Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Dermot Mulroney. Show all posts
Showing posts with label Dermot Mulroney. Show all posts

Wednesday, January 25, 2012

Big Miracle

Coming Together

Rated: NR  Language
Release Date: February 3, 2012
Runtime: 1 hr 47 min


Director: Ken Kwapis
Writers: Jack Amiel, Michael Beglar, from the book "Freeing the Whales" by Thomas Rose
Cast: Drew Barrymore, John Krasinski, Ted Danson, Dermot Mulroney, Kristen Bell, Vinessa Shaw, Tim Blake Nelson




SYNOPSIS: While shooting a series of news stories in Barrow, Alaska, a cameraman and reporter discovers a family of whales trapped under miles of frozen Arctic Circle ocean with only a single access to air. A Greenpeace volunteer, an oil businessman, the Alaskan National Guard, and the entire community of the small town at the "Top of the world" try to keep the whales alive long enough to come up with a plan to get them to the open ocean.

REVIEW: The Sisterhood of the Traveling Pants director Ken Kwapis returns to the big screen with the big true story of three whales in the Arctic Circle trapped under rapidly forming ice with no escape to the open ocean. Based on the true story and the book "Freeing the Whales" by Thomas Rose, Raising Helen writers Jack Amiel and Michael Begler take on some mighty massive mammals. 

Small town Alaskan reporter Adam Carlson (John Krasinski, The Office) spends this time providing color news pieces for the Anchorage news channel. During one of the last days of filming, he discovers that a family of grey whales is trapped under the ice outside of the town of Barrow, with only a single unfrozen area to come up through for air. After the Anchorage newscast piece airs at the national level, the situation grabs the attention of Adam's ex-girlfriend, passionate Greenpeace volunteer Rachel Kramer (Drew Barrymore, Everybody's Fine) flies up to try and find a way to rescue and save the whales. Filled with fight, Rachel forces the attention of Alaskan Northern Oil Corporation CEO J.W. McGraw (Ted Danson, Damages), the Alaska's governor Haskell (Stephen Root, J. Edgar), the Alaskan National Guard headed up by pilot Colonel Scott Boyer (Dermot Mulroney, The Grey), the national news outlets, and Kelly Meyers (Vinessa Shaw, 3:10 to Yuma) from the office of the President of the United States under Ronald Reagan. The three whales, affectionately names Fred, Wilma and Bam-Bam, become center spotlight for both the small town of Barrow and for the nation.

At the top of the world, where everything from avocados and nacho chips for the Mexican restaurant to batteries for a personal Walkman have to be imported hundreds of miles, this true tale set in the town of Barrow, Alaska in October of 1988, is more than just a story about the three trapped grey whales. At the beginning of the end of the Cold War era (no pun intended), as the situation in the small town becomes a sensationalized national media event and all eyes remained glued to their televisions, the Reagan administration is portrayed as using the event to reverse their public image concerning the environment, agonizing over the decision whether to let a Soviet icebreaker come in to break the near-impenetrable pressure wall of ice that would be the last barrier to the whales' freedom to the open ocean. Not only does the government want to use the event to change their image. The head of an oil drilling corporation, J.W. McGraw, at odds with Green Peace's Rachel Kramer over the politics of giving the oil company additional rights to drill in the Alaska landscape, uses the grey whale story as a public relations opportunity to heighten the company's image in the area. Even the traditional way of life of the native Eskimo tribes living and dying in the remote Alaskan wilderness, mostly cut off and isolated from the rest of the world, is touched on as the world starts looking at the whale situation calls into question their traditions concerning whale hunting for food and ongoing survival.

With all of the complexities of the above said, Big Miracle is still a heart-warming, emotional and funny film set in the wintry wonderland of the Great White North. With all of the politics and differing of opinions converging upon this singular event, director Kwapis keeps the film light enough to avoid soap boxing about any single view or position. Oil companies, natives, activists, the government, and the media all are portrayed and given equal time as they come together to save the majestic mammal leviathans, whatever their motivations. There are enough quirks to make you chuckle, just ask a frozen eyelid. In addition, there is enough emotion to make you tear up. When Rachel makes a pleading interview with ex-boyfriend Adam behind the camera, Adam and the audience are taken to a tear by her words. And the plight of the whale family touches the heart on more than one level.

Adding to the situation is the dynamic between several of the characters. Adam and Rachel have a cordial but hurt relationship. Adam takes a shine to cub Los Angeles reporter Jill Jerard (Kristen Bell, Scream 4) looking for her big break. Greenpeace's Rachel and oil company CEO McGraw stalk each other about their intentions to the other. Colonel Boyer and White Houser Kelly have a differing of opinions about politics. And the natives of the white landscape fight to keep their way of life in the midst of a country and a world looking at them like they are in a fishbowl.

It would be rare if you were not affected by the tale of these trapped whales and the extraordinary efforts that people of all walks of life undertake to come to their aid. The peril of the whales is something that we as a people can relate to - their fear, their devotion to family, their relentless spirit. As with most of the characters in the film, you will be moved.


WORTH: Matinee or DVD

Thursday, January 12, 2012

The Grey

Survival at a Cost

Rated: R  Violence and disturbing content including bloody images, and pervasive language
Release Date: January 27, 2012
Runtime: 1 hr 57 min


Director: Joe Carnahan
Writers: Joe Carnahan, Ian Mackenzie Jeffers (from the short story "Ghost Walker")
Cast: Liam Neeson, Dermot Mulroney, Frank Grillo, James Badge Dale, Joe Anderson, Dallas Roberts



SYNOPSIS: In Alaska, when an oil drilling team's plane crashes in the frozen wilderness, the team's head of security must lead the team to survive the elements and a pack of wolves who see them as intruders.



REVIEW: Writer/director Joe Carnahan (Narc, Smoking Aces) reunites with his big screen A-Team lead Liam Neeson for a frosty wilderness adventure pitting a crashed oil team crew against the elements and hungry wolves. Based on the short story "Ghost Walker" from Ian Mackenzie Jeffers, who adds his efforts to the screenplay for the film, The Grey is a mix of action and drama set against the backdrop of an unforgiving wilderness.


John Ottway (Liam Neeson, The A-Team) has escaped to the Alaskan wilderness to serve as a wolf sniper for the crews of an oil company as they make repairs to the pipeline and work on the rigs. By day the men work on the rigs and pipeline, and by night they drink too heavily and fight too much. When several of the men are given furlough away from the rigs, Ottway catches a plane ride with them. In the middle of the flight, the plane crashes in the barren landscape of the snowy north. One of seven survivors from the flaming wreckage, Ottway bands them together to find fuel for warmth and food for sustenance. When a pack of wolves attack the camp around the wreckage, Ottway decides that making their way to the far-off tree line is their best chance at survival. With no better solutions at hand, the rest of the survivors including John Diaz (Frank Grillo, Warrior), Todd (Joe Anderson, The Crazies), Pete Hendricks (Dallas Roberts, 3:10 To Yuma), and three others scavenge the crash site then begin the trek across the snow to possible safety. All along, the pack of wolves follow the group and start picking off the survivors one by one.

Joe Carnahan, no stranger to action films with The A-Team and Smokin' Aces, takes a different tact with this tale of survival. Parts Viggo Mortensen's The Road, Anthony Hopkin's The Edge and Ethan Hawke's Alive, The Grey pushes together the simple act of survival with outside forces that makes that survival anything but simple. Can the dwindling group of men work together long enough to overcome the furry and fanged threats, or will they destroy themselves from within via infighting and desperation?

Vancouver is lovely this time of year, doubling as the Alaskan snow scape that the oil men must traverse. Carnahan uses the blustering snow dunes as a virtual no-man's land, stark and barren. 
Where the barren landscape offers little cover it allows for the group to see the wolves advancing from a long way off. Ottway believes the craggy and wooded forest will serve as a defensible position and heads in that direction with or without the rest of the group. The forest really offers little protection against the pack of wolves that continually stalk the group, truncating the group's sight lines and allowing for the wolves to blind side both the survivors and the audience.

Aside from the oil rig survivors and the vast unforgiving wilderness, the other character of The Grey is the wolf pack. When used sparingly and kept in rumbling shadows, the wolves maintain a ghostly menace that heightens the story's tension. Like a good ghost story, fear is most free-wheeling when the idea of danger and death is allowed to fester in the mind instead of in the eyes. When the entire wolf pack stares down the survivors, their green and amber eyes float in the darkness like specters. When they howl in unison in the darkness and only their breath is visible in the moon's reflection, dread truly sets in. But when we see the pack or a single wolf full out in certain scenes, the CGI does show through and distracts from the suspense.

Liam Neeson adds his strong even narrative voice to the film, letting us know that we are dealing with the dregs of society at the ends of the world. Something had driven these men to an existence in such a harsh environment. Eventually we learn more about what drives these brawlers, drinkers, and smart asses and get under their skins to care more about them.

The Grey shows that we are all instinctual at our core when faced with impossible odds. Logic, faith, religion, or sheer determination sometimes give way to more base animal behavior in times of desperation. Alphas emerge to lead. Betas fight to be the top dog. And survival usually goes to the fittest.



NOTE: Stay until the end of the credits for a final Easter Egg.

WORTH: Matinee or Rental