Homefront movie
7.25 out of 10
The Hunger Games: Catching Fire movie
8.75 out of 10
Disney's Frozen movie
10.0 out of 10
Delivery Man movie
6.75 out of 10
Thor
8.25 out of 10
Showing posts with label Adrien Brody. Show all posts
Showing posts with label Adrien Brody. Show all posts

Sunday, May 27, 2012

High School

Whut?

Rated: R  Some nudity, all involving teens, pervasive drugs and language and crude and sexual content
Release Date: June 1, 2012
Runtime:  1 hr 40 mins

Director: John Stalberg, Jr.
Writers: Erik Linthorst, John Stalberg Jr., Stephen Susco
Cast:  Adrien Brody, Michael Chiklis, Colin Hanks, Matt Bush, Sean Marquette, Adhir Kalyan, Michael Vartan, Curtis Armstrong, Yeardley Smith


SYNOPSIS: When valedictorian Henry take a hit of marijuana with former friend Travis in a fit of uncertainty and panic, he freaks out when he hears that the school principal has scheduled a school-wide drug screening the next day. To save his future, he must work with Travis to concoct and carry out a daring scheme to get the entire student body and faculty high.

REVIEW: John Stalberg, writer and director of High School and the 2005 Mr. Dramatic, he teams up on writing duties with Lemonade: Detroit writer Erik Linthorst and odd choice The Grudge and The Grudge 2 scribe Stephen Susco to attempt to create the next new stoner movie for a new generation, following in the foot steps of Dazed and Confused, Fast Highs at Ridgemont High, and Pineapple Express.
Soon to be high school senior valedictorian Henry Burke (Matt Bush, Adventureland) agonizes over every academic decision, desperate to be sure to be an attractive prospect for MIT. Former best friend current heavy stoner Travis Breaux (Sean Marquette, 13 Going on 30) takes it upon himself to hang with Henry to find out when and how their childhood friendship ended. Talking Henry into going back to a ramshackle tree house where they used to hang out and where they had hidden a 'time capsule' with all of their most treasured childhood knick knacks. Finding a joint, Travis tries to loosen Henry up by having him get baked on the joint. Meanwhile, tight-ass principal Gordon (Michael Chiklis, Eagle Eye) has had enough with stoners and miscreant behavior at his school under his rule. He decides to institute a school wide drug test the next day with the punishment of a positive urine sample being immediate expulsion. Hearing about this upcoming drug test on the news, Henry freaks out and spirals into a panic about his finals and the jeopardy of destroying his life's work with a few hits of a doobie. Travis concocts a plan to ruin the results of the drug test by stealing a potent synthetic drug called Keef from a genius, lawyer-turned-drug dealer Psycho Ed (Adrian Brody, Midnight in Paris), baking the powder into brownies to be used in place of the school moms' baked goods for the annual fundraiser sale on the day of finals and the drug tests. As the students and facility alike are enjoying the swapped batch of brownies, Travis and Henry must contend with the normally paranoid Principal Gordon, the enraged Psycho Ed, bad-tripping students and teachers, the looming drug test, and the questionable strength of their former friendship.

Stalberg and team take a more modern approach to their stoner movie. With the advent of a new millennium the importance and obsession of superior high school grades to cement a positive future is as much an addiction as the pungent smell and smooth ride of a superior grade of grass. The puckered posterior and moral rigidity of Henry stands polar opposite of Travis' free-wheeling and low-key existence, but both are fueled by their own addictive obsessions. There are usually cliques in these films - nerds, jocks, stuck up beauties, and of course stoners - but this time the focus seems to be on the highest aspirations and the highest inhalations.

Everyone is on top of their game, even in the film has been finished and shelved for some time. Adrien Brody shows again why he is an Oscar winner. His turn as the early graduating, law bar passing straight arrow whose marijuana and LSD laced adventure on vacation expands his mind to the opportunities of drug dealing and synthetic drug making as paranoid Psycho Ed is inspired and hilarious. Michael Chiklis' plays Principal Gordon as the overbearing and stuck up academic overlord like a man savoring the taste of every word before he utters it - something completely different from his The Shield role. Colin Hanks charms as he tries to placate and rebel against Gordon as assistant principal Brandon Ellis, using his Orange County conservatism and his substance abuse chops from Tenacious D and the Pick of Destiny in combination. Matt Bush and Seam Marquette become an intriguing new odd couple as Henry and Travis, riffing off each other with typical new millennial teenage angst. Facility Yeardley Smith (New Year's Eve), Michael Vartan (Colombiana), and Curtis Armstrong (Buck Larson: Born to Be a Star) lend a hand with quirky brownie induced shenanigans.

>Following the formula of teenage high school movies - straight arrow student led astray by miscreant friend, putting them in a dilemma, and having to follow through with a hair-brained scheme against 'The Man' to get themselves out of trouble again (you know, the usual!) - John Stalberg, his creative writers, and the brilliant cast make for an absurd and hilarious adventure. On paper, some of the scenes are nowhere near as side-splitting as how they actually turned out. A shared hit of marijuana on a darkened smoky room with Psycho Ed and a frog in a terrarium ends with audience members chanting the same word over and over again, like a buzz-induced mantra. It hearkens back to a 'Who's on First' caliber sequence! When Travis tries to keep Psycho Ed distracted with a barrage of fronts (the Urban dictionary describes Fronting as 'Acting like you are more, or you have more than what really exists'), it continues on for just the right time for maximum laughs. I even realized later that Henry wasn't calling Travis 'Bro' because of a misguided sense of trying to fit into the stoner's group, because, in fact, that was how Travis Breaux's last name is pronounced. Genius!

What is teenage life without conflict! In High School, conflict abounds. Henry battles to keep his own future from deteriorating by schewing the drug tests. He and Travis battle against the iron-fisted rule of Principal Gordon. When Psycho Ed finds out that Henry and Travis stole his highly potent Keef, the pair must find a way to make amends or find full payment for the drug dealer and his slacker crew. And to top it off, rival valedictorian runner-up Sebastian Saleem (Adhir Kalyan, Rules of Engagement) figures out Travis and Henry's plan to bake the school with misdirected baked goods and looks to blow the whistle to Principal Gordon unless Henry promises to take a dive in his last final exam, thus giving Saleem the highest GPA and the title of top student. Is there even a way for Henry and Travis to pull off a win?

High School
 may be just another in a long line of teenage angst movies, but for me there was more than enough laughs and hi-jinks to carry the day. Filled with tear-inducing fun, multiple conflicts to overcome, and an eventual self-realization of a what a teenager should become, High School is worthy of a look, as long as you can hold your breath while racing through the smoke-filled rooms! And, by the way, can you tell me where the school office is? Are you kidding me? Whut!

WORTH: Matinee, DVD, or Rental

Sunday, July 11, 2010

Predators

They'll Be Back
[Adrien Brody, Danny Trejo, Topher Grace, Alice Braga, Walter Coggins]



RANT: Just when you thought I could not find something to rant about, here I go again! I arrived to a fairly crowded theater for the first matinee of the day. I sat in the first row in front of a group of teenage boys. They were yacking it up before the previews started and continued to tell each other which of the movies they were going to see based on the quality of the trailers. But worse than that, they started their own DVD commentary throughout the movie. I told them to shut up a couple of times, but to no avail. I then started scouting for another seat, but could not find similar as good as the seat I had already claimed before the lights dimmed. Why is it that some people, young or old, believe that courtesy to others in a movie theater is optional?

SYNOPSIS: A group of assorted mercenaries, soldiers and thugs are assembled on a "gaming preserve" planet to serve as prey to the alien race of warrior Predators.

As a fan of all of the "Alien" quadralogy, the first "Predator" movie and the "Aliens vs Predators" films, I was looking forward to the Robert Rodriguez produced and Nimrod Antal directed continuation of the "Predator" franchise.

Going back to its roots, "Predators" pay homage to the original material, as well as bridging Schwarzenegger's Dutch back into the universe's mythology. And any fan of the original will enjoy the almost direct parallels between the singular and plural films, from the gatling gun that Bill Duke's Mac and Oleg Taktarov's Nikolai both carried, to the blade showdown that RIchard Chaves' Poncho and Louis Ozawa Changchien's Hanzo have with the alien species. Even the final showdown in the sequel is tinged with the mud of its predecessor.

Fresh off of "Armored", Antal seems to know his way around an ensemble flick. And it shows. Each member of the newly-formed squad is a warrior-killer in their own right, from ex-military merc Royce to government operative Isabelle to Yakuza enforcer Hanzo to death-row inmate Stans. Throw in a tropical militia death-squad fighter and a Russian special forces soldier for good measure, and the stage is set. The only character out of place in this platoon is Topher's Edwin, a knowledgeable doctor with seemingly no survival skills, although he does serve hos purpose. The tension is palatable as they struggle with their surroundings and each other. The dialogue is short and terse, because talking is for the weak. Talking does not get the job done, action does.

Though the action is not overly-choreographed, it doesn't need to be. A rain of bullets have a dance all their own. Not only do the "good guys" have to contend with the mostly camouflaged trio of Predators, they also have to face predator hell hounds and other quarry series brought to the gaming planet. There are some decent hand-to-hand fights and the heat during the final battles are turned up full. There is even a special cameo for the group that is both a blessing and a curse, to them and himself.

The story both simmers and boils over. Any soldier knows that the waiting is the hardest part. And for the audience, it's all worth while. The Predators stay elusive for the first half of the film, striking and disappearing back into the jungle, picking off their prey one at a time, finding weaknesses, learning and adapting. But Brody and crew also learn and adapt. Our world's monsters and bogeymen against a species dedicated to evolving into relentless and precise killers. Its hard to know sometimes who to root for.

But for fans of the multi-mandible menaces, this film is for you.

Worth: Matinee and a DVD

I am also trying out a new rating system shown below based on reader reaction to my somewhat complex monetary rating scale. I will give both ratings and see what kind of reaction I muster. A movie can receive up to 5 popcorn buckets. Why popcorn buckets? Because I am a slave to the thousand + calorie delight! Enjoy!

out of 5 popcorn buckets

Monday, June 7, 2010

Splice

Splice Girl
[Adrien Brody, Sarah Polley, Delphine Chanéac]


It's a rare treat for yours truly. Tuesday and a movie after work with the boys from the job. Since I had party preparation for the christening and first birthday party, I only managed one flick from the 4 openers. I managed to see "Killers", but had to forego "Marmaduke" and "Get Him to the Greek". "Splice" may have opened in 8th place behind the other new films and several movies going into their sophomore weekend and beyond, but "Splice" fills my one of my two genres of choice, so lets get to it.

SYNOPSIS: Elsa and Clive, two scientists successfully slicing animal and plant DNA to produce medicinal proteins, are told that their pursuits to start slicing human DNA will not be supported. Forging ahead, defying legal and moral boundaries, they create a new hybrid organism. The infant, named Dren, matures at an astonishing rate, bonding with its creators. This bond, though, soon turns deadly.

Vincenzo Natali directs and co-writes this sci-fi horror blended movie, executive produced in part by Giuillermo del Toro. Natali also wrote and directed the surprise 1997 hit "Cube", made popular for me by the SciFi (SyFy) channel. "Splice" marks Natali's first major movie release.

In "Splice", Adrien Brody stars as Clive and Sarah Polley as Elsa, two genetic scientists on the verge of solving major medical ailments, if only they were given the green light to starting using human DNA. In this story, the science is not so far fetched that the story is unbelievable. Look at the 1931 monster classic "Frankenstein", the science in that story was complete and utter fiction, but it has endured almost 80 years. In "Splice", the story ventures into such absurdity, it become comical in parts. The "Dren" effects, though, are well done, from weasel-looking infant to a strangely beautiful young woman with a toxin tipped tail and retractable wings. Delphine Chanéac works the role with perfect innocence and predatory instinct.

Both Brody and Polley make the most of their roles, notably Polley, best known to me for the "Dawn of the Dead" remake, who goes from devoted scientist to devoted mother to Dren to a woman under pressure and out of control of her "child". Brody goes from the naysayer of the pursuit of the Dren experiment to adoring father, especially after Elsa goes off the deep end. Be afraid of the bond that father and daughter share. You know the bond is coming, but when it arrives, you still find it incredulous.

There are a few obviously plot points that define the film, and make it predictable toward the end. The film is well made, if not as tight as it could have been for maximum effect. The arguments for scientific morality are intriguing, and the blurring of the lines between right and wrong is cannon fodder for post-movie discussion, but all in all the discomfort you will undoubtedly feel throughout the film will be better suited to the privacy of your own home.

Worth: Netflix