house where her son, John Wilkes Booth and other southern and confederate sympathizers planned the assassination of President Abraham Lincoln. Dealing with divided loyalties in front of the military tribunal while defending the accused co-conspirator Mary Surratt, Johnson puts Aiken on her defense to give her a chance at a fair trial.

The history of the film is as poignant as that of Scott's Black Hawk Down or Milk. Mary Surratt is an admitted southern sympathizer needing to support herself and her family after the death of her husband on trial for her accused part in the assassination of the nation's President. Aiken is a union soldier and lawyer, only defending Surratt because he has to, not because he believes in her. Regardless of his beliefs, Aiken does defend her to the chagrin of his Union soldier compatriots and his girlfriend, as well as the peril of his career.

Redford shoots the film in a smokey haze. The military courtroom is barely more than a barracks at a fort, the dust and haze filtering and reflecting in the low light coming from the windows. Other scenes are shot just as softly, as if the camera lens was covered with Civil War era gauze. The bandages that cover the wound of a dead president and a divided nation seem to seep into every frame. Will Mary Surratt be the first woman to hang for her alleged part in the plot? Will a union military tribunal result in a fair verdict, in spite of a enraged public? Will Secretary of War Edwin Stanton allow any verdict to dissuade him from rendering angry and biased judgement?

The acting is stellar. McAvoy is torn between duty to the law, to justice, and to a mourning nation. Wilkinson is calculated for his career, but concerned for what possible justice can come out of this trial. Danny Huston as the prosecutor booms every witness and has all of the angles covered. And finally Robin Wright, as Mary Surratt, is a woman devout to her beliefs in God, her beliefs in the Confederacy, and the belief in her innocence.

A moving portrait of the lengths that one will go to to protect the greater good, The Conspirator is classic Robert Redford direction - thoughtful and deep. But The Conspirator is more Lions for Lambs than The Horse Whisperer or Quiz Show. You can definitely enjoy this film at home, whether you are blue or grey.

WORTH: Netflix


Sunday, January 16, 2011

Green Hornet

Feel The Sting
[Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson, Christoph Waltz]

image from filmofilia.com

RANT: Went to the theater with my housemate today. Big problem... the first two rows behind the rail were reserved! Apparently, they do not let you know that when you arrive at the box office. Problem was, the film was PG-13 and not truly suitable for the young party goers. Oh well, I guess the parents know what's best.

SYNOPSIS: After the death of his newspaper mogul father, playboy Britt Reid decides to change the direction of his life by helping people as a costumed, masked avenger.

Get ready to hear the trumpets. Michel Gondry directs a story from Seth Rogen and Evan Goldberg based on The Green Hornet radio series and the 1966-1967 TV series by George W. Trendle. The Green Hornet and Kato, characters made famous on the small screen by Van Williams and the legendary Bruce Lee, get their big screen treatment at long last.

Many were unsure, me included, that Seth Rogen was the man for the job to fill Britt Reid's shoes - let alone fill the Green Hornet's mask. But what we get from Seth's is a Britt Reid who is a wannabe masked adventurer with all of the enthusiasm and none of the fighting skills. It is refreshing, like Kick Ass before it, that the hero be just the regular guy without any cosmic rays or radioactive spiders - just the desire to help people. Thank the gods Britt has a martial arts mechanical genius, Kato (Jay Chou) to watch his back and keep him outfitted with all sorts of vehicles and gadgets. And since neither Britt nor Kato have a clue how to be the heroes they need to be to take down the kingpins of Los Angeles crime, Britt, as the new owner and editor of his father's paper, has to enlist a criminologist secretary Lenore Case (Cameron Diaz) to give them some much needed advice - Lenore not suspecting that she is really helping the Green Hornet.

Of course, it is code that every great hero needs a great villain. And in this case, we are fortunate enough to have Inglourious Basterds own Christoph Waltz as Los Angeles crime boss, Chudnofsky. In a great opening scene with Mr. Clear (James Franco) as an up-and-comer crystal-meth dealer and night club owner, Chudnofsky shows great concern and worry from Mr. Clear's comments that Chudnofsky was not modern or scary enough to be the big boss. It is not a Col. Hans Landa caliber performance, but above par, nonetheless.

The movie has chemistry, action and laughs. Seth Rogen takes on Britt Reid with childlike vigor and eagerness to get out and fight crime. And Jay Chou would make Bruce Lee proud with his turn as Kato. The Black Beauty is a crazy, cool car with its missiles and hood machine guns and chases through downtown. Plus we get some funny moments with the introductions of the Green Hornet's gas gun. The trend to use 3D technology results in adequate effects, but the film would be fine without it. As with any Seth Rogen film, I make sure that I have an over sized bucket of popcorn and a kidney-busting soda, looking to escape the early afternoon reality. But I was pleasantly surprised with the flick - getting my fill of action and amusement.

Worth: Matinee or DVD

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