Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Jackie Earle Haley. Show all posts
Showing posts with label Jackie Earle Haley. Show all posts

Friday, November 9, 2012

Lincoln

True North

★ ★ ★ ★ 1/2 out of 5 buckets | Matinee and DVD

Rated: PG-13  Intense scenes of war violence, brief strong language and some images of carnage
Release Date: November 9, 2012
Runtime: 2 hours 29 minutes

Director: Steven Spielberg
Writers: Tony Kusher, from the book by Doris Kearns Goodwin
Cast:  Daniel Day-Lewis, Sally Fields, David Strathairn, Joseph Gorden-Levitt, James Spader, Hal Holbrook, Tommy Lee Jones, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Joseph Cross 




SYNOPSIS:  As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.

REVIEW: Steven Spielberg, a director who does not need me to list his resume of superior films (War Horse, Schindler's List, E.T.: The Extra-Terrestrial), returns to direct a historical film about his favorite United States President - Abraham Lincoln. Munich writer Tony Kusher developed the screenplay, based in part on the Doris Kearns Goodwin book "Team of Rivals: The Political Genius of Abraham Lincoln". 
In the months after the battle at Gettysburg, Abraham Lincoln (Daniel Day-Lewis, There Will Be Blood) surveys more battlefields and meets with more Union soldiers of all colors. Now in his second presidential term and knowing that his war-time Emancipation Proclamation would not hold up if the war with the South ended, Lincoln looks to pass into law the 13th Amendment of the Constitution as quickly as possible – even before his second term inauguration. Already passed in the House of Representatives, Lincoln must have the amendment brought to the floor of the Senate. Without a guaranteed 2/3rd majority to pass the amendment, Lincoln and his Secretary of State William Seward (David Strathairn, The Bourne Legacy) hatch a political plan to acquire the necessary opposing democratic party member votes using a slick and unsavory group of outsiders including W.N. Bilbo (James Spader, Boston Legal) and Richard Schell (Tim Blake Nelson, Big Miracle), cozying up to Washington Republican insider Preston Blair (Hal Holbrook, Water for Elephants) in exchange for the promise of sending emissaries to President Jefferson Davis to broker a deal to end the war, and trying to reel in the Republican Senator Thaddeus Stevens (Tommy Lee Jones, Hope Springs) to keep his passion for equal rights focused on legal equality, not racial equality. Faced with the prospect of ending the war or passing the constitutional amendment, Lincoln walks a razor’s edge to try to achieve both.

Steven Spielberg's Lincoln is a history lesson of our sixteenth president and the pursuit of the 13th amendment of the Constitution of the United States. From the months after the bloody battles of Gettysburg to his eventual untimely and tragic death at the hands of an assassin’s bullet, Abraham Lincoln looked to change American history. A staunch opponent of the idea and practice of slavery, Lincoln made it his goal to abolish the trade within his administration. Using the civil war to enact war powers in the executive branch, Lincoln's law savvy allowed him to write up and institute the Emancipation Proclamation and free slaves based on the facts that slaves were property of enemy rebels. Lincoln knew that his proclamation would not stand up in a court of law once the war ended, he made it mission of the advent of his second term (even before his inauguration) to bring the amendment to the Senate in an attempt to pass the amendment proposal in front of a congressional Senate not favorable to its passing.

Lincoln struggled with the freedom and equality of its nation's people, while its people comprised a country divided in bitter civil war. Lincoln battled with his own cabinet on the topic of freeing the slaves forevermore, while his cabinet was more concerned with freeing the country’s citizen’s from a ravaging war over freeing a race of individuals most citizens deemed inferior. But Lincoln was resolute in his beliefs for equality and an unified nation. This film focuses on all of the President's efforts and his belief that the passing of the 13th Amendment was critical to the future of America, taking part in closed-door politics and using 'consultants' to broker hand-shake and under-table dealings. The President even keeps his closest advisers and his own wife Mary (Sally Field, The Amazing Spider-Man) guessing.


Daniel Day-Lewis embodies the 16th President of the United States as if this was the role he was meant to play. With some prosthetics, his own physical stature, and his ability to become any character, Day-Lewis becomes the definitive Lincoln. Spielberg shines the light, through Day-Lewis, on a man who was earnest, thoughtful, savvy, quick with an anecdote or story, and troubled with the weight of his office, his family, and a divided nation. Spielberg also fills the film with dozens of solid and A-list actor. Along with Tommy Lee Jones, Sally Field, David Strathairn, and James Spader, Lincoln also boasts Jackie Earle Haley (Dark Shadows) as the Confederate's Vice President Alexander Stephens, Joseph Gordon-Levitt (The Dark Knight Rises) as young Robert Lincoln wanting to serve in his father's army, Jared Harris (Sherlock Holmes: A Game of Shadows) as Ulysses S. Grant, and Lee Pace (30 Beats) as the opposing Senator Fernando Wood.

Lincoln is a historical drama about a beloved and popular president without the need of focusing on the Abraham Lincoln historical event checklist. Sure, Spielberg touches on Lincoln's death - a pivotal event in presidential history - but he only glances back at Lincoln's Gettysburg's Address through Union soldiers. The core of the story focuses directly on Lincoln trying to cope with the nation in turmoil, his desire to pass the Amendment to abolish slavery, and the political measures he would have to undertake to get the job done.

Lincoln is a superb political and historical film. The dialogue is poetic and engrossing. Where Spielberg brought the play 'War Horse' to the silver screen, the film Lincoln could become a wonderful play tomorrow. This film takes a different look at a President that we all thought we knew - honestly.

Wednesday, May 9, 2012

Dark Shadows (2012)

Blood is Thicker than Water

Rated: PG-13  Language, comic horror violence, sexual content, smoking and some drug use
Release Date: May 11, 2012
Runtime:  1 hr 53 mins

Director: Tim Burton
Writers: Seth Grahame-Smith, John August, based on the television series created by Dan Curtis
Cast: Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Johnny Lee Miller, Chloe Grace Moretz, Christopher Lee, Alice Cooper


SYNOPSIS: Barnabas Collins rejects the love of a servant girl witch, resulting in the loss of his parents, his estate, his true love and his mortality. 200 years later the now vampiric Collins escapes a steel coffin tomb to return to the homestead he remembered, still plagued by the curse that affects him and his descendant family.

REVIEW: Tim Burton, director of Alice in Wonderland and Edward Scissorhands, returns with his go to lead actor Johnny Depp for another look at the bizarre and somewhat revolutionary late 1960s supernatural soap serial melodrama Dark Shadows. With its unique blend of Gothic mystery, romance and grim melodrama, the original Dark Shadows became one of the first 'must see' television series, causing many kids and adults to race home to see each episode in an era before DVRs or VCRs. Now, adding their own unique visions, Depp and Burton take a quirky and funny look at the source material that became a cult classic for a generation.


In 1750, Barnabas Collins (Johnny Depp, Alice in Wonderland) and his parents moved from Liverpool, England to the wilds of America's Maine coast. Using their know how to build a fishing port, Barnabas' father and mother creates the town of Collinsport and amassed prosperity and wealth for the town and for themselves. As a young adult, Barnabas makes the mistake of spurning the lustful advances of servant girl Angelique Bouchard (Eva Green, The Golden Compass) in favor of his true love Josette DuPres (Bella Heathcote, In Time). Unwilling to relent, the witch Bouchard curses Barnabas in a way that forces Josette to hurl herself to her death from the top of Widow's Peak. Barnabas follows after her, only to discover that he cannot die and has turned into a vampire. Trapped within a iron coffin, Bouchard buries Barnabas to rot in the ground. Nearly 200 years later, in 1972, Barnabas is accidentally released from his claustrophobic confines by construction workers. He finds himself as a strange monster in a strange new world, finally returning to the familiar surroundings of his ancestral estate, Collinwood. Barnabas finds the estate in ruin and the last remaining Collin clan a dysfunctional mess. The dusty and cracking Collinwood remains home to enduring family matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer, New Year's Eve), her budding rebellious daughter Carolyn (Chloe Grace Moretz, Hugo), Elizabeth's scheming brother Roger (Jonny Lee Miller, Endgame), Roger's 10-year-old son David (Gully McGrath, Hugo), a live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter, The King's Speech), the long suffering caretaker of Collinwood Willie Loomis (Jackie Earle Haley, Shutter Island), and David's new governess Victoria Winters (Bella Heathcote). Realizing that Barnabas has returned from the grave, literally, the still powerful and now fish cannery successful Angelica turns her seductive charms toward the vampire in an attempt to win his love. Conversely, Barnabas looks to return his family's business, fortune, and family honor, as well as woo Victoria as she reminds him of his lost Josette.

From the start, Burton, his writers Seth Grahame-Smith (the upcoming Abraham Lincoln: Vampire Hunter) and John August (Corpse Bride), and Johnny Depp intended for their version of Dark Shadows to stray a little from the soap opera without sacrificing what the original material included. Still haunting the shores of Collinwood are vampires, ghosts, witches, and a community with its share of deep, dark dramatic secrets. What sets these summer's film apart is the additional sense of whimsy and fun. While Johnny Depp channels Jonathan Frid's always iconic performances of the protagonist blood sucker, Depp added in his own flare of "flowery language" and "vocal style" to the role. As an England-born man who is turned into a vampire and immediately set into a buried grave for 200 years Barnabas finds absurdity all around him as he prowls the streets before returning home to Collinwood. And while he finds strangeness in his surroundings, his new found Collins family finds strangeness in him and his mannerisms, most notably young Carolyn who finds him "weird". While Dark Shadows is not as campy as portrayed in the trailers, the film still lightens itself out the surreal, grim world from which it sprung.

In Dark Shadows, Collinwood is as if it is a character all on its own. Production designer Rick Heinrichs from Tim Burton's Sleepy Hollow creates an elaborate and beautiful estate for the Collin characters to interact with. Costume designer Colleen Atwood from Burton's Alice In Wonderland takes a break from the the outlandish regalia of the patron beyond the looking glass to create detailed costumes and capes for Barnabas that are both fresh and familiar. Cinematographer Bruno Delbonnel, under the guidance of Burton, creates a style and look that hearkens back to an earlier era. When Victoria Winters disembarks from the train in Collinsport, and when she first walks up the drive at Collinwood, the faded soft film and the sharp, obtuse angles is reminiscent of many shots from early seventies horror and dramatic films. And Burton retains some classic soap operatic style by framing camera shots in many scenes with Barnabas and Elizabeth delivering their dialogue faced fully and dramatically away from the other.

The look of the film transported me back to the days of miniskirts and free love. The score and song choices of longtime Burton collaborator and composer Danny Elfman did the same. From the always haunting Moody Blues "Nights in White Satin" that starts off the title sequence, to a dinner accompanying Donovan classic "Season of the Witch," to Curtis Mayfield's "Superfly," Elfman's choices epitomize the tone of the film throughout.

Johnny Depp is, well, Johnny Depp! Every role he takes on is an entertaining adventure to watch. With several pale skinned characters to his credit, he does tweak his portrayal of Barnabas Collins enough to make the part feel original and set it apart from the likes of the Mad Hatter and Edward Scissorhands. Captain Jack Sparrow does bubble under the surface a bit with Depp's use of an English accent, albeit, a clear voice you can understand. Pfieffer is radiant, strong and proud in her role as Elizabeth Collins. Chloe Grace Moretz, one of my favorite young actresses, channels in perfect pitch the troubled, angst-ridden teenager that just wants to come of age and move to New York to live life on her own term. Jackie Earle Haley, a versatile performer, takes on the drunkard curmudgeon of Willie Loomis with relish. The witch of the hour, Eva Green's Angelique, is a beautiful porcelain facade that provides a shell for a lustful emptiness that twists into a devoted vengeance against Barnabas. Helena Bonham Carter's Dr. Hoffman is a sassy, alcoholic psychiatrist fascinated by Barnabas and worried about her own mortality. And Bella Heathcote plays her duel roles of the 18th Century Josette and the haunted nanny trying to escape her past and find a place to belong with equal grace.

Tim Burton, Johnny Depp, and the rest of the cast deliver a quirky and fun version of the cult classic long-running soap serial melodrama that had people of the day rushing home to watch each episode - years before Lost ever hit the airwaves. If you like Burton and Depp, then you would be remiss in passing on this new Dark Shadows. Clever, 70s cool, lightly dramatic with a touch of whimsy, Dark Shadows will entertain even if Barnabas's hypnotic gaze does not enthrall.

WORTH:  Matinee or DVD

Sunday, May 2, 2010

A Nightmare on Elm Street

Not Your Father's Nightmare
[Jackie Earle Haley, Kyle Gallner, Rooney Mara]

I need to pose a question. Why is it a necessity to vocalize every obvious plot point at a horror film? Don't get me wrong, I love the hoots of appreciation when a teenager get killed in an especially enjoyable way. I just can't understand when someone behind me, all the while kicking my seat, has to point out that the mother is lying to her daughter and hiding a crucial bit of information. These actors are not going to get an Academy Award for powerful performances... come on!

SYNOPSIS: A group of teenagers realize that the death of their friend is far more than a suicide when they realize that they are all dreaming of the same bogeyman with a gloved hand of blades, Freddy Krueger.

The real point of discussion for the new "A Nightmare on Elm Street" is whether it can hold up to Wes Craven's original. There has been obvious comparisons between Robert Englund and Jackie Earle Haley, the differences in Krueger's practical make-up, and the similarities and differences in the script and execution. 25 years may have past between Craven's original film and Samuel Bayer's reboot, but only 7 years have past since the last "Nightmare" and Bayer has to work against a mythology of 8 previous Krueger films.

I watched the new film on Saturday, then followed it with the original that afternoon on DVD. Let get to the Tale of the Tape!

Freddy Krueger - Robert Englund brought a witchy hook nose and sarcasm to a horror villain and made Krueger an industry icon. Jackie Earle Haley brings a more realistic burned-up bogeyman with more malice. Englund's Krueger was a caricature from the beginning, Haley's Krueger more malevolence and focused.
Winner: Jackie Earle Haley

Execution (not that way!): Wes Craven wrote and directed a film that revitalized the genre in the early 80s. Bayer takes a script from Wesley Strick and Eric Heisserer and gives the reboot a new millennium sensibility. The plot is a little darker than the original, the dream sequences slicker, the origin story better executed and tighter, the use of "micro naps" as a plot device more inspired. The cast selection for the 2010 version is more appropriate to the market, definitely not cheesy like the original. The new version does use a couple of ideas from its predecessor - Freddy through the wallpaper, the blades on the pipes, teen girl dragged through the school hall in a body bag - but shakes up the rest.
Winner: 2010

Execution (yes, that way!): Both have a glove of blades coming up in the bubble bath. Both have the girl flying up around the ceiling that ends with 4 slices through the belly. In the latter, Bayer amps up the ceiling crashing tenfold. The boiler dream scenes in the reboot are grittier and more decayed, especially with previous victims strung up like slabs of beef. The original has Freddy slicing off his own fingers, cutting open his belly to show he's made of maggots and goo, and coming up with great one-liners to go with his kills. The reboot has Freddy more driven and methodical, his one-liners simply a product of his twisted mentality. In terms of originality, you simply need to view the first kill in the diner and a steak knife (Clue!, anyone?) to find the clear "cut" winner.
Winner: 2010

Growing up with the "Elm Street" franchise, I loved Freddy Krueger and his antics. As the original series wore on though, it eventually became a perpetuating parody of itself. As much as I respect what the original brought back to the genre, the new "Nightmare..." breathes new life into a dying man, even though he lives only in our dreams.

Worth: Matinee and DVD