Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Marion Cotillard. Show all posts
Showing posts with label Marion Cotillard. Show all posts

Saturday, September 10, 2011

Contagion

Sterile Environment

Director: Steven Soderbergh
Writers: Scott Z. Burns
Cast: Matt Damon, Kate Winslet, Jude Law, Gwyneth Paltrow, Marion Cotillard, Laurence Fishburne, Jennifer Ehle


Contagion Movie StillWatch Don't Be Afraid of the Dark Trailer Now

SYNOPSIS: A woman returns from a business trip abroad suffering from a jet lag that soon becomes an undiagnosed highly contagious disease, spreading through the world's population more quickly than the Center for Disease Control and the World Health Organization can find a viable vaccine or cure.

REVIEW: Steven Soderbergh, acclaimed director of Traffic, Erin Brockovich, the Oceans Eleven trilogy and The Informant!, takes a script from The Informant! and The Bourne Ultimatum writer Scott Z. Burns to tackle a story that follows a highly contagious "novel" unknown viral strain that runs rampant around the globe, radiating out from a possible single epidemic source.

Opening with the movements of a single woman returning from a Hong Kong business trip who quickly falls ill, suffers seizures and dies, Contagion provides an almost investigative perspective as to the spread of the virus, its effects on the population, the response by government agencies, the economic and political fallout, and the eventual diminished return to normalcy. When Beth Emhoff (Gwyneth Paltrow) returns from an AIMM business trip, her supposed jet lag becomes a fiery fever and headache, leading to seizures and death. Her husband Mitch (Matt Damon) endures even more tragedy as their son is exposed and dies. The story, in parallel, follows several contagious individuals around the globe as they return to their homes, villages and countries, unknowingly carrying the virus with them to spread the infection to others by touching other people of surfaces. Once the CDC and the World Health Organization is alerted to the reported cases and deaths attributed to this new disease, doctors and scientists all other the world try to strike back with an investigation to the initial cause and genesis of the virus and how to combat it.

Soderbergh takes an almost sterile, methodical approach to this film. Where Dustin Hoffman's Outbreak focused on tracking and combating their virus within the confines of a remote American town, Contagion takes a grander perspective by tracking the spread of the disease as it grows to global proportions, sitting in as government agencies plot out their next moves, watching state and federal health organization fight and prove ineffective to the spreading anarchy, following the internet as rumor and fact blend together to flame the fires of civil unrest and panic, and living in the aftermath of a disease that may infect one in twelve of the world's population.

Analytical and businesslike, the story moves along well enough, but lacks much emotion. Only Matt Damon's Mitch and his daughter give us anyone to truly connect to. Fishburne's Dr. Ellis Cheever is too clinical and stoic, even when he worries about Kate Winslet's Dr. Erin Mears who goes out in the field to diagnose the source of the Minnesota outbreak. Jude Law's internet blogger journalist, Alan Krumwiede, tries to be a man of the people against the secretive government conspiracies, but comes off less honorable than a man of the people should be. The cast is capable and expansive, but the scale of the film reduces them to flotsam drifting on the surface of the ocean. The script is solid and comprehensive, but lacks a few intimate points. And some of the time explaining and knowing the deterioration of social services doesn't explain why homes still have running water and electricity, and why Mitch's daughter is still able to text her boyfriend after 100 days of the decimation of the world's population.

Tracking the virus as if it were a real-world exercise, Contagion shows an unflinching, third-person perspective of the effects of a possible world-killer disease. But the problem in Soderbergh's Contagion is that the film is unable or unwilling to let us in emotionally, rolling out the story in a altogether too matter the fact way. I know that you should try and keep your distance and refrain from physical contact from others in order to stay healthy, but sometimes a tender warm caring touch is more satisfying, even if it poses a risk.

WORTH: Matinee or Rental

Thursday, July 7, 2011

Midnight in Paris

Surreal Realizations

Director: Woody Allen

Writers: Woody Allen

Stars: Owen Wilson, Rachel McAdams, Kurt Fuller, Mimi Kennedy, Michael Sheen, Corey Stoll, Tom Hiddleston, Kathy Bates, Marion Cotillard


Midnight in Paris movie

Watch Mr. Popper's Penguins Trailer Now


SYNOPSIS: On a trip to Paris with his fiancee, Gil begins to question his life decisions as he wanders around beautiful city at night and meeting an interesting host of characters.


REVIEW: Woody Allen writes and directs Midnight in Paris, a film that defies Allen's recent works and defines many of Allen's works. From Sleeper where the protagonist is revived in the future to fight an oppressive government, to Play It Again, Sam where a film critic tries to return to the dating scene with help from an alter ego in the form of Humphrey Bogart, to any one in a laundry list of visual and deeply meaningful films, whether the backdrop is New York City or abroad. Filled with dialogue that is anything but empty, Midnight in Paris is at once transcendent, beautiful, quirky and meaningful.


Considered to be a romantic comedy, Midnight in Paris is more Gil's (Owen Wilson) romance of Paris and the images it invokes than a romance of his fiancee Inez (Rachel McAdams). Gil is an in-demand Hollywood screenwriter, but aspiring novelist who wonders if his earlier decision years previous to move out of the French capital in favor of the California Sun Coast. He romanticizes the "Golden Age" of art and literature of 1920s Paris and yearns to use present day Paris to inspire and help him succeed in finishing a book worthy of those earlier masters.


One night as his fiancee wants to go out dancing with a friend Paul (Michael Sheen), a tipsy Gil wanders the Paris streets to clear his head and take in the nuances of each cobblestone road and centuries old corridor. At the strike of midnight, a 1920s era Puegot pulls up and beckons Gil to come for a ride with them. Little does be realize, but Gil has travels to the 1920s era to mean and interact with the likes of F. SCott Fitzgerald (Tom Hiddleston from Thor), Ernest Hemingway (Corey Stoll from Salt), Pablo Picasso (Marcial Di Fonzo Bo), Gertrude Stein (Kathy Bates) and the enigmatic Adriana (Marion Cotillard). First Gil is doubtful but then embraces each midnight rendezvous with his literary and artist idols, even bold enough to ask for help with his relationship and manuscript.


The story is filled with the glorious beauty that is Paris, from the Eiffel Tower to a forgotten alleyway. Allen takes the most mundane event of Gil, Inez and her mother hailing a taxi in the starts of a rain shower and fills the backdrop with a cathedral's dome and terraced landscapes. Gil's nostalgia of 1920s Paris is felt when a cafe where he meets Ernest Hemingway disappears in the blink of an eye and is replaced with a modern day laundromat. Allen even captured the nuances of French life when Inez's father John (Kurt Fuller), at the restaurant where they met for lunch, keeps glancing behind him because of a man with a dog sitting at the table. Anyone who has experienced Paris firsthand can appreciate the culture, the city and the romance it commands.


Owen Wilson is his typical roguish, self-effacing self as Gil, excited for the city and what it holds, but differential to the wants and demands of his fiancee Inez. Marion Cotillard, most recently from Inception, plays Adriana with a wisp of artist's muse and a wistful passion for the nostalgia that both she and Gil long for. Among the colorful characters from Gil's past, most notable are Stoll's Ernest Hemingway as his courageous and poignant prose smoothly comes through Allen's script, Adrien Brody's cameo as Salvador Dali who when Gil meets him is obsessed with rhinoceros, and Vinccint Menjou Cortes's quiet lonesome portrayal of Henri de Toulouse-Lautrec.


Any Woody Allen enthusiast, any creative individual, or any fan of quirky romantic comedic misadventures will appreciate Midnight in Paris. Some people may look only to the future with no regard for the past or present, and others may only long back to an age that cannot exist in the present, know that there is both beauty and substance in the here and now.


WORTH: Matinee or DVD