Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Denis Leary. Show all posts
Showing posts with label Denis Leary. Show all posts

Sunday, July 8, 2012

Ice Age: Continental Drift 3D

Too Much Time Adrift

Rated: PG  Mild rude humor and action/peril.
Release Date: July 13, 2012
Runtime:  1 hours 27 minutes

Director: Michael Thurmeier, Steve Martino
Writers: Michael Berg, Jason Fuchs
Cast:  Ray Romano, Denis Leary, John Leguizamo, Queen Latifah, Keke Palmer, Peter Dinklage, Nick Frost, Josh Gad, Jennifer Lopez, Nicki Minaj, Drake, Simon Pegg, Seann William Scott, Wanda Sykes, Patrick Stewart, Rebel Wilson, Chris Wedge


SYNOPSIS: When the continents start to break apart, Manny, Sid, and Diego are separated from Ellie, Peaches, and the rest of their herd, and will stop at nothing to be reunited.

REVIEW: Steve Martino (Horton Hears a Who!) must have have done something right. Director of the 2010 short Scrat's Continental Crack-Up and its 2011 sequel, Martino steps up to the big chair for the fourth feature film installment of Ice Age. Martino is joined by co-director and Ice Age: Dawn of the Dinosaurs alum director Mike Thurmeier who has been a part of the Ice Age family since the beginning when he was the lead animator on the original film. Michael Berg, who has written all of the Ice Age features except Meltdown, shares writing duties with young writer/actor Jason Fuchs for this landmass shattering story.
Peaches (Keke Palmer, Joyful Noise) is now a adventurous teenager, eager to go to the cool hangouts and meet the cool boy mammoths. Manny (Ray Romano), being ever the paranoid and protective pachyderm, worries about his woolly little girl growing up too fast. When Scrat the Squirrel places his acorn ever so gently on a snow cap, it causes a chain reaction that starts the breaking apart of the world's land masses. When the split reaches Manny and his family, Manny, Sid (John Leguizamo) and Diego (Denis Leary, The Amazing Spider-Man) find themselves adrift on an iceberg, separated from Ellie (Queen Latifah, Joyful Noise), Peaches, and the rest of the herd. Vowing to find a way back to his family, Manny and his friends try to change the course of their drifting floating patch of ice, but must first deal with various misadventures along the way. They encounter a vile sea pirate named Captain Gutt (Peter Dinklage, Elf) and his scurvy crew of misfits, including first mate saber Shira (Jennifer Lopez, What to Expect When You're Expecting), a rabbit named Squint (Aziz Ansari, 30 Minutes or Less), kangaroo Raz (Rebel Wilson, Bridesmaids), and elephant seal Fynn (Nick Frost, Snow White ad the Huntsman). While Manny and his pals try desperately to deal with Gutt and his crew, Ellie and Peaches have to deal with a landmass that is slowly but steadily pushing them and the rest of the herd toward the open ocean.

Manny, Sid, and Diego have become beloved CGI characters since they were animated onscreen back in 2002. Initially with their own agendas that revolves around the return of a human infant to its own herd, the three formally abandoned mammals discovered that they could become their own herd - a family. Even Diego, a ferocious saber tooth tiger discovers that being a part of the herd was more important than being part of the hierarchy of his own pack. In The Melt Down, Manny and his misfit pals  find more prehistoric trouble as their home is threatened by the melting ice caps, but Manny does find someone to start his own familial herd with a outspoken mammoth named Ellie who thinks she is a possum with her own herd mates Crash (Seann William Scott, American Reunion) and Eddie (Josh Peck, Red Dawn). In Dawn of the Dinosaurs, Sid gets into the family spirit by taking possession of three Tyrannosaurus Rex eggs, resulting in Manny, a pregnant Ellie, Crash and Eddie, Sid and Diego, falling into a tropical lost world inhabited by dinosaurs below the icy surface of the planet. In Continental Drift, the story continues to revolves around the ties that bind between family members and the lengths that loved ones will go through to stay together. Even Diego may have a chance at a relationship now that the white saber Shira has come aboard - of course, he will have to deal with the fact that she is always trying to keelhaul him first.

When dealing with family, Manny struggles to deal with the fact that his little girl Peaches is trying to venture out into the world on her own. Ellie tries to comfort Manny that peaches will be fine, but manny's old-fashioned attitude and the fact that he has already lost one family keeps him trying to hold on to Peaches too tightly. As a teenage pachyderm, Peaches reacts to her father's pressure with the want to spread her trunk even more! And with any teenager who is trying to impress a boy mammoth Ethan (Drake), Peaches finds herself giving up her 'strange' possum tree-hanging way of sleeping in order to seem more normal in front of the other mammoths , as well as hurting the feelings of best friend, soft-spoken mole hog Louis (Josh Gad) by telling the other mammoths that they are not really that close. But in spite of what transpires, true friendship always shines through, and family bonds bind tighter than any external adversity.

With so many major characters and divided story lines, Continental Drift does seem to drift a bit. Once upon a time major characters Eddie and Crash have more of cameo roles as comic relief than anything else, completely down-graded from their height of comic use in Meltdown and Dawn of the Dinosaurs. With Manny, Sid, and Diego out on a melting iceberg trying to get back home to the herd, and with Ellie and Peaches dealing with the task of getting to the land bridge and Peaches trying to fit in with the young mammoth herd, the segmented stories lose a little in impact. In Dawn of the Dinosaurs, Buck (Simon Pegg, Paul) may have been a new character and Sid may have been missing, but most of the characters were the same direct path. Continental Drift's introduction of so many new characters serves only to overwhelm us with quantity instead of quality. Not to say that this fourth entry into the series is not good, it is, but it may not be the best. You can still enjoy Sid's silly sloth antics, Manny's over-protective stoic nature, and Diego's quick barbs that just mask his affection for the herd, but a more intimate, tight story may have worked better. Even Sid's Granny (Wanda Sykes), although a silly addition to the team, only serves to illustrate that Sid may be better off with Manny and Diego instead of other sloths. At least, Granny has an imaginary pet named Precious to keep her company.

The 3D is excellent throughout, from Scrat's long sniffing snout to Captain Gutt and his crew casting barbed swords directly at the audience. Used in the classic sense, Martino and crew did not miss many opportunities to take advantage of the superior CGI animation version of the 3D technology
. As with all of the Ice Age films, the characters and the scenery are beautifully crafted, created, and put to screen. If nothing else, Ice Age: Continental Drift is enjoyable to gaze at.

Ice Age: Continental Drift 3D is worthwhile if you are a fan of the preceding three films, or have kids who want you to take them to see it. Adults and kids alike will laugh at the antics and the continuing adventures of Manny, Sid, and Diego. If you are like me, though, you long for the time after Dawn of the Dinosaurs when Peaches was small, cuddly and could give babysitters Sid and Diego a run for their  money. Can you have a prequel after a third sequel? Only the march of time will tell!

WORTH: Matinee or DVD

Friday, June 29, 2012

The Amazing Spider-Man

Simply Amazing

Rated: PG-13  Sequences of action and violence.
Release Date: July 3, 2012
Runtime:  2 hours 16 minutes

Director: Marc Webb
Writers: James Vanderbilt, Alvin Sargent, Steve Kloves, based on characters created by Stan Lee and Steve Ditko
Cast:  Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field


SYNOPSIS: Young Peter Parker is left in the care of his Aunt May and Uncle Ben by his parents. As a high schooler, Peter finds clues to who his parents were, the work they did, and the associates they kept - becoming a powerful superhero in the process.

REVIEW: (500) Days of Summer director Marc Webb, also known for video documentaries for 3 Doors Down, No Doubt, and Green Day, gets bitten by an irradiated spider in a web of superhero films for the some say too-soon reboot of the Spider-man franchise. Based on the character created by Marvel Comics' Stan Lee and Steve Ditko, and written by the team of The Losers James Vanderbilt, Spider-Man 2 and Spider-Man 3 scribe Alvin Sargent, and Harry Potter franchise screenwriter Steven Kloves, Marc Webb has a rich comic history to draw from to reinvent the onscreen teenage hero once more.
When their house is broken into in search for hidden documents Richard (Campbell Scott,The Exorcism of Emily Rose) and Mary Parker (Embeth Davidtz, The Girl with the Dragon Tattoo) take their son Peter to the young boy's Aunt May (Sally Field, Legally Blonde 2: Red, White and Blonde) and Uncle Ben (Martin Sheen, Seeking a Friend for the End of the World) to care for. Leaving their son behind, Richard and Mary Parker disappear and do not return. As a teenager in high school, Peter (Andrew Garfield, The Social Network) is an awkward loner who takes his fair share of abuse from fellow student Flash Thompson (Chris Zylka, Shark Night 3D) while he looks out for the other cannon fodder in Flash's path. When he finds his father's briefcase in Uncle Ben's flooded basement, Peter finds scientific evidence that links his father to both Oscorp and former colleague Doctor Curtis Connor (Rhys Ifans, The Five-Year Engagement). Investigating further, Peter goes to Oscorp to find out more from Connors, but also gets bitten by a genetically engineered spider of his father's own creation. Gaining powers from the bite, Peter finds that he can stand up to Flash and whoever else stands in his way. But when his change in behavior and poor decision-making results in his Uncle Ben's death, Peter dons a costume of his own design to exact vengeance on the man responsible. As the masked vigilante Spider-Man Peter swings rampant through New York City in search of his Uncle's killer, gaining the attention of police captain Stacy (Denis Leary, Ice Age: Dawn of the Dinosaurs). He also gains the attention of fellow classmate Gwen Stacy (Emma Stone, Crazy, Stupid, Love) in a more favorable way. When Peter gives one of his father's equations to Doctor Connors, the geneticist is able to complete a regenerative serum that his boss Norman Osborn needs to survive. Forced to the point of testing the serum on himself, Connors regains his missing arm but also turns into a hulking lizard-like monster. In spite of being hunted by the police, Peter's alter-ego Spider-Man must give it his all to protect Gwen, his aunt, and the city from the rampaging and destructive Lizard (see The Amazing Spider-Man: Who is the Lizard?).

Marc Webb and his team of writers reimagine the popular Sam Raimi and Toby Maguire Spider-Man franchise by tearing the lead character down to his roots with a new web spin of one of Marvel's most beloved characters. 
With this controversial reboot launching only a few years after Raimi's Spider-Man 3, it is near impossible to not draw comparisons between the two franchises. Pulling inspiration starting from 'The Amazing Spider-Man' #365 and the 1997 'Untold Tales of Spider-Man' #1, this version opens with the introduction of Peter's parents as scientists working on something so important that others are trying to take the work for their own ends. Instead of Mary Jane Watson as Peter's love interest, we are treated with Emma Stone's Gwen Stacy, Peter's original love interest. Raimi may have cast for Mary Jane because she is more recognizable in the Spider-Man mythos, but Gwen Stacy is a pivotal character in Peter's life ('nuf said!). I will also say that Emma Stone is wonderful and breathtaking as Gwen, drawing more than just Peter Parker into her confidence. The origin of the radioactive spider bite has changed with the times (again), this time dealing with genetically altered arachnids that Peter's own father helped to create.

Webb's Peter Parker is a young brilliant mind in the body of a withdrawn loner, more comfortable behind the camera lens as the high school photographer than being part of the human dynamic. Raimi did the same thing with Maguire's Peter, but Garfield is more skater and hoodie than Maguire's straight-laced boy scout protagonist. Looking at this movie, I realize that Garfield's portrayal is much more faithful to the comic version of the character than Mcguire ever was - in look and in style. Garfield adds in facial ticks, eye aversions, and social awkwardness that add layers onto the character. Raimi's Aunt May (played by the incomparable Rosemary Harris) looked exactly the way you would expect her to look if pulled straight from the comics, but Sally Field more embodies May's fierce, capable and loving nature. And while a fan of Cliff Robertson, Martin Sheen as Uncle Ben is more vibrant and alive, with years ahead of him before he sleeps.

This time around, we get to see a Spider-Man rogue that hasn't appeared in any of the previous films. Well, that is not entirely true. Dylan Baker played Doctor Curt Connors in Spider-Man 2 and Spider-Man 3, but never evolved (or devolved?) into the monster known as The Lizard. While I feel for Baker and his time 'on the bench', Rhys Ifans does a spectacular job in the reboot of the franchise. His villainous reptilian monster is more than capable in dealing with the novice hero. I miss the elongated alligator-type snout of The Lizard from the comics, but I understand that choices had to be made for practicality in order for the Lizard to speak intelligently - not just hiss mindlessly. The numerous battle scenes between Spider-Man and The Lizard are brilliant, with brutal thrashings and stomach-dropping aerials. And Webb does his arachnid homework by introducing the interesting concept of the sensitivity of webbing as a tracking device just like a spider on its web waiting for a fly to buzz to close. In Amazing Spider-Man faces off against a worthy adversary in the hulking form of The Lizard. And along the way, we also find ourselves sympathizing with Doctor Connors as a redeemable individual, not just a villain.

In truth, I was blown away by Sam Raimi's Spider-Man and Spider-Man 2. I enjoyed Toby Maguire as Peter Parker and Spider-Man. I loved the antic of J. Jonah Jameson (J.K. Simmons, Contraband) and the semi-campy nature of the films. I also considered Doctor Octopus from the first sequel as the best of the series' villains, unhappy with the mechanized Green Goblin from the first film. Marc Webb and his collaborators take Peter down a darker road (a la Batman Begins) with strong ties to the source materials. There was still a little feel-good campiness in Webb's version that I was distracted by, namely a bunch of crane operators, but The Amazing Spider-Man will delight and awe.

The Amazing Spider-Man, in spite of the supposed rush to reboot and revitalize the Sony property as a tent pole franchise, delivers on its promise. A great untold story surrounding Peter's superhero origin, coupled with great character casting, unbelievable action aerials and fights (check it out in IMAX 3D!), and fine comics drama, you will be caught in this movie's web!

WORTH: Friday Night and Blu-Ray