Lawless

The Good Fight

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Rated: R  Some sexuality/nudity, language and strong bloody violence
Release Date: August 29, 2012
Runtime:  1 hour 55 minutes

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Director: John Hillcoat
Writers: Nick Cave, from the novel by Matt Bondurant
Cast:  Shia LaBeouf, Tom Hardy, Jason Clarke, Guy Pearce, Jessica Chastain, Mia Wasikowska, Dane DeHaan, Gary Oldman

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SYNOPSIS:  In 1931 Depression-era Prohibition Franklin County, three bootlegging brothers' business is threatened by a new special deputy targeting moonshining operations in the hills of Virginia.

REVIEW: Director John Hillcoat, known for the bleak apocalyptic Cormac McCarthy adaptation The Road, return with another adaptation from multi-talented Nick Cave (The Proposition) based on the novel 'The Wettest County in the World' by Matt Bondurant. Looking at Depression moonshining based on the actual lives of three real-life brothers should make for fine drama. 

In 1931 Franklin County, Virginia, three brothers make their living distilling 'White Lightning' moonshine in the rural foothills. Led by Forrest Bondurant (Tom Hardy, The Dark Knight Rises), a man who cheated and overcame death in both the Great War and a bout of fever that took the lives of both of the brothers' parents, he remains a quiet but stern businessman of the local alcohol trade. Older bear of a brother Howard (Jason Clarke, Wall Street: Money Never Sleeps) like the product a little too much but is devoted to his brethren. Younger brother and runt of the litter Jack (Shia Lebeouf, Transformers: Dark of the Moon) looks to follow in his brother's footsteps but lacks the stature and intestinal fortitude to do what sometimes must be done. Operating without problems from the local constables, the Bondurant brothers suddenly find themselves up against sterner authorities in the guise of special deputy Charlie Rakes (Guy Pearce, Lockout) who looks to shut down all of the stills operating in the back wood Virginia hillside. Unwilling to back down, the Bondurant clan continue to distill the illegal alcohol while the other moonshiners are bought out or run out. While Forrest deals with keeping what he has, Jack starts running his own part of the business and making enough money to buy fancy cars and clothes, and try to woe the beautiful daughter of a town minister named Bertha (Jessica Chastain, The Help).

What could have been just another drawn out early 20th Century period drama, turns into a gripping character-driven tale of loyalty, power, and love. With great performances by Tom Hardy, Guy Pearce, and the rest of the cast, plus a phenomenal story from Nick Cave from the Matt Bondurant, Lawless will entertain and enthrall.

At the end of the second decade of the Twentieth Century, the United States government decides that the ills of the country were due to the evils of alcoholic spirits, passing the Amendment to the Constitution for Prohibition. As the Dust Bowl and the Great Depression tore through the country, those with the strength of character and convictions were able to remain or become successful in spite, and because, of the decisions of the government. Bootlegging and moonshining became the cornerstone of prosperity for both those who produced the spirits and those who sold them, and survival for those who consumed them.

Taking place in the the hills of Virginia, the opening shot pans over the luscious orange, red, and golds tree tops of the forests of the commonwealth. An old Ford truck rumbles down a single lane dirt road and Shia LeBeouf's character Jack sits behind the wheel of the old jalopy filled with White Lightning. In voice-over, Jack describes his brothers and the business they share. As they travel through the county, selling crates of mason jars filled with moonshine to both the locals and the local constables, we get a glimpse that maybe selling moonshine during Prohibition is not as illegal and detrimental to the country's morals as it was supposed to be. The cinematography is sweeping and gorgeous, adding a beauty to a story that at times is bloody and hard.

The performances are exceptional. Tom Hardy's Forrest Bondurant is both eloquent and quiet, saying more with a clenched-jaw stare and a 'hmmm' than long monologues. Shia's Jack, the center of the story in some regard, shows he carry himself with characters other than talking robots. Guy Pearce, as the special deputy Charlie Rakes appointed by the Commonwealth of Virginia, presents his character as a Chicago operative who fancies the finer things in life, has a perchance for wearing gloves, and has no problem getting his hands dirty. Jessica Chastain and Mia Wasikowska bring a softness and maturnal climate to the brother's, Jessica as the minister's daughter that Jack tries to woe and Mia as the displaced Chicago showgirl who just wants to find a more quiet life. Dane Dehaan stumbles through life as the Bondurant Brothers' mechanic and gimpy boy Cricket with a heart of gold. And Gary Oldman cameos as the crime boss Floyd Banner, both friend and foe to the back-woods bootleggers.

Lawless is a fine period drama, corner stoned by superior performances by everyone on the cast, strong stark visuals, and a solid story. Violent and beautiful, Lawless entertains and enthralls. The brothers may be outlaws, but their loyalty to each other is beyond the rules.

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WORTH:  Matinee or DVD

Transformers: Dark of the Moon IMAX 3D

Pulse-Pounding Thrill Ride

Director: Michael Bay
Writers: Ehren Kruger
Cast: Shia LaBeouf, Rosie Huntington-Whiteley,Josh Duhamel, John Turturro, Patrick Dempsey, Frances McDormand, John Malkovich

SYNOPSIS: As they defend our planet, Optimus Prime, his Autobots and Sam Witwicky may finally have come across a Cybertronian foe they cannot defeat.

REVIEW: Director Michael Bay, using a script from Transformers: Revenge of the Fallen scribe Ehren Kruger, returns to the world of Autobots, Decepticons and Sam Witwicky. What happens when a young man helps sentient machines save the world twice from Decepticon threats, receives a medal from the President of the United States, graduates from college, but can't get a job and just wants to feel like he contributing something to the world greater than delivering from the mailroom? What happened on the dark side of the Moon during the first successful manned landing that attracts the attention of the Russian and United States governments, eventually leading to a possible race between the Autobots and Decepticons to get back to the Moon first?

To say anything more about the story would be to give too much away. To suffice to say, Transformers: Dark of the Moon intertwines government conspiracies, a high-tech war epic, and a story of an attempt to overcome insurmountable odds against overwhelming forces into a heart-pounding, non-stop bullets and explosions robo-actioner.

New characters abound in this third outing for the Transformers. The departure of Mikaela (Megan Fox) and the introduction of Carly (Rosie Huntington-Whiteley adds a fresh dynamic to Sam Witwicky's (Shia LaBeouf) personal life, adding a renewed belief and wonder of discovering Optimus Prime and his Autobots for the first time. Patrick Dempsey comes onboard as Carly's boss Dylan and perceived rival for Carly’s affections. As Sam’s boss, Bruce Brazos, John Malkovich brings his Malkovich-y self to alpha-dog self-absorbed yellow-loving role, Bruce Brazos. Director Meade, played by Frances McDormand, brings a tough as nails female to the role of NEST Operations overseer. Epps (Tyrese Gibson) and Lennox (Josh Duhamel) reprise their roles as senior field agents for NEST, getting in the trenches with their teams against a foe so superior they certainly can not hope to defeat it alone – although they never give up. For levity, Bay replaced the annoying Skids and Mudflaps from Transformers: Revenge of the Fallen with the return of Agent Simmons (John Turturro), the addition of Simmons personal assistant Dutch (Firefly's Alan Tudyk), researcher Jerry Wang (The Hangover's Ken Jeong) and pint-sized Autobots Wheelie (voiced by Tom Kenny) and Brains (Reno Wilson).

As with Transformers: Revenge of the Fallen, some of the Cybertronian characters could have been expanded on. Of course, Optimus Prime, Bumble Bee, Megatron and a couple others get plenty of exposure, but Sideswipe and other Autobots seem like little more than glossy, high-detailed window dressing. The armies of Decepticons are certainly mechanical minions in the battle for the planet, but only Starscream, Shockwave and Soundwave getting any evil doing screen-time. At a runtime of 2 hours 37 minutes, Bay must have had more to cut out than he could keep, but he did manage to develop the secondary characters as best he could – to fine effect.

The IMAX presentation in 3D brought bone-vibrating sound and in-your-face graphics. The dust and debris hung in the theater, the explosions rocking the seats and the arm cannon blasts blinding the senses. The entire third act is an edge-of-your-seat thrill ride worthy of a movie all its own. Along with the typical classic Michael Bay slow motions and cheesy adrenaline-fueled one-liners, we get a few Autobot/Decepticon Quentin Tarantino moments, and a Star Trek 2: The Wrath of Khan reference. In IMAX 3D, regular 3D or good ole-fashion 2D, Transformers: Dark of the Moon will renew your faith in the franchise, the three films as a complete trilogy, and the humanity of both man and machine!

WORTH: Friday Night Opening and Blu-Ray

Wall Street: Money Never Sleeps

Time, Money and Frailty

[Shia LaBeouf, Michael Douglas, Josh Brolin, Carey Mulligan]

image from moviefone.com

RANT: The boys from work and I finally got a chance to get to the movie house to see the "Wall Street" sequel. There were a couple of other groups of people in the audience. You know what I hate? I hate it when you are watching a movie, and an old lady who is hard of hearing needs to explain an obvious plot point. The rest of us know that the viewing of an ultrasound reinforces the fact that someone was earlier announced to be pregnant. You would think that the older set would have more movie decorum.

SYNOPSIS: Gordon Gekko, released from prison after a 8 year stint, tries to reconnect with his estranged daughter Winnie. Her boyfriend Jake, reeling from the collapse of the investment bank he was employed and the suicide of his mentor, looks to get even with those he believes to be responsible.

Oliver Stone returns to direct the sequel of his 1987 "Wall Street". Written by Allan Loeb and Stephen Schiff, Michael Douglas returns as Gordon Gekko, the Wall Street inside trader who finishes serving 8 years in federal prison and emerges to the fanfare of no one. Almost 8 years later, Gekko is on the speaking circuit and peddling his new book. Enter Jake Moore (Shia LaBeouf), a Wall Street trader trying to look for the next "bubble" with fusion energy development and dating Gordon Gekko's daughter Winnie.

When rumors start about the stability of Moore's investment house at the start of the Wall Street collapse, Moore's mentor Louis Zabel (Frank Langella) loses control of the investment bank to Bretton James' (Josh Brolin) firm, and eventually commits suicide. As Jake tries to make sense of how his job has become obsolete and how Zabel could end it all, he attends a seminar with speaker Gordon Gekko. Confronting Gekko afterward, they begin a barter system where Gekko tries to reassert himself into his daughter's life in exchange for Gekko providing Moore pointers and inside information against the man he feels responsible for the downfall of his career.

I could go on and on about the plot points of the film, but the real star of the movie, aside from Gekko, is the subject matter. So relevant to the current economic climate, the issues of the recession runs deep. "Wall Street" brings to light how fragile and fluid our futures are, based on the speculations of a chosen few. Jake tells Winnie in the middle of the film that Americans are sold and believe the fairy tale, but want the truth. With the oh-so-real collapse of the US and world economies, the bursting of the housing market bubble, and the general knowledge that what used to work when it came to the financial markets doesn't work anymore, we face a uncertain future and the next generations face an even more uncertain future.

Oliver Stone weaves the return and fate of Gekko with the breed of a new generation of Wall Streeters in the image of Jake Moore. He exposes the integration of investment banks, the US Treasury, and massive bailouts. He uses the music and style of the original film with the sequel, showing us that no matter the decade greed is always greed, excess is always excess, and the best intentions usually have the most severe consequences.

Worth: Matinee

I am also trying out a new rating system shown below based on reader reaction to my somewhat complex monetary rating scale. I will give both ratings and see what kind of reaction I muster. A movie can receive up to 5 popcorn buckets. Why popcorn buckets? Because I am a slave to the thousand + calorie delight! Enjoy!