Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Jason Momoa. Show all posts
Showing posts with label Jason Momoa. Show all posts

Monday, January 28, 2013

Bullet to the Head


ACTION/ADVENTURE, SUSPENSE/THRILLER

Revenge Never Gets Old

★ ★ ★ ★ out of 5 | Movie - DVD

Rated: R Strong violence, bloody images, language, some nudity and brief drug use.
Release Date: February 1, 2013
Runtime: 1 hour 31 minutes

Director: Walter Hill
Writers: Alessandro Camon, based on the graphic novel "Du plomb dans la tete" by Alexis Nolent
Cast: Sylvester Stallone, Sung Kang, Sarah Shahi, Adewale Akinnuoye-Agbaje, Jason Momoa, Jon Seda, Holt McCallany, Brian Van Holt, Weronika Rosati, Dane Rhodes, Marcus Lyle Brown, Andrew Austin-Peterson



SYNOPSIS:  After watching their respective partners die, a New Orleans hitman and a Washington D.C. detective form an alliance in order to bring down their common enemy.

REVIEW: Walter Hill, director of the cult classic The Warriors, has also directed another massive action star of the 1980s and 90s - Arnold Schwarnegger in the 1988 Red Heat. Now its Sylvester Stallone's turn to be under Hill's tutelage as a character that Sly is very familiar with - a hitman. Bullet to the Head is based on a screenplay by Alessandro Camon (The Messenger) from the graphic novel "Du plomb dans la tête" by Alexis Nolent.


James Bonomo a.k.a. Jimmy Bobo (Sylvester Stallone, The Expendables 2) and his associate Louis Blanchard (Jon Seda, Larry Crowne) to hotel to take on a contract hit against a former cop Hank Greely (Holt McCallany, The Losers) filling himself with booze and drugs. After the success of the assassination Bobo and Louis go to a bar to get paid. While Jimmy is in the restroom Louis is approached and killed by a professional muscular assailant. Then the powerful ponytailed man attacks Jimmy ho barely escapes. Enter Washington DC Detective Taylor Kwon (Sung Kang, Fast Five) in pursuit of the man who killed Greely. When he sees Louis' body in the morgue with Greely, Kwon puts together that this local hitman had something do with the contract to kill Greely. Hunting down Jimmy,  a known associate of Louis, Detective Qwon asks Jimmy to work together to bring down the bigger fish - the unknown men who actually contracted the Greely and Blanchard hits. When Detective Kwon is attacked, Jimmy steps in and decides that maybe this is a bigger deal than he thought. Although reluctant to work together - with completely different moral codes - the Detective and Jimmy start investigating and moving up the ladder to who actually contracted the hits. Using their own methods, they realize the hits were just one component of a much bigger scheme reaching all levels of government officials, cops, and more. Even with Kwon and Jimmy working together, their combined talents may still not be enough to prevail against what lies in front of them.

Sylvester Stallone doesn't look like he has lost any step at all in his action film career. With the recent success The Expendables and The Expendables 2, Stallone has continued to reinvent his career as a top grossing action hero. While Arnold Schwarzenegger took too much time off for politics before returning for the aptly named The Last Stand, Stallone has managed to keep it all together and looking like he can still kick some serious ass. Regardless of how many shot were fired or how the fight scenes were choreographed, Stallone still looks ripped and ready to go. At this pace, Stallone will continue to rake in box office profits for a few more years to come. Stallone uses his strength - literally and figuratively - to make the best action flicks possible.

Jimmy Bonomo is just what you would expect from Stallone. The character is a sarcastic wise ass ready to back up every word he utters. Add in gunfire, some crazy close quarters combat, and some clichéd dialogue, and you have all the best elements needed for a completely enjoyable action popcorn movie. Kang's Kwon gets some good fight work in too, but he seems a little outmatched by the presence of Stallone's Jimmy.

As with every good action hero movie or superhero movie the protagonist is only as good as his villains. In Bullet to the Head we are treated to three bad guys. That doesn't mean that Stallone's Jimmy and Kang's Kwon are outmatched because they're outnumbered. What it does mean is that the bad guys just have more firepower and manpower. The lead boss man is former exiled South African Robert Nkomo Morel (Adewale Akinnuoye-Agbaje, The Thing) looking to make money in real estate no matter what. At his side is a weasel in fox's clothing in the guise of Marcus Baptiste (Christian Slater, Soldiers of Fortune). But the real challenge comes in the form of the man known as Mr. Keegan playing with power and finesse by Jason Momoa (Conan the Barbarian). Mr. Keegan is a man not to be trifled with, dangerous because even his employers don't understand his true motivations.

Bullet to the Head is action-packed start to finish. Don't be surprised if somebody jumps out of their seats even before the production and studio logos finish on the screen. Just as the title implies there's plenty of lead flying around to find their way into the cranium of men There are moments where the sheer firepower to dispatch a person is overkill but it makes for great entertainment. Every fight scene, from Kwon fighting in a parking garage, to Jimmy facing down his contact Ronnie Earl (Brian Van Holt, Cougar Town) in a Turkish bath, to the fire ax wielding climax between Mr. Keegan and Jimmy, Some of the best action comes not with a gun but with well-placed fists.

The relationship between Jimmy and Kwon is a showing of diversity, each trying to keep the upper hand. One uses the letter of the law whole the other uses the way of the gun. Both think they are right - and they both may be right - but two alpha males on opposite ends of the moral spectrum can't occupy the same space for too long. It makes for a reasonably tense drama as well as some humor. Add in a possible love connection between straight-laced Korean Kwon and Jimmy's daughter Lisa (Sarah Shahi, I Don't Know How She Does It) and one may have a recipe for disaster.

Based on a graphic novel, Bullet to the Head is probably the perfect project for Stallone to dabble his action craft in. The runtime is a fast 91 minute, giving Stallone just enough time to have several fight scenes, explosive gun battles, and a reasonably put together story to make the flick worthwhile.

Bullet to the Head is set in the backdrop of coastal Louisiana. The story uses a few story elements of the locale, from Jimmy's man cave shack on the bayou, to a masquerade party with costumes and masks, to a crooked real estate deal taking advantage of the depressed post-Katrina, current recession era region.

Bullet to the Head is a popcorn worthy action flick from an established action star still making good action flicks. After 91 minutes of this fast-paced thrill ride, you may need snuggle up to a bullet to the head, but in a good way!


Sunday, August 21, 2011

Conan The Barbarian

Conan The Borebarian

Director: Marcus Nispel
Writers: Thomas Dean Donnelly, Joshua Oppenheimer, Sean Hood
Cast: Jason Momoa, Stephen Lang, Rachel Nichols, Ron Perlman, Rose McGowan, Bob Sapp, Steven O'Donnell

Conan the Barbarian (2011) movie still

SYNOPSIS: Born from the folds of battle, Conan is raised as a warrior in his barbarian tribe. When he watches his village and father get destroyed by a power-hungry overlord in search of a fragmented object of magical power, Conan dedicates his life to tracking the overlord and his captains down for revenge..

REVIEW: Marcus Nispel, director of remakes such as The Texas Chainsaw Massacre (2003) and Friday the 13th (2009), and a period warrior picture Pathfinder, takes a stab at another sword-wielding warrior named Conan. Based on Robert E. Howard's creation in 1932 spanning comics, books, games and film, Conan has become a iconic cultural figure, culminating in the mainstream recognition of the character with the Arnold Schwarzenegger portrayal in the 1982 Conan the Barbarian and the 1984 Conan the Destroyer. Based on a script from writing team Thomas Dean Donnelly and Joshua Oppenheimer (Dylan Dog: Dead of Night) and Sean Hood (Halloween: Resurrection), Nispel tries to recapture audiences' imagination of this battle-hardened barbarian.

Set in the 'vanished' Hyborian Age - the time between the loss of Atlantis and the rise of the known ancient civilizations - Conan the Barbarian was born in the midst of battle as the son of the leader of the northern Cimmerian tribe. Holder and protector of one of he fragments of a mask conceived in dark magics and pure-blood sacrifice, Corin, Conan's father, and the Cimmerian tribe are suddenly attacked and destroyed by the ambitious warlord Khalar Zym, his sorceress daughter Marique, and his forces in search of the final piece of the mask. Vowing revenge on those responsible for what he witnessed as a youth, Conan escapes and grows into a pirating, plundering warrior bent on destroying those whose took away his youth and tribe.

Jason Momoa (Stargate: Atlantis) looks the part as Conan, chiseled, hulking and capable with his steel. Joining him are Ron Perlman as his father, Corin, Stephen Lang (Avatar) as the power hungry warlord Khalar Zym, Rose McGowen as Zym's creepy magician daughter Marique, and Rachel Nichols as the last of an ancient pure-blood race Tamara, the key to activating the ancient mask once assembled.

This action fantasy adventure has plenty of production value just south of $100 million but the story just doesn't resonate like sparks flashing off of clashing metal weaponry. The fantasy action adventure is a tough genre and today's audience is more fickle to please. In the early 80s, The Beastmaster and Krull followed the original Conan the Barbarian, fulfilling a want for sword swinging, magic casting, and mythical creatures. Even the 90s and early 2000s saw its share of fantasy television with Hercules: The Legendary Journeys and Xena: Warrior Princess and the Oscar-winning epic trilogy films LOTR. With obvious comparisons to the original films, Conan the Barbarian has plenty of vengeance, swords, muscles, conflict, magic, thievery, and CGI serpents. In fact, the opening act of the film with Conan as a child taking on and beheading several rival tribe warriors looked to be a good omen for the rest of the film. But in spite of a solid cast, with Momoa looking the part of Conan, Lange as the ruthless warlord Zym, and McGowan as the almost as ruthless, serpent-like, lithe Marique, the movie falls short. The CGI is great in parts, but fails to deliver on some of the most simple of green screen backdrops. The story starts off well - although the birth scene is a little cheesy - but loses its luster throughout. With expectations on par with POTC, anything else seems tired and lame.

Although Nispel's Pathfinder starring Karl Urban was not well received, it succeeded where the new Conan the Barbarian fails. Creating remakes seems to only work for Nispel when the franchises are in the genre of horror. Better luck next time!

WORTH: Netflix