Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Leslie Mann. Show all posts
Showing posts with label Leslie Mann. Show all posts

Saturday, December 22, 2012

This is 40

ROMANTIC DRAMEDY

Life Goes On

★ ★ 1/2 out of 5 | Movie - DVD - Rental

Rated: R Pervasive language, crude humor, sexual content and some drug use.
Release Date: December 21, 2012
Runtime: 2 hours 14 minutes

Director: Judd Apatow
Writers: Judd Apatow
Cast: Paul Rudd, Leslie Mann, Maude Apatow, Iris Apatow, Jason Segel, Robert Smigel, Megan Fox, Graham Parker, John Lithgow, Albert Brooks



SYNOPSIS: Pete and Debbie reach their 40th birthdays which occur a week apart. As they reach this milestone in their lives, they realize that their lives aren't as perfect as they thought they would be.

REVIEW: Writer/director Judd Apatow hit the big screen running with the 2005 The 40 Year Old Virgin and his 2007 follow-up Knocked Up. He has since created funny situations with his writing and with direction of short films. Now, Apatow returns with his self-proclaimed "sort-of" sequel to Knocked Up in the form of a peek into the continued lives of Pete, Debbie, and their two slightly older kids in This Is 40.
Pete (Paul Rudd, Wanderlust) and Debbie (Leslie Mann, The Change-Up) are both approaching their 40th birthdays that take place a week apart. Debbie runs a fashion boutique and Pete had quit his job as a Sony executive to start his own record label. As Debbie pronounces that she is turning 38 years old again, Pete can't understand why his beautiful wife is so concerned about it. They deal with the angst of raising a budding teenager Sadie (Maude Apatow, Funny People) and younger sister Charlotte (Iris Apatow, Funny People), while dealing with financial worries at both of their businesses. As the birthday party looms closer, the family dynamic worsens as teenage Facebook threads, mooching father Larry (Albert Brooks, Drive), absentee father Oliver (John Lithgow, The Campaign), financial worries, and a fracturing marriage all add to the dread of actually turning 40.

This is 40 is Judd Apatow's way of immortalizing the sometimes bitter milestone of venturing into the start of the fifth decade of one's journey in life. Instead of creating brand new characters, Apatow revisits old friends we already have history with. Pete and Debbie were there for Ben Stone (Seth Rogen, For a Good Time, Call...) and Alison Scott (Katherine Heigl, One for the Money) when their initial drunk encounter resulted in an unexpected pregnancy and birth. Now, a few years later, we return to Pete and Debbie's home to watch both start a spiraled descent into a form of mid-life crisis as they both reach 40.

Apatow was smart to self-promote This is 40 as of the 'sort-of' sequel to Knocked Up. This new film is not as sophomoric humorous as Rogen's blundering and Heigl's stammering in the face of an unexpected birth. But if you watched Pete and Debbie in Knocked Up, their lives take on a similar tone in this return to their lives. This comedy is more dramatic than comedic, but still has a few moments that you will snicker or chuckle at. Heavyweight comedian Melissa McCarthy (Bridesmaids) comes to bat the humor out of the park as a disgruntled schoolboy mother who confronts both Pete and Debbie with hilarious results. Stay for the end credit blooper reel of a principal/parent conference that is the actual highlight of the film.

There are other sequences meant to be funny, but they don't live up to what Apatow has created on screen in the past. Several subplot lines seem unnecessary and only serve as fodder for possible hit-and-miss laughs. Debbie's employees Desi (Megan Fox, Jonah Hex) and Jodi (Charlyne Yi, Semi-Pro) are at the center of misplaced money at Debbie's store. Pete's Unfiltered Records employee Ronnie (Chris O'Dowd, 
Bridesmaids) seems unable or unwilling to market Pete's passion artist Graham Parker, at the risk of the label going under. Jason Segel (The Five-Year Engagement), playing trainer/spiritual guide/life coach Jason, tightens Debbie's buns and offers a few silly lines and smirks but didn't seem crucial to the story. A lot of things are happening, as is the case in most of our lives, but most don't seem necessary to an audience's review. Boil down some of that 134 minutes and Apatow may have had a quicker paced and tighter film.

As Apatow moves on to more personally important, more comedic/dramatic fare, he may be leaving behind that part of his audience fan base that thrived on his sophomoric palette of humor. Sure, there are a few fart jokes, potty humor, a close inspection of a planetary constellation orbiting around Paul Rudd's bottom, and everything that Melissa McCarthy pulls from her arsenal. But as the message of parental regrets, hormonal teenagers, financial uncertainty, and the fears of facing the future takes center stage, the drama of real life didn't seem as funny as it used to be.

Apatow is known for clever, witty, and funny looks at life's situations. From middle-aged virgins to expecting fathers, from agents turned hairdressers to pot smokers at the wrong place at the wrong time, Apatow ramps up the absurdity of most situations. With vulgarity, potty humor, or drug and sexual references, he still captures and relays a tender message of hope. This time, his film is more on point and dramatic, sometimes missing the opportunity to capitalize further on the silly. Unhappy spouses, risk of financial ruin, and the angst of raising children in a preservative-filled digital age needs a bigger injection of laughs.

This is 40 is a worthwhile movie in the sense that it takes a slice of 'real life' and deals with relationships and responsibilities across several generations. There could have been less clutter to make the film better. There could have been lighter tones to make it better. You will enjoy it if you know what you should prepare for.

Saturday, August 18, 2012

Paranorman 3D

Nowhere Near Normal

Rated: PG  Scary action and images, thematic elements, some rude humor and language
Release Date: August 17, 2012
Runtime:  1 hour 36 minutes

Director: Chris Butler, Sam Fell
Writers: Chris Butler
Cast:  Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin, Elaine Stritch, Bernard Hill, Tempestt Bledsoe, John Goodman


SYNOPSIS: Norman has a strange gift, he can talk to the dead. Even though he is bullied and misunderstood, Norman digs deep to take on ghosts, zombies, and the town's grown-ups to protect his town from an ancient witch's curse.

REVIEW: Director Chris Butler, art department artist on Corpse Bride and supervisor on Coraline, is joined by co-director Sam Fell, writer and director of Flushed Away, in a stop-action action adventure tale on a subject that is regaining in popularity in the last few years - zombies! 
Norman Babcock (Kodi Smit-McPhee, Let Me In) is the same as every other kid in town. He goes to school, takes out the trash, annoys his sister - and speaks to the dead! The subject of ridicule from the other kids and adults in town because of his perchance to speak to no one they can see, Norman is shunned, talked about behind his back, and called a freak. Even his father is afraid for what people may think of his son and what Norman is capable of. Although the townsfolk consider Norman strange, they do revel in the legend that a woman was executed as a witch hundreds of years ago by a judge and six of her peers. Before her execution, she set a curse on the seven who sentenced her to death, vowing that they would come back from the dead on the eve of the date of her death. When a strange hermit uncle tries to tell Norman that the curse is true and that Norman is the only one that can stop her and the undead that will rise, Norman realizes that he must try to stop the curse from coming to light. Paired off with new chubby friend Neal (Tucker Albrizzi, Spooky Buddies), Norman heads off to stop the curse, Norman must contend with his annoying sister Courtney (Anna Kendrick, 50/50), a school bully named Alvin (Christopher Mintz-Plasse, How to Train Your Dragon), a dumb jock named Mitch (Casey Affleck, Tower Heist), an angry mob of adults, relentless zombies, and a powerful witch spirit that cannot be reasoned with.

Sam Fell and Chris Butler create a detailed world in ParaNorman that seems to have become a lost art. Except for a myriad of Tim Burton stop-motion movies, most studios seemed to have moved to a more full-CGI production of animation. ParaNorman is fresh and cool, at times tricking the brain that the film is CGI like the rest. But the few stuttering, tick-ticky movements in the film make you realize just how good and how much pain-staking work went into it. Add in great CGI effects on top of the stop-motion photography makes for a classic silly fright fest.

Most likely returning to their roots, Butler and Fell start the film with a schlocky tribute to bad 70s horror films everywhere. Norman eats up - no pun intended - all thing zombie and undead, from local late night shockers to a room filled with zombie memorabilia and posters. Why? Because he talks to the dead and has no fear of the unknown of death. It's the living that Norman has more trouble contending with. And with any zombie movie, its always the living you need to worry about for than the walking dead.

Although some of the voice talent is under age, they make the story pitch perfect. Kodi Smit-McPhee and Tucker Albrizzi play Norman and Neal perfectly. Anna Kendrick strikes all of the right snarky, disgusted cords as the older sister Courtney. Christopher Mintz-Plasse and Casey Affleck are nearly unrecognizable as Alvin and Mitch, their ability to meld their voice-over talents to the character in the best way. Leslie Mann (The Change-Up) as Norman's mom Sandra, Jeff Garlin (Wall-E) as dad Perry, and Elaine Stritch (Monster-in-Law) as Grandma just add richness to a already solid voice cast. Rounding out the talent are cameo characters Bernard Hill (Wimbleton) as the walking dead Judge, Tempestt Bledsoe (N-Secure) as Sheriff Hooper, Alex Borstein (Ted) as teacher and school play director Mrs. Henscher, and John Goodman (Extremely Loud and Incredibly Close) as the creepy uncle known as Mr. Prenderghast.

ParaNorman is an example of quality craftsmanship, attention to detail, use of multiple visual media, rolled up into a funny, scary and great story perfect for pre-teens, teens, and adults alike. The story starts out strong with its homage to the horror fests of the past, and ratchets up the story, humor and action steadily until the final climatic sequence. Fell and Bulter turn some of the horror zombie conventions on its dismembered head, while keeping great classic elements in place. The 3D doesn't employ the obvious 'in your face' techniques, but adds an additional level of richness to the visuals.

ParaNorman is the tip of the fall season spear of horror films in all of its forms. Funny and filled with spills and silly chills, ParaNorman will be appealing to a wide audience. Some of the characters may be undead, but with Norman at the center of the story, the film definitely has heart.

WORTH:  Matinee or DVD

Saturday, August 6, 2011

The Change-Up

The Old Switch-a-Roo

Director: David Dobkin
Writers: Jon Lucas, Scott Moore
Cast: Jason Bateman, Ryan Reynolds, Olivia Wilde, Leslie Mann, Alan Arkin

Watch Monte Carlo Trailer Now
SYNOPSIS: A over-worked, career-driven lawyer and married father Dave switches bodies with his wild-living actor-wannabe bachelor best friend Mitch, leading to chaos and disasters in both of their original lives.

REVIEW: David Dobkins, director of
Shanghai Knights, Wedding Crashers and Fred Claus, takes a tale of body switching from The Hangover scribes Jon Lucas and Scott Moore. It's the same old classic story of two people (son and father, mother and daughter, friends) - who lead different lives, change bodies, explore the possibilities of the other person's life to ill effect, make personal self-discoveries about their lives, and yearn to be switched back to their old lives before the change is permanent.

A comedy body-switching sub-genre that includes Freak Friday in all of its iterations, Like Father, Like Son, 17 Again and Big, The Change-Up looks to ramp up the raunchiness with their rated-R version of this formulaic comedy main-stay. Stoic, straight man Jason Bateman teams up with the green ring-slinger Ryan Reynolds as polar opposite best friends Dave Lockwood and Mitch Planko. Dave Lookwood is the father of three whose self-imposed drive to further his career demands so much of his attention that he has little time for his wife Jamie (played with grace, humor and heart by Leslie Mann). On the other side of the body-switching coin is Mitch Planko who struggles through life aided by a schedule full of sex, herbs and paper, a GED and a laundry list of poor decision making. After a night of bar drinking, Dave and Mitch pee in a fountain and wish for each other's life, causing a rolling blackout and a seemingly permanent change in their minds and body. Dave, in Mitch's body, must abandon his mindset of always working and never relaxing, while Mitch, in Dave's body, must figure out how to handle the rigid schedules of ballet practices, 3am feedings of twins, and navigate his way through a merger agreement and documents that the real Dave had been preparing for months.

Leslie Mann comes on board as Dave's wife Jamie, a woman who is happy with the lifestyle Dave has provided for her and the kids and just wants Dave to slow down and give her a little attention. Olivia Wilde from Cowboys & Aliens joins the cast as legal eagle Sabrina who catches the eyes of both Dave and Mitch, regardless of what body they inhabit. Alan Arkin cameos as Mitch's father, hoping for a son who wants to turn his live around and finish at least one thing that he starts.

The R-rating offers a couple gross out laughs, a few of topless ladies, and more explicit language. There are some hits, but a lot of missed opportunities. One of the twins, before the 3am changings and feedings, continues to bang his head against the rail of his crib. Its mildly funny the first time, but quickly loses its ability to instill a laugh each time we see it again. The father/son relationship with Mitch and his father could have been developed more to give us some more tenderness. Most of the heart of the film comes from Leslie Mann's Jamie as she continues to stand by her man with the realization that she may become numb to the problems of the marriage. Ryan Reynolds and Jason Bateman play their duel roles well enough, but I know both have such wider ranges than what appears on screen.

Ultimately, The Change-Up will make you laugh a little, cry a little, and smile a little. In the end, though, The Change-Up could have very easily switches places with some of the other lesser worthy films in the genre. I love every actor and actress cast in the lead roles, but I think that maybe some of them wished they had woken up in the bodies of another film as well.

WORTH: Rental